| 1. |
- Holtorf, Cornelius, 1968-, et al.
(författare)
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Kulturarvssektorn är dåligt förberedd för framtiden
- 2018
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Ingår i: Respons : recensionstidskrift för humaniora & samhällsvetenskap. - Stockholm : Tidskriften Respons. - 2001-2292. ; :4, s. 7-8
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Tidskriftsartikel (populärvet., debatt m.m.)
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| 2. |
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| 3. |
- Holtorf, Cornelius, 1968-, et al.
(författare)
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علم اﻵﺛﺎر اليوم
- 2022
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Annan publikation (populärvet., debatt m.m.)
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| 4. |
- Holtorf, Cornelius, 1968-
(författare)
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Changing Concepts of Temporality in Cultural Heritage and Themed Environments
- 2016
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Ingår i: Time and Temporality in Theme Parks. - Hannover : Wehrhahn Verlag. - 9783865255488 ; , s. 115-130
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Theme parks and other themed environments commonly evoke stories about the past in order to provide their customers with enjoyable experiences. The underlying visions of the past can easily be dismissed as creative fiction drawing on common stereotypes. Usually, these visions are only very loosely related either to historical accounts based on academic research or to genuine cultural heritage. However, rather than dwelling on anachronisms in theme parks, I am interested in this paper in exploring discernible connections between cultural heritage and artificiality, authenticity and theming. Even cultural heritage needs to evoke stories about the past to provide visitors with enjoyable experiences. I argue that an important precondition for that to succeed is not the historical age of an observed object but its pastness. Pastness denotes the perceived quality that a given object is of the past. Pastness is not immanent in an object but may result from the object’s appearance (e.g. patina), its context (e.g. in a museum), or its correspondence with preconceived expectations among the audience. Therefore, pastness can – and indeed must – be designed and managed. There are thus important lessons to be learned from successful theme parks for cultural heritage management. I conclude by speculating about the social significance of fictitious heritage in themed environments.
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| 5. |
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| 6. |
- Holtorf, Cornelius, 1968-
(författare)
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On Pastness : A Reconsideration of Materiality in Archaeological Object Authenticity
- 2013
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Ingår i: Anthropological Quarterly. - : Project Muse. - 0003-5491 .- 1534-1518. ; 86:2, s. 427-444
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Tidskriftsartikel (refereegranskat)abstract
- This article argues for a modified constructivist approach to archaeological object authenticity which takes the object’s materiality seriously. This is accomplished by defining authenticity not in relation to the age of an object but to its age-value, i.e., the quality or condition of being (of the) past—its pastness. Pastness is the result of a particular perception or experience. It derives from, among others, material clues indicating wear and tear, decay, and disintegration. These material clues, and thus the presence of pastness, can be created entirely in the present.
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| 7. |
- Holtorf, Cornelius, 1968-, et al.
(författare)
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Reconsidering Heritage Destruction and Sustainable Development in a Long-Term Perspective
- 2023
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Ingår i: The Routledge Handbook of Heritage Destruction. - : Routledge. - 9781003131069 ; , s. 413-423
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Bokkapitel (refereegranskat)abstract
- This chapter proposes that heritage destruction can be seen as a medium and manifestation of dynamic transformation that ultimately allows more sustainable forms of development to emerge, not least when seen in the context of long-term change. Using insights from current debates on heritage futures and examples from cultural history, we argue that Heritage Studies needs a critical and open-minded discussion of the existing and potential effects of cultural heritage in society, potentially even developing a code of not simply conservation but destruction, change, and decay.
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| 8. |
- Holtorf, Cornelius, 1968-
(författare)
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Towards Nuclear Cultural Studies
- 2016
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Annan publikation (populärvet., debatt m.m.)abstract
- The exhibition Perpetual Uncertainty / Contemporary Art in the Nuclear Anthropocene at Bildmuseet in Umeå, Sweden (2 October 2016 – 16 April 2017), brings together artists from Europe, Japan, the USA and Australia to investigate experiences of nuclear technology, radiation and the complex relationship between knowledge and deep time.
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| 9. |
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| 10. |
- Alexandersson, Anna, et al.
(författare)
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Introduction
- 2011
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Ingår i: Museum International. - Paris : Unesco. - 1350-0775 .- 1468-0033. ; 63:1-2, s. 6-7
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- The papers in this issue were first presented at the interdisciplinary conference “Applied Cultural Heritage: How telling the past at historic sites benefits society” held at Linnaeus University in Kalmar, Sweden, 17-19 November 2010. The conference was organised jointly by Linnaeus University, Kalmar County Museum and Bridging Ages, International Organisation in Historic Environment Education and Time Travels. The aim of the conference was to explore how cultural heritage and stories about the past benefit society today. Given the major changes of society in recent decades and a fast developing globalisation, we proposed that it is no longer self-evident which historic sites are meaningful (and to whom), which stories about the past should be told (and why), and how cultural heritage can best benefit society (and what that means). It was therefore time to ask these questions anew and explore them together with practitioners in the heritage sector from around the world.
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