SwePub - search: FÖRF:(Anders Hagberg)

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1.	En båge genom tiden - ritualer kring en göteborgshistoria. Om Flickläroverket i Artisten 2024 Editorial collection (other academic/artistic)abstract 1929 bildades Göteborgs första Högre allmänna läroverk för Flickor – Flickläroverket som fick en byggnad 1935 i det kulturella centrumet, Götaplatsen. Efter några år som Kjellbergska gymnasiet, sedan Komvux, blev byggnaden del av Artisten, Högskolan för scen och musik, HSM 1992. Byggnaden har burit kvinnors utbildning, konst och kultur över många generationer, en minneskedja som nu är bruten. Boken - En båge genom tiden – ritualer kring en göteborgshistoria – en konst- och forskningsantologi – är resultatet av de offentliga minnesdagar där de deltagande drygt 200 kvinnorna (70– 97 år) som varit elever på Flickläroverket, studenter vid Artisten, konstnärer och forskare – bidrog till och deltog i gestaltande ritualer, minnesrum, dans, utställningar och samtal som gav liv åt en utbildningskultur och konst som berört samhället i generationer. I boken bidrar ett 20-tal Göteborgsbaserade konstnärer och forskare med olika perspektiv på byggnadens poetiska, sociala och konstnärliga dimensioner. Bland annat beskrivs återskapandet av Bågdansen, som dansades varje år vid Lucia mellan 1934-1972. Här beskrivs även den medie-debatt som ledde till räddningen av målningen Dansen av Nils Nilsson från 1935 och hur nedtagningen gick till. Tillsammans med ett rikt foto- och bildmaterial, filmdokumentationer och ett ljudarkiv utgör boken ett tidsdokument där konst fungerar som minnesbärare över tid och rum.
2.	Hagberg, Anders, 1958 (author) Crosswinds - collaborative creativity as transformative practice : European Flute Council (EFC) Event 2023 - Aveiro, Portugal 2023 In: Aveiro Congress Centre, European Flute Council, January 26 - 29, 2023. Artistic work (other academic/artistic)abstract A festival with focus on European flute music (EFC Event) in connection with a conference on artistic research (Crosswinds), where Hagberg contributed with three performances: Jan 26: Solo Recital with new music for Contrabass Flute, Bass Flute and electronics. Jan 28: Premiere of the composition “The Circle is One” for “FLUTUA” (Aveiro Flute Ensemble.) Jan 29: Lecture/Workshop in improvisation from Hagbergs method of mindful, qualitative practice. The purpose was to present new music for Bass and Contrabass Flutes including extended techniques and electronics in a tonal and rhythmic context. In addition to the solo recital, a new piece for a mixed flute ensemble was premiered. During a lecture, Hagberg also introduced his approach to improvisation and qualitative practice which was relevant for the mostly classical players in the audience. The outcome was very positive and has led to new international synergies and engagements.
3.	Hagberg, Anders, 1958, et al. (author) Gränsland/Twilight Zone part 1 and 2. 2023 In: Skövde Konsthall, February 23, 2023. Bari (Italy) Muratcentoventidue October 14, 2023.. Artistic work (other academic/artistic)abstract Two new compositions by Anders Hagberg, commissioned by Carolina Jonsson for the two-part video, Gränsland 1 (2021), and Gränsland 2 (2023). The thematic starting point for these videos is a series of generic sculptures of children created in the 1940’s and 50’s. At this time just after the war, public art was often used to educate people and create a common narrative for a better future. The children in these sculptures, mostly naked young girls seen through the eyes of male artists, became symbols of hope for a better tomorrow, but also a symbol of health and the natural order of things. These sculptures got Carolina Jonsson thinking about how she, as a female artist, would choose to portray a child today, and how a child today would want to be portrayed. The answer, she realized, was anything but simple. In a time when we are surrounded by an unprecedented flow of images, and people´s self-awareness is at an all-time high, the child's encounter with the camera becomes ambivalent. The pure joy of a child playing is present, but also glimpses of insecurity, self-awareness, and self-control. This becomes especially visible in the second part, Gränsland 2, which was filmed earlier this year. Here the child has become a teenager. The teenager’s desire to be a child and to play is still apparent, but not without a conflict of interest, making the playing soft and beautiful as well as aggressive and frustrated. The music for Gränsland 1, is based on the rhythm and joy of the dancing child. The pulse and articulation were creating the starting point for a solo improvisation on Bass flute. Gränsland 2 is a soundscape for acoustic instruments, samples and electronics which has darker rhythmic elements with an underlying threat.
