| 1. |
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Arte e palavra : experiência de pensamento em ato do Fórum de Ciência e Cultura da UFRJ (1985-1990)
- 2022
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- A leitura desse livro, com que Márcia Sá Cavalcante Schuback quis oferecer uma aventura de pensamento e criação ao centenário da UFRJ, teve sobre mim o efeito de uma velocíssima visita a um passado bom. A um tempo melhor, habitado pelo entusiasmo e a esperança. Não é pouca coisa para acarinhar esse nosso tempo de encarceramento e morte. É talvez banal dizer que me propiciou uma viagem no tempo. Mas quando, nessa nossa tortuosa atualidade, as utopias fugiram do horizonte – os horizontes fugiram – e os futuros se insinuam catastróficos e distópicos, às vezes o passado é o tempo da esperança. Foi para lá que viajei. Trabalhamos juntos, Márcia e eu, na gestão do reitor Horácio Macedo (1985-1990). Saíamos da ditadura, ele foi o primeiro reitor eleito pela comunidade acadêmica no Brasil, um renascimento da universidade crítica, cheia de energia vital. Ele me convidou para dirigir o Fórum de Ciência e Cultura, e para essa aventura do pensamento que age foi que trouxe Márcia do seu doutorado no IFCS. E ela fez acontecer. Fizemos juntos. Ombro a ombro, se diz. Pois foi assim: ombro a ombro. O Fórum era um vazio. Vazio institucional, de ideias, de beleza. O que Márcia fez foi povoá-lo, na área da cultura, com inteligência, sons, imagens, corpos em movimento. Excelentes ciclos de conferências, música, teatro, exposições. Arte que pensa, pensamento que se dá a ver no brilho da beleza, que é um dos modos de desencobrimento da Verdade. E o registro dessa ressurreição – na verdade, desse primeiro nascimento – foi pensado na revista Arte e Palavra, que criou e dirigiu. Foram apenas quatro números. Faltava-nos tudo até para esses quatro. Foram feitos. Mais não deu. Mas são até hoje o arquivo múltiplo de uma bela experiência do pensamento que faz, da criação que pensa. A essa experiência é dedicado esse livro. Descreve uma história, fundamenta um projeto, alegra-se com as pessoas que estiveram ao seu lado, que aí continuam, amizades dessas que, como se diz, “fazem-se no trabalho”. É muito mais do que isso, é muito melhor. São pessoas que se criaram juntas, à medida em que iam criando um mundo, que não existia. Criação, poiese, poesia em ato. Isso não é um trabalho apenas, é uma vida. Pode ser um destino. Se for assim – e foi, dou testemunho -, esse projeto, trazido aqui de novo à memória, bem podia desentupir os canais do futuro e reintroduzir esperanças. Redesenhar utopias alegres.
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| 2. |
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Att tänka smärtan
- 2009. - 1
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Smärta är ett fenomen som alla är bekanta med. Smärtan har många ansikten. Kulturen arbetar ständigt med att finna tekniker för att undvika och lindra smärtan, men den förblir en ofrånkomlig följeslagare genom livet. Inom medicinen finns en omfattande litteratur och forskning om smärta och smärtlindring. Men hur kan vi beskriva smärtan som filosofiskt och kulturellt fenomen? Vad är smärta, och vad är det att erfara smärta? Boken samlar nyskrivna bidrag från svenska och utländska forskare inom filosofi, litteratur och teologi, som alla på olika sätt och utifrån olika utgångspunkter reflekterar över detta påtagliga men samtidigt undflyende fenomen. Den avslutas med den tyske författaren Ernst Jüngers berömda essä från 1934 ”Om smärtan”, som för första gången översatts i sin helhet till svenska. Sammantaget vill boken visa på vikten av att reflektera över smärtan i en värld som i sin strävan att lindra den också tenderar att fjärma sig frånden, och den vill därmed bidra till en vidare filosofisk förståelse av det som med Edith Södergrans ord ”… ger oss våra sällsamma själar och besynnerliga tycken”.
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| 3. |
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| 4. |
- Birnbaum, Daniel, et al.
