| 1. |
- Hannesdottir, Anna Helga, 1952
(author)
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Förord
- 2022
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In: Acta regiae societatis scientiarum et litterarum gothoburgensis. Interdisciplinaria 21. - Göteborg : Kungl. Vetenskaps- och Vitterhets-Samhället i Göteborg. - 9789198464771
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Book chapter (other academic/artistic)abstract
- Inledning till Kungl. Vetenskaps- och Vitterhets-Samhället i Göteborgs årliga vetenskapssymposium
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| 2. |
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Posthumanistiska nyckelstexter
- 2012. - 1
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Editorial collection (peer-reviewed)abstract
- Den här boken introducerar några viktiga författare på samtidsaktuella teoriområden. Donna Haraway, Karen Barad, Rosi Braidotti, Michel Callon, Gilles Deleuze, Félix Guattari, Michel Serres och Annemarie Mol presenteras i boken, som också innehåller översatta texter av dessa namn. Boken ger en bakgrund till och en överblick över ett område i intensiv teoriutveckling. Här presenteras den så kallade materiella, posthumana eller ontologiska vändningen. Här kartläggs grunderna för olika posthumanistiska förhållningssätt till de både mänskliga och icke-mänskliga (djur, miljö, teknik) krafterna i vår värld så som de begreppsliggjorts inom filosofi, feministisk teori, kulturstudier och samhällsvetenskapliga studier av naturvetenskap, medicin och teknik. Genom lästips och en omfattande litteraturlista öppnar boken för fortsatta studier och vidare diskussioner. Avslutningsvis finns också en omfattande ordlista med viktiga nyckelbegrepp som i sig ger en introduktion till ett heterogent forskningsfält. Boken riktar sig till studenter, doktorander och andra nyfikna forskare inom olika tvärvetenskapliga eller disciplinära former av humaniora och samhällsvetenskap.POSTHUMANISTISKA NYCKELTEXTER ger i de inledande kapitlen en överblick och en introduktion till posthumanistiska studier och till materiell-semiotik. Här behandlas tankeströmningar som rör det humanas natur, humanismens etik och humanvetenskapernas framtid. Boken ger en introduktion till det som inom genusvetenskap och tekniksociologi kommit att kallas den ontologiska vändningen mot de materiaaliteter och världsliga relationer som både gör och förgör oss. Här kartläggs grunderna för posthumanistiska förhållningssätt till de både mänskliga och icke-mänskliga (djur, miljö, teknik) dimensionerna av vår värld så som de begreppsliggjorts inom filosofi, feministisk teori, kulturstudier och sociala studier av vetenskap och teknik. POSTHUMANISTISKA NYCKELTEXTER erbjuder introduktioner till viktiga författare och översättningar av nyckeltexter skrivna av Donna Haraway, Karen Barad, Rosi Braidotti, Michel Callon, Gilles Deleuze med Felix Guattari, Michel Serres och Annemarie Mol. Boken innehåller även en omfattande ordlista med viktiga nyckelbegrepp som i sig ger en introduktion till ett mångfaldigt forskningsfält.
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| 3. |
- Alfredsson, Johan, 1974
(author)
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Bengt Emil Johnson’s Bland orrar och kor and the Legacy of 1960’s Sound Technology : Bengt Emil Johnson - after Concretism
- 2005
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In: "Avant-Garde and Technology", 2005-11-25, Stockholm.
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Conference paper (other academic/artistic)abstract
- Bengt Emil Johnson was one of the most prominent poets of the short-lived yet highly vivid Swedish concretist movement of the early 1960’s. As for most poets involved in this movement, his carreer soon turned to other manners of writing, in his case more successfully than for many of his fellow concretists. During the second half of the 1960’s he was involved in creating the interartial genre of text-sound-composition, and ever since then he has been an internationally acclaimed composer of electro-acoustic music. Since the 1970’s he has also been recognised as an important innovator in the field of nature-poetry, displaying an attitude as keen and attentive towards the abundance of language as it is towards that of nature. Through this sensitivity he has been able to examine and unfold intriguing correspondences between language and nature. Apart from being a poet during the first half of the 1960’s, Johnson was also a writer of manifestos and essays concerning aesthetic matters. He quite frequently appeared in the press as well as in several of the important Swedish periodicals of the time. Quite a few of the aesthetical texts he wrote during this period were concerned with the artistic potential that was to be found in new technology, especially sound-technology. Particularly interesting are a number of texts which he wrote in collaboration with Lars-Gunnar Bodin. Johnson and Bodin were not, however, the only Swedish artists writing manifestos and essays from these perspectives during those years. Someone else who did was Öyvind Fahlström, the patriarch of the Swedish concretist movement. In my paper I trace a rhetoric in a number of aesthetic essays and manifestos by all these writers published between the years 1954-1965, a rhetoric which in several ways has its aim fixed on connecting technological and scientific breakthrough to artistic breakthrough. In this way I try to point out the fact that a number of the ideals behind the radical avant-garde writing strategies used by Johnson and his compatriots during his concretist years had a technological origin. I also go on to show to what extent these strategies linger in Johnson’s later writing, what part they play, and in what ways they appear. The examples I use from his later writing consist of three, among themselves quite different, poems from his 1989 poetry collection Bland orrar och kor (Amongst Black Grouse and Cows). I aim to show that Johnson, in these poems, still uses techniques appropriated from, and inspired by, mid-century sound-technological landmarks such as the contact-microphone, multiple layer recording, cut-up- and pitching techniques. And all of these technologies and techniques were discussed in the aesthetic writings of Johnson, Bodin, and Fahlström, respectively, during the 1950’s and 1960’s. And all of them were mentioned as holding great artistic potential.