4.	Hagberg, Anders, 1958 (author) NFA Convention - Beyond Borders : National Flute Association Convention 2023 2023 In: Phoenix/AZ, USA. NFA, August 3 -8, 2023. Artistic work (other academic/artistic)abstract I was invited as a soloist to the National Flute Association, NFA convention/USA for a solo concert and one as a soloist with a rhythm section. It is the world's largest festival with a focus on the flute and the theme of 2023 was "Beyond Borders, to celebrate the cultural and artistic diversity." In addition to presenting Swedish music in the USA, the conference is important for an extended network with the international flute environment, which has led to synergies with other artists, universities and institutions. On August 3rd, I participated as a soloist during Late Night Jazz and chose to play my own arrangement of the composition Tutu together with a double bassist and conga player. It worked perfectly and the setting was very professional with a large stage, good technology, skilled fellow musicians and a very warm reception from the audience and other musicians. On August 5, I gave my solo concert with my own compositions for Contrabass flute, bass flute and electronics, as well as an arrangement of a traditional chorale from Gammelsvenskby. This performance was in a smaller venue and had a slightly more informal nature, which invited spontaneous conversation and feedback afterwards. I heard many inspiring concerts and connected with colleagues from different parts of the world with common interests (USA, France, Switzerland, India, UK), which will probably lead to more international engagements. Very spontaneous, I was asked to participate as a soloist at the French composer Sophie Dufeutrelle's workshop/concert in "sound painting", something that inspired us for future collaborations. It's nice to meet around a common denominator and exciting to hear so many ways of playing the flute, one of the world's oldest instruments. It becomes a reference of what is done and how my way of playing places itself in an international context. I note that the way I use new techniques and sounds in a melodic, rhythmic and tonal context stands out and attracts attention. I was very inspired by several concerts and meetings, e.g. Robert Dick, Deepak Ram, Matthias Ziegler and Sophie Dufeutrelle. The connections I made at the festival have already led to seminars in Gothenburg during autumn 2023: Robert Dick (legendary contemporary flutist) and Chris Abell (wooden flutes inventor) and a deepened contact with Sophie Dufeutrelle who is working on an article about the the Academy of Music and Drama in Gothenburg. Furthermore, I am invited to perform at the Low Flutes festival in Washington DC and will make 4 performances in April 2024. A future collaboration with bansuri flutist (North Indian bamboo flute) Deepak Ram and electronica artist Robert Rabinowitz is also planned for 2024.
5.	Hagberg, Anders, 1958, et al. (author) Nordic jazz explores Sami joik - Closing concert, Östersund Organ Festival. 2023 In: Stora kyrkan, Östersund. November 12, 2023. Artistic work (other academic/artistic)abstract The Östersund Organ Festival is an annual event and for 2023 the theme was music from the Scandinavian indigenous people, Sami. Hagberg was commissioned to form a group which presented an exploration of the Sami Jojk with the starting point in Nordic improvised music. Frode Fjellheim - Keyboard, Composer, Vocals. Anders Hagberg – Alto-, Bass and Concert Flutes, Soprano Saxophone, Composer. Snorre Bjerck – Percussion, Voice. The purpose of the project was to explore jojk in new ways, where traditional melodies and new compositions based on Sami music were instrumented and arranged for the unique instrumentation of the group. From November 9th to 12th an artistic development took part with rehearsals and discussions, from which the repertoire and arrangements were created. An important consideration was the large acoustics of the Church (Stora kyrkan). The repertoire had its starting point in some of Fjelheim's church music inspired by jojk from the albums “Aejlies gaaltije” and “Solkvad” and Hagberg's interpretations of jojk after the Northern Sami artist Inga Jusso from the albums “Earthsongs” and “Stories of Now” and “North”. A musical kinship was immediately felt between the musicians, and the preparatory work as well as the concert was very fruitful and organic. The visual and acoustic settings in the church contributed to the profound expression of the performance. The music was recorded and might result in a new album and future collaboration between the three artists.
6.	Hagberg, Anders, 1958, et al. (author) Träden och Gläntan - två dansföreställningar/Dance Performances : The Trees and The Glade - Two Dance Performances 2023 In: Premiere The Trees: Stenungsund. June 16, 2023. Premiere The Glade: Gothenburg December 1, 2023. City of Stenungsund, Atalante, Swedish Arts Council. Artistic work (other academic/artistic)abstract Commissioned Musical suites to the Dance performances “Träden” (The Trees) and “Gläntan” (The Glade) which are part of Embla Dance and Theatre project “Green Movement Lab”. “Green Movement Lab” and these performances are funded by Kulturrådet (Swedish Arts Council). In addition, Embla Dance and Theatre is supported by Göteborgs kommun (City of Gothenburg) and Region Västra Götaland. Green Movement Lab works with the climate crisis from a relational perspective, a more equal relationship between humans and nature. In the project, we want to approach the possibility of a bodily and sensory approach to nature, take the perspective of the trees and protect our coexistence. The musical compositions are created from acoustic instruments, samplings and electronics which has been processed and arranged in software programs Logic and Ableton. Similar sounds were used to both performances, however with different approach. “Träden” (The Trees) is performed outdoors with dancers, musicians, and recorded sounds. These sounds were used as a foundation to live played woodwinds and percussion. The performance wants to show a possible way to create a real difference, through an increased connection to the trees and nature. Climate research points out a stronger connection to nature as something that can slow down the prevailing negative development. “Gläntan”(The Glade) which premiered at Atalante Theatre, invites to an immersive audio-visual experience, sensual, and poetic space where the dancers and the audience are surrounded by video, sound, and dance. Through a concentrated section of nature, the performance provides a heightened artistic experience of trees and, at the same time, focuses on the coexistence between humans and nature. The performance takes its starting point in Anna Wennerbeck´s three-year research project around trees, choreography and climate issues seen from a relational perspective, a more equal relationship between humans and nature. The text is based on highly current tree research through a collaboration with researchers in central France.
