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Sökning: LAR1:cth > Humaniora

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  • Orru, Anna Maria, 1976, et al. (författare)
  • AHA! festival 2016
  • 2016
  • Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
    • For the third year, the AHA festival investigates the meeting between art and science in a three-day event at the Chalmers University of Technology hosted by the Department of Architecture and the Department of Physics. An international festival intended to provide enlightening experiences, staging surprises, new thoughts and displaced perspectives that lead to alternative modes of thinking about exploring the world through art and science. We invite scientists (physicists, historians, astronomers, engineers), artists (dancers, musicians, painters, poets, acrobats) who reside in these borderlands and wish to share their vision and work. The key intention is to celebrate both art and science as key knowledge building devices.The first year’s theme ’Embodiment’ (2014) explored the body as our anchor in the world, followed by the 2015 theme on ’Numbers’, a delightful net we cast over the world. This year's theme is ’Uni-verse,’ again a natural consequence of our interest in the relation between art and science. The elemental force that drives science as well as art is curiosity. Come be curious with us! During the festival we have chosen to divide the word universe into three: uni and "-" and verse. Uni means that something is combined into a whole. Verse means that we are turned in a direction, the origin of the word tells us that it is the plow that turns at the end of the field. And the dash "-" is all the spaces and cracks where new discoveries can grow. Art and science unfolds in the gap between what we know and what we want to know.
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  • Architecture, Photography and the Contemporary Past
  • 2014
  • Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
    • As traces left behind by the last two hundred years of profound historical change, architecture and photography contribute both to our contemporary skyline and to our image of the past. Their common history thus provides an indispensable background to every discussion of what has been called the contemporary past – that is, to modernity considered as an open problem rather than a closed historical period. Architecture can be seen as a kind of “macromodernity,” a social scope where the diverse discourses of modernity have assumed their most large-scale form. In analogy, photographic media constitute a “micromodernity”, where the underside of modern society has been registered, identified, classified, and archived. In both cases, we trace out the irregular borderline between the discursive and its opposite, the “material”. At this point of intersection, an interesting confrontation between traditional academic historiography and an artistic application of historical perspectives might be staged. What contribution can architecture and photography make to the exploration of our contemporary past? In his afterword, Victor Buchli underlines the potential of such confrontations: ”Translation always betrays the original intention, but what might be described as the infelicities of the translation that are inherently treacherous […] are precisely what constitute its productive capacities.” Contributors: Ana Betancour, Peter Christensson, Anders Dahlgren, Patrik Elgström, Katarina Elvén, Klas Grinell, Alyssa Grossman, Cecilia Grönberg, David Kendall, Helena Mattson, Astrid von Rosen, Staffan Schmidt, Hendrik Zeitler.
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  • Heritage as Common(s) - Common(s) as Heritage
  • 2015
  • Samlingsverk (redaktörskap) (refereegranskat)abstract
    • The book consitutes the printed outcome of a seminar series run by the Critical Heritage Initiative (University of Gothenburg) and the Urban Heritage Cluster (Curating the City).
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  • Gröndahl, Satu, 1957-, et al. (författare)
  • Editors' Note
  • 2019
  • Ingår i: Multiethnica. - : Uppsala University. - 0284-396X .- 2002-3413. ; 2-2019:2-20195, s. 5-7
  • Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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9.
  • Asgaard Andersen, Michael, 1973, et al. (författare)
  • Paradoxes of Appearing: Essays on art, architecture and philosophy
  • 2009
  • Bok (övrigt vetenskapligt/konstnärligt)abstract
    • The book contains a collection of essays by scholars and artists from a range of different fields including art, art history, architectural theory and philosophy. The essays are based on papers given at a symposium in Copenhagen in June 2008 and refer to the following considerations: When spectators confront and designers invent works of art and architecture, vital questions regarding their appearance arise. These are not simply questions about what appears, also what does not, i.e. what withdraws when works are experienced and created. How do we cope with this withdrawal, with latencies that escape concretization? What are the productive paradoxes associated hereto and how do they influence the processes of making? Based on multiple discourses on these subjects, contemporary positions in art, architecture and philosophy draw up new challenges, especially with regard to the creative practices. Within and between these positions emerge potentials for modes of thinking and doing with a new sensitivity.With contributions by Michael Asgaard Andersen and Henrik Oxvig, Renaud Barbaras, Andrew Benjamin, Olafur Eliasson, Sanford Kwinter, David Leatherbarrow, Martin Seel, David Summers, and Sven-Olov Wallenstein.
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  • Benesch, Henric, 1972 (författare)
  • Future Echo-logies
  • 2015
  • Ingår i: Heritage as Common(s) - Common(s) as Heritage. - Göteborg : Makadam Publishers. - 9789170611643 ; , s. 243-249
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
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