(författare)
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Thirteen questions about the object to Graham Harman
- 2020
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Ingår i: Artful objects : Graham Harman on art and the business of speculative realism. - Berlin ; Stockholm : Sternberg Press ; Stockholm School of Economics. - 9783956795244 ; , s. 43-72
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 5. |
- Bornemark, Jonna
(författare)
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Kunskapens gräns, gränsens vetande : En fenomenologisk undersökning av transcendens och kroppslighet
- 2009
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The limit between the proper and the foreign – how this limit is established, but also crossed and dissolved – has remained a crucial issue in phenomenology. Setting these questions in the context of the phenomenology of religion, this thesis develops an analysis of the relation between transcendence and body understood in terms of a certain limit. The introductory part is rooted in Edmund Husserl’s discussions of the concept of transcendence, which is shown to have an essential connection to the analysis of inner time-consciousness. Here we encounter a decisive limit to objectifying knowledge, which also comes across in his investigations of the body and its spatiality. The second part discusses Max Scheler’s critique of Husserl’s excessively objectifying view of knowledge, with a particular focus on Scheler’s understanding of love as a condition of possibility for any knowledge. Scheler is shown to have developed a new concept of transcendence that avoids the pitfalls of objectivism, although in his philosophy of religion he tends to downplay the importance of the body. The third part undertakes a reading of Edith Stein, who develops ideas similar to Scheler’s, though in a phenomenologically more nuanced fashion. Although her philosophy of religion also bypasses the body, Stein provides a more genuine access to the writings of the mystics, the analysis of which forms the core of the fourth and concluding part. Drawing on the work of the 13th century Beguine Mechthild of Magdeburg, this concluding chapter develops a phenomenological understanding of religion with an emphasis on transcendence and limit, while also retaining the centrality of our experience of the body. This means: a phenomenology of the limit is investigated, rather than a limit of phenomenology.
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| 6. |
- Burman, Anders, 1971-, et al.
(författare)
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Inledning
- 2020
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Ingår i: En plats för tänkande. - Huddinge : Södertörns högskola. - 9789189109209 - 9789189109216 ; , s. 7-24
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 7. |
- Cederberg, Carl, 1973-
(författare)
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Resaying the Human : Levinas Beyond Humanism and Antihumanism
- 2010
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- In this reading a notion of the human is developed through an engagement with the work of French philosopher Emanuel Levinas. The argument is that, with the help of Levinas, it is possible for the idea of the human to be understood anew, for the notion to be ‘resaid’. This resaying of the human is performed in a critical appropriation of the philosophical tradition: Levinas’s work is shown not to be a new variation of the complacent ideology of humanism; the idea of the human is instead interpreted to be the bearer of the very movement of critique. This movement is articulated in terms of a transcendence of a discursive ‘economy of violence’. Critique does not establish a permanent position outside of violence, but is a movement that must constantly be renewed.Here Levinas is offered as a modern thinker of particular relevance for contemporary discussions surrounding the nature both of the political and of Human Rights. In addition one finds a systematic analysis of the major works of Levinas, unraveling how a notion of the human develops from within his philosophy.Levinas’s thought is placed alongside philosophical figures of his time, such as Heidegger, Sartre, Bataille, Lévi-Strauss, Althusser, Foucault and Derrida, as well as more recent political thinkers, for example, Alain Badiou, Giorgio Agamben and Jacques Rancière.
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| 8. |
- Coelho, Teresa, et al.