7.	Hagberg, Anders, 1958 (author) MA : Album by Anders Hagberg 2022 In: Prophone Records/Naxos. May 25, 2022.. Artistic work (other academic/artistic)abstract All the music on this album was recorded in different rooms with different acoustic conditions, using an improvisation-based approach that left much or all to the impulses of the place and moment. Half of the pieces on the album consist of solos for flutes of different sizes, with minimal accompaniment. The others were played in duo with double bassist Johannes Lundberg and were recorded in two rooms with big, warm acoustics: the main exhibition hall at the Nordic Watercolor Museum and Ohlin Hall at the Academy of Music and Drama in Gothenburg. It all begins in the room. I am in the room. I play, and I listen to the sound of my instrument and the silence that follows: the silence that is a precondition for the music and will form an integral part of the whole. There is a Japanese concept, ma, that is central to Japanese art, architecture, and music. It captures the charged quality of this silence: “an emptiness full of possibilities, like a promise yet to be fulfilled.” How does one become aware of the ma in the music—the possibilities of the room, the silence? I think it is a matter of being present in the musical moment, embracing the “now” of the situation. For me, daily practice is one way to establish this contact between creativity, intention, body, instrument, and room. When I am with my instrument in the music, my mind gravitates to the now. Practice itself becomes the path to presence. In seeking to increase my attention and presence, I have also been inspired by Suizen, or “blowing Zen,” a form of meditation on sound and silence. The notes and the silent spaces between them produce effects in my inner room: associations, memories, references, thoughts, feelings. When I play, the music resounds in the outer room; it is perceived by listeners and penetrates their inner rooms, where it may arouse associations, memories, references, thoughts, feelings. My inner room stands in dialog with the outer room, and from thence the listener’s inner room. The music becomes a medium that communicates between them: a room of its own. Anders Hagberg, March 2022
8.	Hagberg, Anders, 1958 (author) Swedish Flute Festival - Concert and Live premiere : Solo recital on the yearly event "Svensk Flöjtfestival". Live premiere of the suite Wanderlust for Contrabass Flute 2022 In: Lund, Svensk flöjt, April 2, 2022. Artistic work (other academic/artistic)abstract Konsert: Live-uruppförande av sviten Wanderlust, för kontrabasflöjt som skrevs till NFA (digital) 2021. Solomusik för flöjt, basflöjt från nytt album (Release april/maj, 2022) och från TRUST (2018). Contrabass Flute: Wanderlust 1, 2, 3. Alto Flute: Poulenc (med amb-sound) F-moll En dag framliden Concert Flute: Biera Maret ----- Masterclass and workshop • Gehörsspel. Etablera en intuitiv kontakt med instrumentet. Spela det du kan sjunga! • Improvisation. Klanglig meditation, övningar.
9.	Hagberg, Anders, 1958 (author) Wanderlust - suite for Contrabass flute and Alto flute 2022 In: On line, Music Traveller TV, Dec. 7, 2022. Artistic work (other academic/artistic)abstract Wanderlust by Anders Hagberg Suite in three parts for Contrabass Flute and additional Alto Flute (part 1) 00:05 Travelling 03:35 Fragility 06:09 Restless Recorded June 11, 2021 at The Academy of Music and Drama, University of Gothenburg. Premiered at National Flute Association, Convention August 2021. Music released on the album "MA". Video Premiere December 7, 2022. http://andershagberg.se
10.	Sand, Monica, 1958, et al. (author) En båge genom tiden. Konstnärliga minnesprocesser i Flickläroverket/Artisten 2022 In: I rörelsesalarna i Flickläroverket i Artisten den 7 och 8 december 2022 och på Jonsereds herrgård 9 mars 2023. Artistic work (other academic/artistic)abstract Göteborgs första högre utbildning för flickor, Flickläroverket bildades 1929 och 1935 placerades skolans byggnad på stadens mest prestigefyllda plats och i dess kulturella centrum vid Götaplatsen. 1992 integrerades Flickläroverkets byggnad varsamt och omsorgsfullt i Artisten, men ska nu rivas för att ge plats för Konstnärliga fakultetens nya byggnad där både Högskolan för scen och musik och HDK-Valand ska beredas plats. Flickläroverket fungerar som ett pilotprojekt som syftar till att samla in, överföra och skapa nya minnen av en plats med hjälp av konstnärliga metoder. Återskapande av en historisk Bågdans som uppfördes varje år vid lucia, nya koreografier och konstnärliga ritualer, utställningar med arkivmaterial, samtal med kvinnor som gick på Flickläroverket och med konstnärer och forskare gav substans åt tiden och nya minnen att föra med in i den framtida byggnaden. Pilotprojektet skapar en grund för ytterligare forskning och kommer att resultera i en film och en konst- och forskningspublikation 2023.
