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1968 och pedagogiken
- 2020. - 1
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- Som ett av samtidshistoriens mest legendariska år förknippas 1968 med ungdomsuppror, studentrevolter och strejker. Men hur påverkade händelserna kring 68 pedagogiken och utbildningen? Det är den frågan som står i centrum i denna antologi där titelns båda huvudbegrepp förstås i vid mening.1968 står således inte bara för året då studenterna vid Stockholms universitet ockuperade sitt eget kårhus och miljontals människor demonstrerade på gatorna i Paris och många andra storstäder runt om i världen utan också mycket annat som hände vid den här tiden och som kan kopplas till sextio- och sjuttiotalets bredare vänsterradikalisering. Och förutom själva pedagogikämnet handlar det om skolsystemet, universiteten och folkbildningen liksom den vidare diskussionen om hur ett gott samhälle kan skapas med hjälp av skola och utbildning.Samtidigt aktualiseras frågan om vad vi idag, drygt femtio år senare, har att lära av denna tid då man fortfarande var övertygad om att en annan värld – och därmed en annan skola och pedagogik – var möjlig och då det ansågs vara realistiskt att kräva det omöjliga.
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- Aare, Cecilia, 1959-
(författare)
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A Poetry of Grayness : Stig Dagerman's German Autumn as Postwar Reportage from Germany
- 2022
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Ingår i: The Routledge Companion to World Literary Journalism. - London : Routledge. - 9780429331923 - 9780367355241 ; , s. 107-117
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Tysk höst (German Autumn) is perhaps the most famous Swedish reportage book from the twentieth century. It was written as a series of reportages by the young author Stig Dagerman and depicts the life of ordinary people in Germany in 1946. Themes such as suffering, guilt, and feelings of dejection are discussed, framed by an atmosphere of grayness. The reader is invited to empathize, not with certain individuals but rather with anyone who is cold, hungry, and bereaved of their beliefs. This chapter explores how these themes are made universally human by an advanced literary technique. Dagerman links the abstract to the concrete, the argumentation to what he has observed on the spot. This is achieved through figurative language, where key words are repeated, gradually transforming them in meaning and blurring the line between illustrated scenes and metaphors. The result becomes a paradoxical kind of gray expressiveness, where the power of the language seems to contradict the gloomy content.
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- Aare, Cecilia, 1959-
(författare)
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Narrativt engagemang och komplex berättarteknik i Gustaf Hellströms krigsreportage
- 2021
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Ingår i: Samlaren. - Uppsala : Svenska Litteratursällskapet. - 0348-6133 .- 2002-3871. ; 142, s. 5-33
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Tidskriftsartikel (refereegranskat)abstract
- Cecilia Aare, Department of Social Sciences, Södertörn UniversityNarrative Commitment and a Complex Narrative Technique in Gustaf Hellström’s War Reportage (Narrativt engagemang och komplex berättarteknik i Gustaf Hellströms krigsreportage)The 1910s was a dynamic period in Swedish journalism when reporters became professionals and the largest newspapers engaged their own foreign correspondents. A prominent correspondent of the time was Gustaf Hellström, also a famous writer. His reports from France during the First World War, collected in the book 1 1/2 mil härifrån står världens största slag, are known for their dedicated attitude. An assumption in this essay is that such an attitude corresponds to a narrative commitment, which could be divided into narrative empathy and narrative compassion. Using tools from discourse narratology and cognitive narratology, I investigate narrative techniques and strategies at work when a narrative commitment is constructed in the reportages from France. A conclusion is that parallel perspectives and a multitude of voices within the narrative construction connect the individual to the general and convey empathy with all victims of the war, civilians as well as soldiers on both sides. In a final section, I place Hellström’s series of reportages from France within a broader context where I highlight similarites with Stig Dagerman’s series of reportages Tysk höst from 1946 and Svetlana Alexievich’s documentary books from the 1980s and onwards.
