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- Burga, Estella, et al.
(author)
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Nuestras Madres : Forming Political Subjects en la mesa
- 2017
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In: Architecture and Culture. - : Routledge. - 2050-7828 .- 2050-7836. ; 5:3, s. 53-56
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Journal article (peer-reviewed)abstract
- NUESTRAS MADRES is an artwork by the art collective IDA performed at the AHRA Architecture and Feminisms Conference (2016), which consisted of a collective ritual and a poetry reading. The ritual created a safe space where a group of participants sat around a table taking turns in sharing their stories about their mothers while embroidering their mothers’ names on a single tablecloth. These were synthesized into a poem and presented the following day. IDA investigates issues in private and public space connected to knowledge production and gender normativity. Even though the role of mothers and their knowledge is usually connected to the private sphere, the knowledge of our mothers and their mothers shared en la mesa - over the table - is important in the construction of political subjects. How has this knowledge helped us survive in society as women, queer, indigenous, working class, Muslim, immigrant - as human beings?
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| 2. |
- Katzeff, Cecilia, 1957-, et al.
(author)
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Exploring Sustainable Practices in Workplace Settings through Visualizing Electricity Consumption
- 2013
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In: ACM Transactions on Computer-Human Interaction. - New York : ACM Press. - 1073-0516 .- 1557-7325. ; 20:5
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Journal article (peer-reviewed)abstract
- People’s domestic habits are increasingly being targeted to reduce levels of CO2 emissions. Whereas domestic energy consumption has received a lot of attention with several reported studies on sustainable practices, there are very few studies on workplace practices. Nevertheless, these are considered as having much potential for reducing energy consumption. This paper presents the findings from two field studies where two different types of prototypes for visualizing energy use were designed, implemented and evaluated in different types of workplace settings – factories and offices. The studies used design probes to explore how visual feedback for electricity use was interpreted and acted upon by employees in work settings. A striking observation was that it is very difficult to get people to change to more pro-environmental behavior and practices in a workplace environment. The paper discusses why this might be the case.
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| 3. |
- Nilsson, Håkan, 1965-, et al.
(author)
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Before and After "At Work With" Venice Biennale 2010
- 2018
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Conference paper (peer-reviewed)abstract
- This paper focuses on the collaborative, society engaged practices of several Nordic architects that formed a joint-venture called “At Work With” at the Nordic pavilion, Venice Architecture biennale in 2010. As such, “At Work With, a hub for alternative practices within the field of architecture and design, forms the epi centrum of an emerging scene.The exhibition opens for three different discussions, the before, during and after of the exhibition.Before. Discussing the role of networks and dissemination of the many times temporary, site specific projects that the different groups work with. Thus, documentation and distribution through exhibitions, in magazines and on web-pages, became crucial for forming what Canadian media scientist Will Straw defines a scene, a scene that later could use the exhibition at the Venice Biennale as a site for practice.During. Following the exhibition as it unfolded over the 100 days of the biennale, as it was used as an ongoing space for production. Turning the sometimes static space for representation into an active space for participation. The Nordic pavilion changed into a temporary office space with a new “host” each week of the biennale.After. What ever happened to the net-worked based scene afterwards? Did the 100 days have any implications after the biennale? How was it received in a narrow discourse of Nordic architecture, and how was it understood in a broader context of international alternative practices?
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| 4. |
- Nilsson, Håkan
(author)
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Rethinking Late Modernism
- 2015. - 1 uppl.
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In: Radical Re Re Re Re Re Rethinking. - Stockholm : Konstfack. - 9789185549139 ; , s. 146-161
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Book chapter (other academic/artistic)
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| 5. |
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