11.	Hagberg, Anders, 1958, et al. (author) A lament of Existence 2021 In: Youtube. Artistic work (other academic/artistic)abstract Duo collaborations between Iranian artist Hesam Inanlou and a string of distinguished western and oriental musicians. The music was created online during the Corana pandemic in 2020 and published on video audio platforms and as a physical album 2021.
12.	Hagberg, Anders, 1958 (author) Hagakyrkan, Streamed Concerts 2021 In: Hagakyrkan, Göteborg. Artistic work (other academic/artistic)abstract Ett projekt kopplat till Anders Hagbergs arbete om rummets betydelse för det musikaliska uttrycket. I Hagakyrkan i Göteborg filmas och streamas tre genreöverskridande föreställningar speciellt valda med tanke på kyrkans akustiska och visuella kvaliteter.
13.	Hagberg, Anders, 1958 (author) NFA Convention 2021, (National Flute Association, US) : Online Premiere: "Wanderlust" for Contrabass Flute 2021 In: Online. - 0146-5422. Conference paper (other academic/artistic)abstract National Flute Convention 2021 (US). I was honored to be included as a soloist already for the 2020 Convention which was supposed to take place in Dallas (Texas/US). Due to the Corona Pandemic, it was postponed to 2021 and eventually became an online event in August 2021. As an artist I was supposed to prerecord performances which would be sent during the convention on the Whova Platform. I was part of two concerts, Electric Low Flutes and Sunday Gala Concert. For the first one I used an edited version of a streamed concert from Haga Church in Gothenburg (2021) with the music from the album TRUST. I was mainly playing Bass- and Contrabass flutes with electronics together with a bass player and two dancers in a site-specific performance. For the Gala Concert, I wanted to compose new music and at the time for the recording I was working a lot with exploring percussive extended techniques on the Contrabass Flute. Extended techniques on the flute are an integrated part in contemporary music, however not so common in a rhythmic and melodic context based in Jazz. Having that in mind, I explored how I could work with a couple of groove-based patterns in specific tonalities for the contrabass flute. The suite is entitled Wanderlust due to the fact of unwanted isolation and that we were supposed to meet in person. The first part, Travelling reflects the forward motion of walking or travelling by train where I found some rarely used fingerings to create clear and sonorous percussive sounds. The second part, called At Ease is composed as a contrast to the other two, reflecting the arrival to a destination and the feeling of rest. It is based on the use of voice and low flute pitches in a repeated harmonic cycle. Finally, the third part Restless reflects the feeling of wanting to go on the road again. Musically, it explores harmonic overtones from a low C# pedal point including vocal effects and eventually evolves into a polyrhythmic 6/4 groove. The suite will be included in an upcoming album during spring 2022.
14.	Hagberg, Anders, 1958 (author) Rummet som musikalisk medskapare 2021 In: KVHAA Konferenser. - 0348-1433. Conference paper (other academic/artistic)abstract Som improviserande blåsare har jag spelat i ett stort antal rum, både inom- och utomhus med olika akustik och då reflekterat över hur platsen, klangen och tystnaden påverkat mig och det musikaliska uttrycket. Jag har spelat i grottor, tomma oljecisterner och vattenreservoarer, gamla industrilokaler, på hällristningar från Bronsåldern och naturligtvis i en mängd kyrkor, konsertsalar, klubbar och utomhusarenor. De senaste åren har jag undersökt det yttre rummets betydelse för den musikaliska gestaltningen genom ett antal framträdanden i olika akustik, inkl. virtuella digitala rum med samplade efterklanger. Arbetet syftar till att undersöka ett rums betydelse för den levande musikaliska gestaltningen. Den centrala frågeställningen handlar om på vilket sätt en musikers interpretation och improvisation påverkas av rummets akustik, utseende och funktion. Samtidigt rymmer varje människa rum med berättelser, referenser, kropp och sinne. Sålunda står en musikers inre rum i dialog med platsens yttre rum i det musikaliska nuet. Arbetet utforskar alltså vilken resonans dessa yttre rumsliga perspektiv ger hos musikerns inre rum i det skapande musikaliska ögonblicket och hur påverkar det den spelade musiken. Närvarons inre rum, Kroppens klangliga rum Musikens tonala rum Akustikens rum Mellanrum Tomrum Naturum Stadsrum Under föreläsningen kommer vi att se filmer och bildspel från Kulturtemplet (en tom vattenreservoar), Klæmingjogv (en grotta på Färöarna) och i det stumma Anechoic Chamber (Chalmers).
15.	Hagberg, Anders, 1958, et al. (author) So Far, So Near. Album 2021 In: Online Release. Artistic work (other academic/artistic)abstract So Far, So Near: An improvised session between violinist and author Stephen Nachmanovitch and flautist Anders Hagberg, recorded over Zoom between Virginia, US and Gothenburg, Sweden.
16.	Hagberg, Anders, 1958 (author) Inner and Outer Spaces- AEC Conference 2020 In: AEC conference PJP (Pop and Jazz Platform) at KASK & Conservatorium, Ghent, Belgium. Conference paper (other academic/artistic)abstract A musical and descriptive presentation of an Artistic Development Project which explores Inner spaces of mind and sound as well as Outer spaces of tonality and acoustics, suggesting that a raised awareness of these perspectives increases the possibility to achieve flow while playing.
