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1.
  • Agnidakis, Paul, 1974- (författare)
  • Etnologi : Kontinuitet och anpassning av ett kulturvetenskapligt ämne
  • 2018
  • Ingår i: RIG. - Uppsala : Kungl. Gustav Adolfskademien för svensk folkkultur. - 0035-5267 .- 2002-3863. ; 101:1, s. 1-18
  • Tidskriftsartikel (refereegranskat)abstract
    • Ethnology. The Adaptability and Continuity of a DisciplineThis article discusses the development throughtime and space of ethnology as a multifaceted disciplinaryfield. The objective of the article,however, is to challenge possible pre-assumptionsof ethnology as an incoherent i.e. variable and inconstant discipline, due to national limitations andtheoretical and methodological responsiveness, byproposing some core aspects regarding focalpoints,perspectives and methods that may beconsidered as prominent and unifying amongstethnologists both in Sweden and abroad. The articleargues for a general and continuing disciplinarianfocus on culture as a pluralistic, complexand individual-based phenomenon, as well as fundamentalinterest in the functions, social structures,constructions and experiences of cultures.Furthermore, the article describes how both earlierand later generations of ethnologists in generalhave chosen to study culture based on a selectionof recurring perspectives that comprise boththe intangible and tangible aspects of culture, aswell as the spatial and social contexts in whichcultures are formed and maintained. Finally, thearticle highlights how different types of ethnologicaldata are collected and analyzed via a combinationof constantly developed methods of culturalanalysis, though rooted in a disciplinarian tradition. In conclusion, despite a continuous progressionand adjustments within ethnology in regardto perspectives and methods over time and space,this has more often resulted in additions ratherthan replacements. For this reason, it seems relevantto define ethnology as a coherent discipline,designated by both adaptation and continuity.
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2.
  • Agnidakis, Paul, 1974- (författare)
  • Ideologisering, manifestering och gemenskapande : kulturarvsproduktion som process i lokala industrisamhällen under omvandling
  • 2019
  • Ingår i: RIG. - Uppsala : Kungliga Gustav Adolfs Akademien. - 0035-5267 .- 2002-3863. ; 102:2, s. 65-86
  • Tidskriftsartikel (refereegranskat)abstract
    • Ideologization, manifestation and community making - Processes of heritage production in two local communities in transition As the local industry has taken on an increasingly marginalized role in post-industrial small towns, like Surahammar and Timrå, in Central and Northern Sweden, an industrial past has emerged as the more valuable politically, economically but also socio-culturally, to nurture, preserve and identify with in these local industrial communities that undergo transition. This article aims to analyze local heritage production as a use and representation of history. Empirically resting on data collection and analysis of primary and secondary sources, comprising interviews, observations, archives and contextual literature, the article argues that local post-industrial heritage production may involve continuation as well as alterations of processes started in the past industrial society. Also, it comprises local adaptation as well as adjustments on heritage discourses. In conclusion, despite of local differences similarities may, as shown in Surahammar and Timrå, indeed occur in both design and content. This involves a pre-dominance of “non-professional” producers and including and excluding representations of places and people. Furthermore, local heritage provide combined political, economic and socio-cultural arenas of different ideologies as well as sites for creation of shared values and evoking emotions of belonging in diversified communities. In Surahammar and Timrå this has been done recurrently with the use of effective homogenization strategies within the field of heritage, i.e. by emphasizing sufficiently remote pasts to induce temporary but nevertheless efficient “classless and rootless” unity in pride of local place and values.
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8.
  • Andersson, Maj-Britt, 1955- (författare)
  • Svar till Erik Nordin.
  • 2004
  • Ingår i: RIG. - Lund. - 0035-5267 .- 2002-3863. ; :1, s. 52-53
  • Tidskriftsartikel (populärvet., debatt m.m.)
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9.
  • Andersson, Maj-Britt, 1955- (författare)
  • Till gårdens prydnad : en jämförande studie av Forsadörrar och Pehr Westman-portaler
  • 2006
  • Ingår i: RIG. - Lund : Föreningen för svensk kulturhistoria. - 0035-5267 .- 2002-3863. ; :3, s. 139-155
  • Tidskriftsartikel (refereegranskat)abstract
    • Portals of beauty The county of Hälsingland is well-known for its large, red-painted farms decorated with impressing porches. In Forsa though, there are white doors typical for this parish. They are decorated with ornaments like flowers, fabulous beasts and biblical inscriptions. The aim of this essay is to compare doors created by the carpenters in Forsa Jöns Månsson and Jonas Lust with the portals by the artist Pehr Westman in the parish of Hemsö, Ångermanland, at the beginning of the 19th century. The carpenters are studied in their social, economical, cultural and architectural context. Jöns Månsson and Jonas Lust developed characteristic mixtures of rococo, Swedish Classicism, empire for decoration of doors, portals, interiors, and furniture. They belonged to a social category called outsiders who were not farmers but often farm-hands, tenement soldiers and craftsmen. Their work can be studied as artistic interpretations of the local mentality, its normsystem, style-codex. The portals of Pehr Westman in Hemsö, Ångermanland, are considered as independent works by a self-conscious talented artist who did not follow a local aesthetic system. Westman was a farmer himself, but delivered artistically expressiv Gustavian portals to local farmers, mansions, burghers in nearest town Härnösand, and Stockholm, where he also had his education. Pehr Westman introduced the Swedish Classicism in Ångermanland. His local cultural knowledge and the style of the regional rural architecture facilitated his introducation of a new style. Storsnickare in Norrland were stylists in independent pre-industrial communities aware of new fashion styles, and of the different tastes in other parishes and nearest town. The craftsman who was at the one with the aesthetics of the parishioners and could add some innovation, was the most sought after, in Hälsingland as well as Ångermanland.
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10.
  • Arvastson, Gösta (författare)
  • Himlens ordning
  • 2014
  • Ingår i: RIG. - 0035-5267 .- 2002-3863. ; 97:4
  • Tidskriftsartikel (refereegranskat)
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