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| 4. |
- Ingvarsson, Jonas, 1966, et al.
(author)
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The New Order of Criticism. Explorations of Book Reviews Between the Interpretative and Algorithmic
- 2022
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In: CEUR Workshop Proceedings. - Aachen : CEUR-WS. ; , s. 228-234
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Conference paper (peer-reviewed)abstract
- The New Order of Criticism (2020-2024) is a mixed-methods project combining algorithmic and interpretative approaches to the study of literary criticism. The project expands on a prior study of Swedish book reviews from the years 1906, 1956 and 2006 ('The Order of Criticism', Samuelsson 2013), re-examining and re-evaluating the original results through the use of computational tools, language technology and big data. The aim of the present paper is to discuss early experiences and results from the interdisciplinary approach utilized by the current project, a collaborative process where interpreter and programmer are in dialogue, and where methodologies, and their instantiation in tools, are reflexively discussed from an epistemological point of view. In our analysis we ask: How can insights from working with digital methodologies and tools inform traditional scholarship on literary criticism? How can interpretative approaches and results inform digital methods?.
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| 5. |
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| 6. |
- Strawhacker, Colleen, et al.
(author)
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Building Cyberinfrastructure from the Ground Up for the North Atlantic Biocultural Organization : Introducing the cyberNABO Project
- 2015
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In: 2015 Digital Heritage: Volume 2. - : Institute of Electrical and Electronics Engineers (IEEE). - 9781509000487 ; , s. 457-460
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Conference paper (peer-reviewed)abstract
- The cyberNABO Project is designed to solidify a developing multidisciplinary community through the development of cyberinfrastructure (CI) to study the long-term human ecodynamics of North Atlantic, a region that is especially vulnerable to ongoing climate and environmental change. It builds build upon prior sustained field and laboratory research, rich and diverse datasets, and a strong involvement by local communities and institutions. cyberNABO is currently hosting a series of workshops aimed at taking these collaborators and stakeholder communities to a new level of integration and to develop capacity for building CI and visualizations in subsequent funding cycles. Research on the long-term sustainability in the Arctic requires compiling data from over thousands of square miles, hundreds of years, and multiple disciplines, from climatology to archaeology to folklore. The complexity of datasets of this scale presents a unique challenge to create a CI system that results in interoperability and accessibility of data – a task that needs an explicit plan and extensive expertise from a variety of fields. Investing in a comprehensive CI system provides the opportunity to integrate collaborators and data from the natural sciences, social sciences, and the humanities, thus providing the opportunity for a holistic approach to long-term human ecodynamics in the context of rapid social and environmental change and for the creation of digital tools for expanded northern community involvement in global change research. In order to address questions of this scale, however, this collaborative group needs to integrate multiple sources, types, and formats of data to address multidisciplinary questions and provide effective support for visualization and modeling efforts that can connect knowledge systems.
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| 7. |
- Nilsson Björkenstam, Kristina, et al.
(author)
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The Stockholm University Strindberg Corpus : Content and Possibilities
- 2014
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In: Strindberg on International Stages/Strindberg in Translation. - Cambridge : Cambridge Scholars Publishing. - 1443854409 - 9781443854405
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Book chapter (other academic/artistic)abstract
- We have approached the works of August Strindberg from a computational linguistic point of view, resulting in The Stockholm University Strindberg Corpus, consisting of seven of Strindberg's autobiographical works with linguistic annotation. The corpus is freely available for research. We use this corpus for three quantitative studies of Strindberg’s work: in the first, we describe the novels included in the corpus by keywords; in the second, we compare Strindberg’s use of emotionally charged words with selected prose of both his contemporaries and present-day authors; in the third, we explore the semantic prosody of KVINNA (“woman”) and MAN (“man”).
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| 8. |
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| 9. |
- Agrell, Erik, 1965
(author)
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Kryptovalutor – energiförbrukning och miljöeffekter
- 2023
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In: En samhällsvetenskaplig introduktion till bitcoin och kryptovalutor.
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Book chapter (other academic/artistic)abstract
- Detta kapitel fokuserar på bitcoins elförbrukning och även, i ett bredare perspektiv, annan miljöpåverkan. Efter en kort inledning i avsnitt 4.1 redovisas i avsnitt 4.2 några försök att uppskatta hur stor elförbrukningen egentligen är, och vilka källor till osäkerhet som finns i sådana uppskattningar. Motsvarande uppskattning av klimatskadliga utsläpp redovisas i avsnitt 4.3. Siffrorna sätts i perspektiv med några jämförelser i avsnitt 4.4. Utvecklingen över tid illustreras i avsnitt 4.5 och därmed kopplingen till bitcoinpriset. Miljöfrågan breddas till ett livscykelperspektiv i avsnitt 4.6, där produktion och skrotning av den specialtillverkade elektronik som används i bitcoinfabrikerna diskuteras. I avsnitt 4.7 ställs sedan den naturliga frågan: Vad finns det för alternativ? Kapitlet avslutas med några övergripande reflektioner i avsnitt 4.8.
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| 10. |
- Berglund, Karl, FD, 1983-
(author)
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Introduktion till fjärrläsning
- 2021
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In: Digitala metoder i humaniora och samhällsvetenskap. - Lund : Studentlitteratur AB. ; , s. 187-210
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Book chapter (other academic/artistic)
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