17.	Hagberg, Anders, 1958 (author) NORTH - album 2020 In: Global. Artistic work (other academic/artistic)abstract A musical album with four accomplished Nordic Jazz musicians. By using some original compositions as a starting point, we captured a flow of inspired, intuitive collaborative music.
18.	Hagberg, Anders, 1958 (author) AHA Festivalen, Augmented Authenticity 2019 In: Chalmers, Gothenburg. Artistic work (other academic/artistic)abstract The AHA festival has a very ambitious and artistically high quality program and I was invited to perform a concert and to hold a seminar together with sound designer Åke Linton. We explored real time surround mixing and how a musician and a sound technician can communicate during a live performance.
19.	Hagberg, Anders, 1958 (author) Inner and Outer Spaces – an awareness to achieve flow? 2019 In: Hands on Research Conference Departamento de Comunicação e Arte \| Universidade de Aveiro Aveiro, Portugal. Conference paper (peer-reviewed)abstract ABSTRACT The purpose of the project is to explore how a musician can develop awareness of an inner space of sound and mind and how it affects the music. The music itself creates a tonal spatiality which is sounding in the outer space of the hall and continues to live in the acoustics of the room. How is a wind players sound affected by an increased awareness of the body´s resonance? How is the musical expression influenced by the musician´s ability to be in a presence of mind? Does modality mean something to reinforce musical presence and musical spatiality? With improvisation as the musical approach, methods used to investigate these questions have been following two main tracks; Meditation on sound and silence inspired by exercises in Suizen (Blowing Zen) developed by Buddhist monks in Japan. *Modality. The tonal limitations have consisted of a selection of modes from Western, Arabic and Indian music. The method has consisted of a number of laboratory experiments with improvisation implemented during rehearsals, concerts, recordings and teaching. In this work I argue that with an increased awareness of the body as an inner space of resonance, the wind player gets a better sound and clearer projection into the room. Furthermore, with a mindful presence, the musician appears to connect with a quality that makes the musical result more expressive. Finally, the use of tonal limitations with an approach of embracing the mode, reinforces the presence of mind and listening qualities of the musician and thus also the sounding music. There are a number of artistic and pedagogical implications to gain from this: The combination of conscious breathing and improvisation reinforces a sense of calmness and concentration in which both the heart and the brain are positively affected. This conclusion is supported by recent medical research. Thus; an effortless approach in mind and body makes the practice itself pleasant! Improvisation practice with modal limitations is simultaneously training creativity, skills and theory. This paper suggests that the use of the above-mentioned tools increases the likelihood for a musician to play in a state of flow.
20.	Hagberg, Anders, 1958 (author) Sori Festival, Wish on the Winds, South Korea 2019 In: Jeonju, South Korea. Artistic work (other academic/artistic)abstract For the 2019 edition of Jeonju International Sori Festival I was invited to perform as a soloist at three concerts. All concerts included both solo performances as well as collaborations between other artists (wind players) from South Korea, Tibet and some other countries.
21.	Hagberg, Anders, 1958 (author) Teheran, Show of Hands 2019 In: Niavan Culture Center, Teheran, Iran. Artistic work (other academic/artistic)abstract Show of Hands is a festival in Tehran. Each year has a special theme and this year was "Solo Woodwinds". The festival has a high artistic profile and this year's festival included prominent European and Iranian artists. I gave a solo concert based on the album TRUST as well as a masterclass. Artistically I explored qualities of sound and silence in real time improvised playing as well as interaction with electronics. (Show of Hands är en festival i Tehran. Varje år har ett speciellt tema och årets var ”Solo Woodwinds”. De har en hög konstnärlig profil och årets festival gästades av framstående europeiska och iranska artister. Jag gav en solokonsert med utgångspunkt i albumet TRUST och en masterclass som bägge mottogs mycket väl. Konstnärligt utforskade att kunna vila i klang och tystnad i realtid under konserter samt interagera med elektronik.)
22.	Hagberg, Anders, 1958 (author) Winds and Tonal Worlds – a reflective performance on sound and modality 2019 In: Hands on Research Conference Departamento de Comunicação e Arte \| Universidade de Aveiro Aveiro, Portugal. Conference paper (peer-reviewed)abstract ABSTRACT When I try to answer questions from students how I still find motivation to practice, I´ve come to realize that the real reason for practicing is not that I want to improve my skills, but rather because I feel so good doing it! As a wind player I need to have a free breathing to get a full sound and while improvising I am focused on the music being played, something outside my ego. Breathing and mantra; two things associated with meditation. In this performance I will play solo on bass flutes and soprano saxophone as well as present my research on inner spaces and improvisation. Medical research shows that a calm and deep breathing positively affects our body and mind. Neurological studies on music in the brain shows that musical improvisation activates many parts of the brain, especially those associated with flow. This is also confirmed by my own practice as a pedagogue and artist. Thus, it seems like the combination of conscious breathing and improvisation can make the playing more qualitative, concentrated and pleasant. With an awareness of an inner space of sound and mind, the artist, instrument, room and listener vibrate together. I suggest that with an effortless and creative approach to playing, the simplest or most challenging exercise can be a time of qualitative attentiveness and a way to increase the full potential of the artist. I also suggest a method to modal studies with inspiration from Indian and Arabic classical music implemented in a Western context where the embracing of the modal characteristics is essential. This knowledge can be implemented in both artistic practice and in teaching situations on all levels and introduces a new approach to scale studies in Western music. Other innovative contributions are the use modal structures from different traditions and extended techniques in an improvised and melodic context.