(författare)
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Eplontersen for Hereditary Transthyretin Amyloidosis with Polyneuropathy
- 2023
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Ingår i: Journal of the American Medical Association (JAMA). - : American Medical Association (AMA). - 0098-7484 .- 1538-3598. ; 330:15, s. 1448-1458
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Tidskriftsartikel (refereegranskat)abstract
- Importance: Transthyretin gene silencing is an emerging treatment strategy for hereditary transthyretin (ATTRv) amyloidosis.Objective: To evaluate eplontersen, an investigational ligand-conjugated antisense oligonucleotide, in ATTRv polyneuropathy.Design, Setting, and Participants: NEURO-TTRansform was an open-label, single-group, phase 3 trial conducted at 40 sites across 15 countries (December 2019-April 2023) in 168 adults with Coutinho stage 1 or 2 ATTRv polyneuropathy, Neuropathy Impairment Score 10-130, and a documented TTR variant. Patients treated with placebo from NEURO-TTR (NCT01737398; March 2013-November 2017), an inotersen trial with similar eligibility criteria and end points, served as a historical placebo ("placebo") group.Interventions: Subcutaneous eplontersen (45 mg every 4 weeks; n = 144); a small reference group received subcutaneous inotersen (300 mg weekly; n = 24); subcutaneous placebo weekly (in NEURO-TTR; n = 60).Main Outcomes and Measures: Primary efficacy end points at week 65/66 were changes from baseline in serum transthyretin concentration, modified Neuropathy Impairment Score +7 (mNIS+7) composite score (scoring range, -22.3 to 346.3; higher scores indicate poorer function), and Norfolk Quality of Life Questionnaire-Diabetic Neuropathy (Norfolk QoL-DN) total score (scoring range, -4 to 136; higher scores indicate poorer quality of life). Analyses of efficacy end points were based on a mixed-effects model with repeated measures adjusted by propensity score weights.Results: Among 144 eplontersen-treated patients (mean age, 53.0 years; 69% male), 136 (94.4%) completed week-66 follow-up; among 60 placebo patients (mean age, 59.5 years; 68% male), 52 (86.7%) completed week-66 follow-up. At week 65, adjusted mean percentage reduction in serum transthyretin was -81.7% with eplontersen and -11.2% with placebo (difference, -70.4% [95% CI, -75.2% to -65.7%]; P <.001). Adjusted mean change from baseline to week 66 was lower (better) with eplontersen vs placebo for mNIS+7 composite score (0.3 vs 25.1; difference, -24.8 [95% CI, -31.0 to -18.6; P <.001) and for Norfolk QoL-DN (-5.5 vs 14.2; difference, -19.7 [95% CI, -25.6 to -13.8]; P <.001). Adverse events by week 66 that led to study drug discontinuation occurred in 6 patients (4%) in the eplontersen group vs 2 (3%) in the placebo group. Through week 66, there were 2 deaths in the eplontersen group consistent with known disease-related sequelae (cardiac arrhythmia; intracerebral hemorrhage); there were no deaths in the placebo group.Conclusions and Relevance: In patients with ATTRv polyneuropathy, the eplontersen treatment group demonstrated changes consistent with significantly lowered serum transthyretin concentration, less neuropathy impairment, and better quality of life compared with a historical placebo.Trial Registration: ClinicalTrials.gov Identifier: NCT04136184; EU Clinical Trials Register: EudraCT 2019-001698-10.
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En plats för tänkande : Essäer om universitetet och filosofin
- 2020. - 1
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- I ljuset av dagens heterogena kunskapskulturer är den övergripande ambitionen med den här boken att reflektera över relationen mellan universitetet och filosofin med öppningar för frågor som är av betydelse för demokratin och samhället i stort. I antologins sexton artiklar diskuteras filosofisk forskning och högre utbildning i förhållande till universitetets ständigt förändrade funktioner men också tänkandets förmåga att förändra verkligheten.Gentemot en bred idéhistorisk fond som sträcker sig från den tyska idealismen för drygt tvåhundra år sedan till vår egen tid är det ett försök att diagnostisera filosofins och tänkandets villkor, status och möjligheter inom dagens universitetsväsende. I vilka avseenden kan universitetet fortfarande fungera som en plats för tänkande?
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| 11. |
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| 12. |
- Grelz, Astrid, et al.
(författare)
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Sven-Olov Wallenstein : Försök till en bibliografi
- 2020
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Ingår i: Material: Filosofi, estetik, arkitektur : Festskrift till Sven-Olov Wallenstein - Festskrift till Sven-Olov Wallenstein. - 1651-6834. - 9789188663993 - 9789189109001 ; 24, s. 453-465
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 13. |
- Hegardt, Johan, et al.
(författare)
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Kulturarv : En begreppspolitik
- 2022. - 1
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- Under det senaste decenniet har begreppet ”kulturarv” tagit en allt större plats i den offentliga debatten. Samtidigt är kulturarv ett märkligt begrepp, som antyder att kultur kan ärvas som om det vore ett ting och att det därmed finns en sorts arvs-kultur. Den här boken handlar om kulturarv, men den handlar inte om kulturarvets eventuella fördelar inom minnes- och identitetspolitik. Inte heller är boken tänkt som en kritik mot hur kulturarv kommer till användning i praktiken. Vad som orienterar föreliggande reflektioner är snarare frågan vad ett arv är, vad en kultur är och vad en arvs-kultur kan tänkas vara samt vilka värden och värderingar ett sådant arv förutsätter?Boken tar sin utgångspunkt i dessa frågor samt i ett pågående samtal mellan Marcia Sá Cavalcante Schuback, professor i filosofi och Johan Hegardt, som är docent i arkeologi.Ett särskilt förord har skrivits av Irina Sandomirskaja, professor i Cultural Studies.Bokens bilder är tagna av Esther Shalev-Gerz och Jochen Gerz och föreställer deras konstverk Monument against fascism.
