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Sökning: L773:0349 2834 > Edman Victor

  • Resultat 1-7 av 7
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1.
  • Arfvidsson Womack, Anna, et al. (författare)
  • Adlig prakt och borgerlig hemtrevnad : Två historiska interiörer i Nordiska museet
  • 2020
  • Ingår i: Bebyggelsehistorisk tidskrift. - Uppsala : Föreningen Bebyggelsehistorisk tidskrift. - 0349-2834 .- 2002-3812. ; 78, s. 24-48
  • Tidskriftsartikel (refereegranskat)abstract
    • At the inauguration of its new building in 1907, Nordiska museet in Stockholm displayed an extensive series of period rooms, illustrating the homes of the privileged classes in Sweden from the sixteenth century to present days. The exhibition remained more or less intact until the early 1970s, when it was dismantled and put into storage. Focusing on two of the rooms – a 17th century state Bedroom from Ulvsunda castle and an 18th century bourgeois interior from Högbergsgatan in Stockholm – this article explores the provenance of the rooms, their role in a museological context and their relations to the museum’s knowledge production. Most of the period rooms were architectural salvages following demolitions in the early 20th century, and as such they can be regarded as physical representations of the museum’s practices and expertise within the field. The Ulvsunda bedchamber and the room from Högbergsgatan outlived the depreciation of the 1970s, and were updated and reinstalled in subsequent exhibitions. After more than hundred years, these two period rooms are now among the museum’s most long-lived attractions.
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2.
  • Edman, Victor, Associate Professor, 1954-, et al. (författare)
  • Adlig prakt och borgerlig hemtrevnad: Två historiska interiörer i Nordiska museet
  • 2020
  • Ingår i: Bebyggelsehistorisk tidskrift. - 0349-2834 .- 2002-3812. ; 78, s. 24-49
  • Tidskriftsartikel (refereegranskat)abstract
    • Noble grandeur and bourgeois comfort: Two period rooms at the Nordic MuseumIn 1907, the newly opened Nordic Museum (Nordiska museet) in Stockholm presented a selection of the museum’s comprehensive collections. Visitors were already well acquainted with its folk-art exhibitions, but the size of the space devoted to the upper-class collections was something new. The chronologically arranged Avdelningen för de högre stånden ('Gallery of the upper classes') included period rooms, which were intended to bring to life the development of the Swedish home from the 16th century onwards. Today few traces remain of this exhibition, which was dismantled and stored away in the early 1970s. The exception is two interiors – a state bedroom from Ulvsunda Castle in Bromma, and a room from a bourgeois home at Högbergsgatan in Stockholm. Today the context of these rooms has been changed, yet after more than a century, museum visitors can still experience them. This article traces the history of how these period rooms has been altered over time, which allows them to guide us through a relatively unresearched chapter in the history of the Nordic Museum.At the turn of the century 1900, numerous period rooms were created in European and North American museums, where they formed part of the canon of art and architectural history. In recent decades, long having been regarded as a dated form of exhibition, these installations have received increasing attention by academic research. This study focuses on the Nordic Museum interiors, which from 1907 until the early 1970s were part of the museum’s comprehensive exhibition of the cultural history of the elite. The analysis is based on various questions that relate to the origin of the interiors and how the exhibition format was applied. Focusing on the two extant interiors, the article discusses what specific practices the museum developed in this area. The main goal is to shed light on the museum’s role in communicating Swedish domestic culture.The study of the Nordic Museum’s period rooms show just how closely related they were to the museum’s dissemination of knowledge as a whole. The reconstructed interiors were chosen primarily to illustrate specific phases of Swedish cultural history. The upper-class gallery was created and retained at a time when stylistic typology was a core feature of academic research into artistic artefacts. The layout of the exhibition, where visitors would walk from room to room, era to era, reinforced this chronological perspective. The concept of stylistic typology was associated with the cultural history of the elite and the shifting international currents in architecture, art and interior design. The museum’s research into domestic history and the history of the built environment interacted with its exhibition work. From this perspective, the Nordic Museum’s upper-class gallery embodies the theories and practices predominant in cultural science at the time.
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3.
  • Edman, Victor, 1954-, et al. (författare)
  • Moderna Kulturarv i offentlig miljö
  • 2012
  • Ingår i: Bebyggelsehistorisk tidskrift. - : Bebyggelsehistorisk tidskrift. - 0349-2834 .- 2002-3812. ; 62, s. 5-7
  • Tidskriftsartikel (refereegranskat)
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4.
  • Edman, Victor, et al. (författare)
  • Moderna kulturarv i offentlig miljö
  • 2011
  • Ingår i: Bebyggelsehistorisk tidskrift. - : Föreningen Bebyggelsehistorisk tidskrift. - 0349-2834 .- 2002-3812. ; :62, s. 5-7
  • Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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7.
  • Edman, Victor, et al. (författare)
  • Nya perspektiv på borgar och befästningar
  • 2008
  • Ingår i: Bebyggelsehistorisk tidskrift. - : Föreningen Bebyggelsehistorisk tidskrift. - 0349-2834 .- 2002-3812. ; :56, s. 5-7
  • Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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  • Resultat 1-7 av 7

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