23.	Hagberg, Anders, 1958, et al. (author) Där du går (Where you go) 2018 In: Global album release, 16 mars 2018. Artistic work (other academic/artistic)
24.	Hagberg, Anders, 1958, et al. (author) Gränslösa klanger, Japan-India-Sweden 2018 In: 26/4-2018 Helsingborgs Jazzklubb, 27/4-2018 Göteborgs konserthus.. Artistic work (other academic/artistic)
25.	Hagberg, Anders, 1958 (author) Instrumentalundervisning i improvisation - en balansgång mellan tre perspektiv. 2018 Other publication (other academic/artistic)abstract Denna artikel handlar om individuell instrumentalundervisning i musikalisk improvisation och reflekterar kring balansen mellan de tre dominerande perspektiven teoretisk förståelse, instrumentalteknisk färdighet och konstnärlig värderingsförmåga. Med min egen undervisning i flöjt och saxofon för studenter vid improvisationsmusiker-utbildningen på Högskolan för Scen & Musik (HSM) som material har jag undersökt olika strategier att förmedla dessa perspektiv till studenten. Syftet med texten är att synliggöra dessa centrala perspektiv som också speglar kursplanens huvudrubriker samt visa på hur undervisningen kan göras personlig och individuellt anpassad till varje student och samtidigt uppfylla kursmålen. Texten uppehåller sig vid frågor hur man som lärare i improvisation behöver balansera konstnärlighet och kreativitet med mer handfast musikteoretisk förståelse och praktisk färdighet att spela ett instrument. Några föreslagna verktyg som presenteras är att kombinera kunskapsförmedling med ett coachande förhållningssätt samt utvecklandet av konstruktiva feedbackmetoder. I tillägg till detta betonas vikten av reflektion före och efter lektionstillfällena samt uppmärksam närvaro under lektionerna. Ordet improvisation betyder oförutsedd. Sålunda behöver både lärare som student vara förberedda att möta det oförutsedda i undervisningen och musiken. De behöver även besinna konstens förmåga att ställa nya frågor och hitta nya, kanske oförutsedda svar men ändå kunna rymmas inom akademin.
26.	Hagberg, Anders, 1958 (author) Jeonju Int´l Sori Festival, South Korea 2018 In: Jeounju, South Korea, 1 - 6/10 - 2018. Artistic work (other academic/artistic)
27.	Hagberg, Anders, 1958 (author) TRUST 2018 In: Global album release, 21 Sep. Artistic work (other academic/artistic)
28.	Hagberg, Anders, 1958 (author) Japan-India-Sweden - Connecting Worlds 2017 /Konstnärlig forskning 2017 In: Forskning, utvecklingarbete och turné. Göteborg, Lerum, Uddevalla, Göteborg. Artistic work (other academic/artistic)abstract Ett nytt samarbete mellan japanska kotospelaren Karin Nakagawa, indiska tablaspelaren Suranjana Ghosh och svenske flöjtisten Anders Hagberg. Samarbetet, som har sin utgångspunkt i Hagbergs konstnärliga forskning om tonala tillstånd, klang och tystnad har inneburit ett processinriktat utvecklingsarbete och tre konserter.
29.	Hagberg, Anders, 1958 (author) Melodic Melange - Connecting Worlds 2017 2017 In: Turné i Sverige april, maj, oktober, november 2017. Skärhamn, Helsingborg, Göteborg, Malmö, Frölunda, Borås, Tjörn, Karlskrona, Stockholm, Lerum, Vänersborg, Trollhättan, Uddevalla, Göteborg, Sundsvall, Härnösand, Östersund.. Artistic work (other academic/artistic)abstract Melodic Melange har gjort en omfattande turné om 20 konserter i Sverige på några av de viktigaste scenerna för jazz, världs- och kammarmusik. Vi har velat undersöka hur musiken utvecklas över en längre tid samt utforska instrumenteringens möjligheter och problematisera musikaliska roller.
