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- Ingvarsson, Jonas, 1966-, et al.
(författare)
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Introduction : Media and Materiality in the Neo-Avant-Garde
- 2012. - 200
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Ingår i: <em>Media and Materiality in the Neo-Avant-Garde</em>. - Frankfurt am Main : Peter Lang Publishing Group. - 9783631621844 - 9783653013788 ; , s. 7-14
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- An introductory essay for the volume.
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Media and Materiality in the Neo-Avant-Garde
- 2012. - 200
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Media and Materiality in the Neo-Avant-Garde explores the materiality of media technologies and their impact on the avant-garde of the late twentieth century. The essays of the volume range between different art forms (literature, film, music, visual art, performance) and bridge the same contested cultural divides - high and low, ideology and form, art and everyday life - that were once challenged by the avant-garde. Ranging in topics from the Beach Boys to Herbert Eimert, from Scandinavian forests to Warhol's Factory, the perspectives established and the operations performed in Media and Materiality in the Neo-Avant-Garde thus traverse a network of art and technology that has been crucial for more than half a century, and still is today.
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- Olsson, Jesper, 1966-
(författare)
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Stepford Wives and Lingual Music, or Tape Recorder Poetics as Gender Politics in the Early 1970s
- 2012
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Ingår i: Media and Materiality in the Neo-Avant-Garde. - : Peter Lang Publishing Group. - 9783631621844 ; , s. 82-99
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Explores the materiality of media technologies and their impact on the avant-garde of the late twentieth century. This title includes essays that range between different art forms and bridge the same contested cultural divides - high and low, ideology and form, art and everyday life - that were once challenged by the avant-garde.
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| 9. |
- Olsson, Jesper, 1966-
(författare)
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Alfabetets användning : Konkret poesi och poetisk artefaktion i svenskt 1960-tal
- 2005
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The subject of this dissertation is the so-called concrete poetry that was written in Sweden during the 1960s and, to a small extent, in the 1950s, by Öyvind Fahlström, Jarl Hammarberg, Åke Hodell, Bengt Emil Johnson, and others. The study is focused on a discussion of the forms and the ways of writing that were explored, but it also gives an account of the aesthetic-historical context – of the expanded field of the arts in the 1960s, of the early avant-garde, of related forms of writing in earlier literature, such as pattern poetry.The readings are oriented toward different aspects of the texts, such as ’kneaded’ words, disruptive syntax, ’algorithmic’ forms and methods, visuality, and sonority. Two key concepts are ’artifice’ and ’materiality’, both of which indicate how the texts discussed complicate a view of poetry as ’pure’ expression of thought and emotion, or as representation of speech or language (in a restricted sense). These writings use the alphabet in an unorthodox way, and they transgress its territory by approaching other arts and other forms of ’writing’.If one of the aims of the study is to analyze the poetical forms and operations at stake, another one is to connect these to a modern ’media age’, and to discuss the impact of media technologies as well as new conceptions and theories of writing, information, and communication (for example, cybernetics) on poetry. This contextualization gives a specific meaning and value to the texts, and paves the way for a series of questions about reading, subjectivity, and political aspects of poetry.
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| 10. |
- Olsson, Jesper, 1966-
(författare)
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Futurism in Sweden
- 2019
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Ingår i: Handbook of International Futurism<em> </em>. - Berlin/Boston : Walter de Gruyter. - 9783110273472 - 9783110273564 - 9783110390995 ; , s. 842-852
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Bokkapitel (refereegranskat)
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