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| 14. |
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| 15. |
- Hornborg, Alf, et al.
(författare)
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De dödas närvaro
- 2021
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Ingår i: Tidvatten : Festskrift till Hans Ruin - Festskrift till Hans Ruin. - 1651-6834. - 9789189109544 ; 30, s. 211-217
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 16. |
- Itkes-Sznap, Gabriel, 1985-
(författare)
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Nollpunkten : Precisionens betydelse hos Witold Gombrowicz, Inger Christensen och Herta Müller
- 2021
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This dissertation examines precision as an aesthetic concept and practice in texts by Witold Gombrowicz (1904–1969), Inger Christensen (1935–2009) and Herta Müller (1953–). Although often referred to in contemporary criticism as a marker of aesthetic value, precision in literature has rarely been the subject of academic study. The dissertation relates the meaning of precision in literature to its meaning in and for the natural sciences and takes the conceptual dependence of the former on the latter as its point of departure. It presupposes a connection between scientific or mathematical precision and the concept of nihilism, and, in a further step, makes the claim that modern literary precision should be viewed in light of a history fraught by nihilistic destruction. Two poetological texts by the poet Paul Celan (1920–1970) are identified as places where the concept of precision in its double function – both scientific/nihilistic and literary/poetic – is explicated in a historically decisive way. Together, they are construed as an interpretative frame for the subsequent readings of Gombrowicz, Christensen and Müller. The idea of “the zero point” as a point of orientation for literary precision is mapped out by way of an interpretation of Celan’s notion of “the date”. Literary precision is presented as a form of sensibility, determined by and determining sensible particulars, rather than general and abstract rules. The close readings of Gombrowicz, Christensen and Müller, focus on formative passages in each of the writer’s works where such sensibility is brought to the fore. Each reading is structured around a trope – the antinomy in the case of Gombrowicz, the chiasm in the case of Christensen and the simile in the case of Müller. All three are shown to reflect the act of precision in practice, express its guiding sensibility and demonstrate that it is paradoxical in nature – it can, so it is argued, ultimately be understood as a precision of the imprecise.
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| 17. |
- Kasprzak, Krystof
(författare)
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Vara - Framträdande - Värld : Fenomenets negativitet hos Martin Heidegger, Jan Patočka och Eugen Fink.
- 2017
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The present investigation discusses the phenomenological concept of the phenomenon through an interpretation of the meaning of the negativity of the phenomenon in the philosophical works of Martin Heidegger, Jan Patočka and Eugen Fink. This negativity is thematised in terms of a loss and a privation that leads to a description of the appearing of the phenomenon as a sublime event, which exposes existence to an absence of meaning. A formulation of the absence in question as a dynamic movement of existence opens a new perspective on what it means to do phenomenology: phenomenological thinking does not begin with the immediate givenness of appearance, but through the trembling of meaning in the experience of a loss of the phenomenon.
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| 18. |
- Lane, Tora, 1976-
(författare)
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Rendering the Sublime : A Reading of Marina Tsvetaeva's Fairy-Tale Poem The Swain
- 2009
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The present study is a reading of the folkloric fairy-tale poem The Swain (Mólodets) (1924) by the Russian Modernist poet Marina Tsvetaeva (1892-1941).The poem represents a high point in Tsvetaeva’s experiments with Russian folk art, and it is thoroughly folkloric in its theme, forms of writing and poetic language. At the same time, the poem can be linked to the attraction to folk art as a locus of the Sublime in literary tradition, which originates in German Romanticism, and finds its echoes in Russian Modernism. This study seeks to show that Tsvetaeva’s exploration of folk art in the poem was inspired by a quandary linked to the Sublime; namely the paradoxical question how to present in art what is too great to be represented.The poem is read as an image and an illustration of the poet’s understanding of the means of presenting the unrepresentable. Tsvetaeva renders the tale as an uncanny story about a horrifying elemental force. She seeks to avoid representation by bringing out the story in a poetic performance, which has the character of a lyrical drama, where the voices of the characters speak and sing in a direct manner. Within the canvas of the folkloric performance, the poet explores poetic language to render the Sublime. She experiments with secondary meanings in order to bring out a language, which at the same time is “secret” and “literal”, and where the element can be made present in its sublimity.
