| 1. |
- Berg, Daniel, 1971-
(kompositör, creator_code:cre_t)
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3' 44¨
- 2019
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Konstnärligt arbete (refereegranskat)abstract
- ” Music is everywhere, you just have to have the ears to hear it” John CageIn 1952, composer John Cage shook the classical music scene when he composed4 ' 33' '. The work, in three movements contained only pauses…Daniel Berg has, with inspiration from Cage, composed the piece 3 '44' for speech choir that contains the word silence in all European languages and all got their unique rhythm.The low-key work ends with the choir blinding and without conductor creates a long diminuendo with exhale and exhale.Duration: 3’ 44’’
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| 2. |
- Berg, Daniel, 1971-
(kompositör, creator_code:cre_t)
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5 Funny Pieces : for the young choir
- 2017
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Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
- The famous percussion group, Rhythm Art Duo (Daniel Berg and Fredrik Duvling) encourage young people to start playing classical percussion and they have written a lot of education material. In 5 funny pieces Rhythm Art Duo uses a lot of humor for the young choir. Bosh and Tosh for speech choir, Song for christmas carol with tuned bottles, Body Rhythm for body percussion, A piece of Paper for a choir who makes sounds with papers and Let it Bee! for a speech choir with kazoos…
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| 3. |
- Berg, Daniel, 1971-
(creator_code:cre_t, kompositör)
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Bird of Prey : for Piccola and Marimba
- 2022
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Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
- During the years, I had the opportunity to work together with many excellent flute players and I really think the combination of Flute and Percussion is a perfect match. A lot of great composers have written for the instruments and through them, I got the inspiration to compose for flute and percussion. After composing Dark Shadows, Kinkaku-ji and Second Concerto for Flute & Percussion, all published by Edition Svitzer, I’ve got a question and wish from many flute players to also write something for piccolo and percussion. They are right, there are not so many pieces composed for that combination of instruments. Working close to the young virtuous performers, Laura Michelin & Filip Korošec, I had the opportunity to write them Bird of Prey. In the pulsing rhythms, we hear the bird hunting its prey and the harmonies enhance the wildlife, to always be on its guard. In the middle of the piece, the listener is getting a high-flying journey to the lamenting song of a Bird of Prey.
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| 4. |
- Berg, Daniel, 1971-
(kompositör, creator_code:cre_t)
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Blue Memories : for solo marimba
- 2010
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Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
- Some memories are easy to tell - others are more like a feeling, difficult to put into words. This piece is an attempt to describe this feeling in music.The harmonic tension between G major and F sharp minor, creates a melancholy mood - a kind of nostalgia - Blue Memories.
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| 5. |
- Berg, Daniel, 1971-
(kompositör, creator_code:cre_t)
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Cattelin : for solo marimba
- 2005
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Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
- Stieg Trenter (1914-1967) var en journalist och författare som skrev några av Sveriges bästa deckare. Hans skildrade också Stockholm ur ett fantastiskt perspektiv. Huvudpersonen i Trenters böcker var fotografen Harry Friberg till vilken detta stycke är tillägnat.
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| 6. |
- Berg, Daniel, 1971-
(kompositör, creator_code:cre_t)
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Chicken Race
- 2019
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Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
- In the movie Rebel Without a Cause from 1955, James Dean competing against Corey Allen in a life-threatening car race: They drive against a dive, and the last one to jump out is a coward, chicken.The chicken race, or chickie run as it is called in the movie, quickly became a trope and was used by several moviemakers. Chicken race is also a term used to handle a conflict. The term is used for duels between two opposing poles, for example in politics, where the one who loses loses, but both lose more if no one folds.In the composition Chicken Race by Daniel Berg, two violins are competing about who is the fastest. Let us hope that the Last Duel, in the end of the piece, does not get a deadly end…
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| 7. |
- Berg, Daniel, 1971
(författare)
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Concertino for Marimba and Strings
- 2017
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Ingår i: Gehrmans Musikförlag, Stockholm. - Stockholm : Gehrmans.
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- The Swedish composer Lars-Erik Larsson wrote in the late 40’s 12 Concertini – twelve smaller solo concerts for various instruments accompanied by string orchestra, all composed to be performed by amateur orchestras while the solo parts made higher demands on the instrumentalists’ skill. With inspiration from Lars-Erik Larsson, Daniel Berg has written a piece in two movements for a virtuoso solo marimba in combination with a soft string timbre – in classical style, but with clear elements of jazz harmonics. Daniel has, along with experienced string teachers, written parts that can be played by amateur orchestras along with a skilled marimba soloist. In his Concertino for Marimba and Strings, Daniel wants to highlight the marimba as a melodic percussion instrument, and at the same time inspire young musicians to discover classical percussion.
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| 8. |
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| 9. |
- Berg, Daniel, 1971-
(kompositör, creator_code:cre_t)
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December : for marimba
- 2001
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Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
- “The perfect opener for any recital! The writing is wonderfully idiomatic and a joy to play”Keyboard Percussion Publications Vintern är den bästa årstiden på året - snö, tomtar och julefrid. Harmoniken i stycket är ett försök att beskriva den stämning som finns strax innan och under julen. Rytmen i ”December” är en lek med talet fem. Detta stycke är kanske det mest uppskattade av Daniels soloverk och har blivit en klassiker i repertoaren för marimba.
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| 10. |
- Berg, Daniel, 1971-
(kompositör, creator_code:cre_t)
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Easy Duets vol. 1
- 2013
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Konstnärligt arbete (swepub:mat_score_t) (refereegranskat)abstract
- Easy Duets Volume 1 contains five easy duets for any combination of 2 mallet instruments such as the vibraphone, xylophone or marimba. All five duets use a 3-octave range from F to F. The duets can be played on the same instruments however, it is preferable for part 1 to be played on vibraphone and for part 2 to be played on marimba. The duets can also be played as ensemble pieces. Double each parts depending on the number of players and instruments available. Pieces such as Crusin', Blues brotherS and Happy Shoes is very well suited with the addition of bass and/or drums (bass part can be found at the end of the booklet).
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