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- Aare, Cecilia, 1959-
(författare)
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Reportaget som berättelse : En narratologisk undersökning av reportagegenren
- 2021
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This study is the first dissertation where the genre of reportage (in the U.S. classified as literary journalism) is systematically mapped with the help of narratology. Using tools primarily from structural discourse narratology, the thesis examines, describes and maps written reportages as narratives. Rhetorical and cognitive narratology complement the approach. The investigation rests on two assumptions. Firstly, a reporter’s professional purpose is to report about people and states of affairs outside the reporter herself. This results in a contextual commitment, which leaves traces in the narrative in the form of a textual commitment. The latter is in turn divided into narrative empathy and narrative compassion/sympathy. The thesis highlights the creation of narrative structures and stylistic features in reportages and the overall conclusion is that conceptions about a reporter’s professional purpose in fact do influence the narrativity of the text. Secondly, in contrast to news journalism, reportage is a personal genre that can be considered a directed reality: the content is taken from reality but the form is personal and a consequence of the writing reporter’s choices. The thesis presents a narratological model where the text develops in the interplay between three instances: a director, a narrator (in a first-person reportage a narrating reporter) and experiencing characters (in a first-person reportage including an experiencing reporter). The director should be regarded as a structuring property of the text itself. Part 1 provides a historical background to the reportage genre and the social side of the reporter role. In part 2, narrative characteristics of the genre are explored and defined together with the common roots of reportage and novels within realism and naturalism. Part 3 demonstrates how a contextual commitment can be transformed into a textual commitment. Throughout the dissertation, the director model is used to investigate differences and similarities between subcategories within the genre, sometimes between single texts, sometimes between reportage in general and fictional narrative. In part 4, a typology of reportage is presented. The genre is divided into five types of narration, based on the representational relation between how the physical reporter has collected information and in what ways an experiencing reporter is or is not apparent in the text. The thesis ends with a historicization of consonance and dissonance within the reportage genre. Consonance emphasizes the characters’ “here-and-now” and can be found within a broad, classical tradition of eyewitness reporting. Dissonance emphasizes the narrator’s retrospective perspective and can be found within the modernistic type of American New Journalism and in more experimentally written reportages from the most recent decades. The thesis demonstrates how both these ways of narrating may enable the reader’s narrative empathy with someone else than the experiencing reporter.The analyses and conclusions are mainly based on Swedish reportages from 1819 to 2014. This material is complemented with international reportages from 1903 to 2007, from Norway, Poland, Germany, Great Britain, Italy, Bohemia, Croatia, Belarus and the U.S. Accordingly, the dissertation demonstrates that traditions of reportage are primarily international and that the observations about narrative patterns within the genre are also relevant outside of Sweden.
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- Abbasian, Saeid, 1961-, et al.
(författare)
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Between Fire and Ice : Experiences of the Persian Fire Festival in a Nordic Setting
- 2020
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Ingår i: Sustainability. - Schweiz : MDPI. - 2071-1050. ; 12:24
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Tidskriftsartikel (refereegranskat)abstract
- This exploratory research seeks to gain insight into the visitors of Persian Fire Festival in Stockholm, their motivation, level of satisfaction and loyalty to the festival. The overall methodology is mixed methods consisting of participant observation and 280 completed online surveys including close-ended and open-ended questions. A Grounded theory analysis has been employed. The most important reason behind the participation has been to strive for the recognition of ethnic cultural identity; to keep the ancient culture alive; to maintain their ancestors’ legacy and transfer it to the next generation. Most of the visitors experienced positive feelings, showed satisfaction and loyalty, believed that the festival fulfilled their expectations and it should be celebrated officially every year. A minority showed dissatisfaction mostly due to the lack of accessibility to the event venue and might are not loyal to the festival. The first conclusion here is that these motivators are totally different than those mentioned by earlier research (e.g., escape, socialization, novelty, rest, prestige, excitement). Even though the desire to preserve the ancient culture and tradition is very strong, a lack of accessibility to the venue would constitute disloyalty and a barrier to re-attend in such a festival.
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- Abbasian, Saeid, 1961-
(författare)
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City festival arena and its impact on the attendees’ overall satisfaction
- 2021
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Ingår i: 29th Nordic Symposium on Tourism and Hospitality Research. ; , s. 179-179
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- Places as social constructions create meaning, identity, emotions and attachment for individuals (Knox and Marston, 2016; Massey, 1995). This can also be applied for festival arenas as well (e.g. Davis and Martin, 2014; Kim, 2017). Authors (e.g. Lee et ala., 2008) emphasize that the choice of festival arena has a significance for the visitors/attendees’ overall satisfaction with the festival in issue.The purpose of this study is to investigate how the Skansen arena in Stockholm, that has a high symbolic value for all Swedes, is assessed by the attendees of Persian Fire Festival in March 2019. An online questionnaire with qualitative and quantitative questions was used during April 2019 and resulted in 280 completed questionnaires by attendees from several ethnic groups. The results indicate high level of satisfaction with the arena that gives the attendees positive emotions, meanings, place attachment, place identity and a sense of place. The high status of the arena that gives pride and dignity; security and safety of the arena; its size; and its natural beauty have been the most contributing factors. Lack of accessibility and sufficient public transport have been the most negative factors. This paper gives a contribution to existing literature on festival arena and its importance for the attendees. Such symbolic arenas create stronger identity for immigrant groups and may become platforms for mutual cultural interaction with the host society.
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- Abbasian, Saeid, 1961-
(författare)
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Disparate Emotions as Expressions of Well-Being : Impact of Festival Participation from the Participants’ Subjective View
- 2022
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Ingår i: International Journal of Environmental Research and Public Health. - : MDPI. - 1661-7827 .- 1660-4601. ; 20:1
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Tidskriftsartikel (refereegranskat)abstract
- The purpose of this research is that through festival participants’ subjective views get a better understanding of how their participation results in positive feelings and well-being. The paper has a qualitative approach based on a delimited part of a larger survey and the content analysis method has been employed. A total of 280 participants, mainly of immigrant origin, answered one of the open-ended questions in the survey: What emotions does celebrating the Fire Festival evoke in you? Please justify your answer. The most common meaning in the answers has been good feelings followed by feelings of integration and community, the return of spring, and nostalgia. The results show that the festival has significance for these peoples’ good feelings and well-being, even though it lasts five hours. This study contributes to increased knowledge of festivals’ positive impacts on individuals, especially on immigrants living in Western countries.
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