30.	Hagberg, Anders, 1958 (author) Solokonserter, konstnärlig forskning. 2017 In: Konserter 30/3, 26/6, 14/10 – 2017 Presentation 30/3, NoCom 6/9. * Chrisfestivalen- Kjöllefjord, Norge * GIBCA extended (Gothenburg International Bienal of Contemporary Art) Stone Zone, Hällevadsholm * Villa San Michele, Capri för inbjudna forskare och konstnärer i olika discipliner * Nordisk Joint master conference (Medverkande studenter och lärare från HSM, Norges musikhögskola i Oslo, Rytmiske Konservatoriet i Köpenhamn). Artistic work (other academic/artistic)abstract Solokonserter i olika miljöer och med visuellt inspirerande förutsättningar. När jag är ensam på scenen och skall improvisera måste jag lita till andra impulser än från andra musiker; vad rummet ger mig i akustik och även visuellt, hur publiken svarar på det jag gör och hur musiken i sig ger mig inspiration till flow. Jag har under förberedelse och konsert undersökt hur jag kan hämta inspiration och kreativ gnista från några av de erfarenheter jag kommit fram till i min forskning.
31.	Hagberg, Anders, 1958 (author) Connecting Worlds - Konsertserie 2016 In: Frölunda Kulturhus (Göteborg) Vara konserthus, Vitlycke Museum (Tanumshede) 1/10, 4/10, 3/11, 5/11, 26/11. Artistic work (other academic/artistic)abstract Connecting Worlds har som syfte, att med hög konstnärlig ambition och nivå vara en mötesplats för musiker i Sverige med bakgrund i Sverige och Mellan Östern. Fem konserter i Västra Sverige med nya musikaliska samarbeten och reflekterande samtal.
32.	Hagberg, Anders, 1958 (author) Platsspecifik solokonsert för sopransaxofon. Konsert I en grotto I ön Hestur, Färöarna 2016 In: 14 & 15/6 , 2016. Artistic work (other academic/artistic)abstract Solokonsert för sopransaxofon i en grotta på Färöarna. Dess katedralslika akustik med tillhörande brus från dyningarna blir en utmanande och inspirerande kontext att spela i, som är en viktig del i min konstnärliga forskning kring Tonen, Tillståndet och Tystnaden i musik.
33.	Hagberg, Anders, 1958 (author) Svensk Jazz 2016. Commission Concert 2016 In: 13/5 – 16. Jönköping. Artistic work (other academic/artistic)abstract En konsertproduktion som genom konstnärlig gestaltning reflekterar kring begrepp som “Jazz”, “Världsmusik” och “mångfald”. Beställning till Svensk Jazz årliga möte I Jönlöping 2016
34.	Nilsson, Per Anders, 1954, et al. (author) He Loved Him Madly 2016 In: Lindgrensalen at Academy of Music and Drama. Artistic work (other academic/artistic)abstract In this concert the classic music of USA, jazz, meets Scandinavian contemporary music practices in improvised music. The scope of the project behind was about to deconstruct and re-construct Miles Davis’s music from 70s in the 21st century, seen in the light of the musical and theoretical works of George Russell.
35.	Hagberg, Anders, 1958 (author) Artbike/Frihjul 2015 In: Säbylunds konstgård, Tjörn. Artistic work (other academic/artistic)abstract Invigning och 2 platsspecifika föreställningar under konstprojektet Artbike/Frihjul på Tjörn. Art Bike Sounds & Moves Specialkomponerad till invigningen framförs Art Bike Sounds av Anders Hagberg – flöjter, saxofon, slagverk, slangar, elektronik. Per Brehmer – trummor, slagverk, tandemcykel, elektronik. Med ljud från gamla cykeldelar som re-cyclas elektroniskt och skickas tillbaka och loopas som ett hjul i en cirkel som spelas till live på en Monark, med ringklocka och slangar som viner… Anna Wennerbeck – dans En kvinna på väg någonstans… En cykel, en resväska, fotografier och minnen som kommer åter. Rörelser som återkommer… Livet som återvinns och som går i cirklar. En platsspecifik performance med blås, slagverk, dans och klättring. Container-konsert på Kontrabasflöjt, koreograferad klipp-klättring, trummor som ekar mellan bergväggarna, maskdans och en tandemcykel.
36.	Hagberg, Anders, 1958 (author) Härjedal in Blue 2015 In: Härjedalens Kulturcentrum, Lill-Härdal. Artistic work (other academic/artistic)abstract En ny komposition för härjedalspipa/flöjt, piano, kontrabas och trummor baserad på en traditionell melodi efter J. Jönsson, Lill-Härdal. Festivalframträdande och workshop.
37.	Hagberg, Anders, 1958, et al. (author) RÖD – nybearbetning med nya kompositioner 2015 In: 3e våningen (dans- & konstscen) Sockerbruket, Göteborg. Artistic work (other academic/artistic)abstract RÖD är en reaktion, ett svar och ett samtal i musik och dans med Louise Bourgeois konstnärskap som utgångspunkt. Mother and Child, som är en serie gouache-målningar, fokuserar kring födelsen och relationen mellan mor och barn. Uttrycksfullt och egensinnigt låter Anna Wennerbeck och Anders Hagberg målningarnas blödande röda penseldrag lägga grunden för ett koreografiskt och musikaliskt landskap.
38.	Hagberg, Anders, 1958, et al. (author) The Journey Continues… 2015 In: Mumbai (St Andrew Hall), Pune (Blue Frog), Dehli (Q-la). India. Artistic work (other academic/artistic)abstract The Journey Continues…Connecting 3 Worlds: Ett samarbete och en konsertturné i tre städer med Anders Hagberg (Sverige), Ahmad al Khatib (Palestina) och Fazal Qureshi (India) m.fl. indiska musiker.