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| 20. |
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| 21. |
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Material: Filosofi, Estetik, Arkitektur : Festskrift till Sven-Olov Wallenstein
- 2020. - 1
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Sedan tidigt åttiotal, när Sven-Olov Wallenstein slog ner i Stockholms intellektuella liv, har han vuxit till en kraftfull och mångförgrenad institution i sig, under sitt kärnfulla emblem: Walle. Med avstamp i filosofin och idéhistorien har han gripit in i den estetiska debatten som ingen annan under dessa gångna fyra decennier. Genom egna böcker och genom översättningar, genom tidskrifter, recensioner, katalogtexter, och inte minst genom sin undervisning runtom i Sverige och Norden har han på djupet påverkat diskussionen inom konst, arkitektur, men även inom litteratur, dans, musik och film. Som uttolkare och översättare av den klassiska tyska filosofin – Kant, Hegel, Husserl, Heidegger och Adorno – liksom av dess moderna franska arvtagare – Derrida, Foucault och Deleuze – har han på ett avgörande sätt bidragit till att återknyta det band mellan svensk och europeisk idékultur som den föregående generationens ofta historielösa omfamning av angloamerikansk analytisk filosofi hade klippt av.För att fira Walle har vi satt ihop en bok. Det har inte blivit en pliktbok, ingen sedvanlig samling lärda uppsatser som följer vänbokens konventioner. Istället för en festskrift, fick det bli en skriftfest, en bild- och uttrycks-fest, där skrivande och skapandet självt firas. Walle har arbetat hårdare än de flesta, men till sist var det alltid festen som var målet, releasen, partyt, skrattet och galenskapen. Vad vore en filosof som inte skrattar? Inte en Walle, inte den som förmår förvandla tunga resonemang till klara linjer, komplexa relationer till glad geometri, och mångfaldiga ord till färgstarka, träffande och koncentrerade bilder.
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| 22. |
- Nancy, Jean-Luc, et al.
(författare)
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History, improvised : A short dialogue between Jean-Luc Nancy and Marcia Sá Cavalcante Schuback
- 2016
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Ingår i: Philosophy today (Celina). - : Philosophy Documentation Center. - 0031-8256 .- 2329-8596. ; 60:4, s. 827-838
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Tidskriftsartikel (refereegranskat)abstract
- In this text, a dialogue about the difficult task of seizing the sense of history today is presented. The point of departure is the difficulty of the times to begin and the necessity to rethink the difference between historiography and historicity, and further between events, the event and the advent. The dialogue proposes to revisit the meaning of beginning from out of the experience of improvisation and to reflect upon the possibility of developing improvisation as a sense of history.
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| 23. |
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Phenomenology of Eros
- 2012. - 1
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- Eros manifests itself in multiple ways: as tragic eros and philosophical eros, as love, sexuality, seduction, care, desire, and friendship. Eros both defines us as beings and dislocates our existence. It breaks down our certitudes about selfhood and otherness, familiarity and strangeness. This volume gathers together contributions toward a phenomenological understanding of eros. The first part examines eros in relation to ancient philosophy and religion, the second part examines eros in relation to modern phenomenology. The analyses presented show how the question of eros brings us to the core of philosophy. Questions of time, desire, embodiment, intersubjectivity, and perception are all implicated in the phenomenology of eros.
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| 24. |
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| 25. |
- Rat, Ramona
(författare)
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Un-common Sociality : Thinking Sociality with Levinas
- 2016
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The present investigation develops the notion of sociality based on Emmanuel Levinas’s thought, and proposes an understanding of sociality that resists becoming a common foundation: an un-common sociality which interrupts the reciprocal shared common, and thereby, paradoxically, makes it possible. By engaging in the larger debate on community, this work gives voice to Levinas on the question of community without a common ground, a topic and a debate where he has previously been underestimated. In this way, the aim is to reveal new directions opened up by Levinas’s philosophy in order to think an un-common sociality.
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