39.	Hagberg, Anders, 1958 (author) Concerto Grotto 2014 In: Summartonar festival, Klæmintgjogv, Färöarna. Artistic work (other academic/artistic)abstract En solokonsert i Kæmintgrottan i ön Hestur, Färöarna. Originalmusik av Anders Hagberg skapad för detta speciella tillfälle.
40.	Hagberg, Anders, 1958 (author) Connecting worlds 2014 In: Göteborgs konserthus. Artistic work (other academic/artistic)abstract En föreställning med nya kompositioner och arrangemang för fyra solister och stråkensemble. Det involverar artister från Norden och Orienten samt från olika genrer såsom jazz, världsmusik, arabisk och västerländsk konstmusik. Konstnärlig idé och ledning: Anders Hagberg
41.	Hagberg, Anders, 1958 (author) Härjedalspipan Revisited – Anders Hagberg Solo 2014 In: Härjedalspipan Revisited 2014, Lill-Härdal. Artistic work (other academic/artistic)abstract En konsert som förhåller sig till den svenska folkmusiktraditionen i allmänhet och Härjedalspipan i synnerhet i en nutida kontext med elektroakustisk musik för soloflöjter och elektronik.
42.	Hagberg, Anders, 1958, et al. (author) Melodic Melange 2014 In: CD, iTunes, Spotify, Wimp m.m.. Artistic work (other academic/artistic)
43.	Hagberg, Anders, 1958 (author) Procession 2014 In: Västergötlands Museum, Skara. Artistic work (other academic/artistic)abstract En nytolkning av tonsättningen Procession som reflekterar över religiösa ceremonier under bronsåldern då sannolikt sköldar användes som cymbaler. Musik för samplingar, elektronik och sopransaxofon.
44.	Hagberg, Anders, 1958, et al. (author) The Four Towers 2014 In: Nordens Hus i Torshavn, Färöarna. Artistic work (other academic/artistic)abstract Faroese ballet "The Four Towers," performed by the group Yggdrasil at the Nordic House at the 2014 Summartónar festival.
45.	Hagberg, Anders, 1958 (author) USA-turné Anders Hagberg Quartet 2014 In: Washington DC. Nordic Jazz Days 2014. Artistic work (other academic/artistic)abstract Anders Hagberg Quartet var i juni 2014 inbjudna till 5 festivalkonserter på USAs östkust.
46.	Hagberg, Anders, 1958, et al. (author) Yggdrasil - Summartonar Festival 2014 In: Nordens Hus, Torshavn, Färöarna. Summartonar Festival. Artistic work (other academic/artistic)abstract Anders Hagberg solist med Yggdrasil vid en konsert i Nordens Hus, Färöarna under Summartonar Festival.
47.	Hagberg, Anders, 1958 (author) Bangalore Conference Critical Heritage 2013 In: Srishti School of Art, Design & Technology. Bangalore , India. Artistic work (other academic/artistic)abstract The seminar will reside on the main headings Improvisation and Identity and how they can be expressed in music and life. Improvisation, being spontaneously creative as the flexible creative power of man and music as one of man's most fundamental expressions. I will reflect on the identity of the musical expression of an improviser; cultural, personal and social.
48.	Hagberg, Anders, 1958 (author) Connecting 3 Worlds – Ley Lines 2013 In: Times of India. Artistic work (other academic/artistic)abstract CD album released in India. The music was recorded after a tour in India in November 2011. Fazal Qureshi (INDIA) – tabla, kanjira, bols. Anders Hagberg (SWEDEN) – flutes, soprano saxophone, Ahmad al Khatib (PALESTINE) - oud
49.	Hagberg, Anders, 1958 (author) Modal Improvisation from two perspectives - Nordic Jazz and Arabic Maqam. 2013 In: Bangalore, India. Shristhi School. Artistic work (other academic/artistic)abstract Anders Hagberg – flutes, soprano saxophone, composer Ahmad al Khatib – oud, composer The purpose of the project has been to develop and to create a more profound understanding of the music from our two cultures and to integrate these experiences in improvisation and composition. Based on modal improvisation, we have examined the similarities and differences between the Arabic Maqam system and modality in jazz, particularly in Nordic improvised music. We have explored the interfaces between our musical expressions and have created music that has its starting point in our traditions, reaching towards a new synthesis. The importance of sound (timbre) and silence as carriers of expression and narrative is a central part of our work. Our ambition has been to develop new music; A Melodic Melange of Nordic improvised music and Arabic maqam music.
50.	Hagberg, Anders, 1958 (author) Yggdrasil Berlin 2013 In: Nordic Embassies, Berlin. Artistic work (other academic/artistic)abstract A conceptual concert at the Nordic Embassies in Berlin (D). Yggdrasil has, from its inception, had a distinct concept. Most compositions have been created in collaboration with other forms of art or, in some cases, with nature. The works draw ideas or themes from ethnic material, improvisation ranges from free to classical style.

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