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Träfflista för sökning "Markus Huss ;pers:(Huss Markus)"

Sökning: Markus Huss > Huss Markus

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1.
  • Huss, Johan Markus (författare)
  • “A screeching as of jackdaws” : Sounds, Noises, and Incomprehension as Aspects of Literary Multilingualism
  • 2021
  • Ingår i: The Rhetoric of Topics and Forms. - : Walter de Gruyter. - 9783110641486 - 9783110642032 - 9783110641981 ; , s. 155-164
  • Konferensbidrag (refereegranskat)abstract
    • This article discusses the field of “literary multilingualism,” proposing a wider definition of the concept, which would include instances of language usually not regarded as language proper: sounds, noises, and incomprehension. By foregrounding this acoustic dimension of literary multilingualism, tacit assumptions regarding language borders are highlighted and put under critical scrutiny. The article furthermore stresses the need to take readers’ diverse linguistic backgrounds into account when studying the aesthetic effects of literary multilingualism. The theoretical argument is supported by readings of Franz Kafka’s short story “An Old Manuscript” (1919) and an excerpt from Cia Rinne’s poetry collection notes for soloists (2009).
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  • Huss, Johan Markus (författare)
  • Den kremerade astronauten
  • 2021
  • Ingår i: Tidvatten: Festskrift till Hans Ruin. - Stockholm : Södertörns högskola. - 9789189109544 ; , s. 195-200
  • Bokkapitel (övrigt vetenskapligt)
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  • Huss, Markus (författare)
  • Charlotte Corday i Massachusetts
  • 2020
  • Ingår i: Kulturmöten. - Huddinge : Södertörns högskola. - 9789188663924 - 9789188663931 ; , s. 133-140
  • Bokkapitel (övrigt vetenskapligt)
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5.
  • Huss, Markus (författare)
  • Inscribed gestures : the vernacular-cosmopolitan dynamic of sign language in Michael Roes’s novel Die Laute
  • 2020
  • Ingår i: Textual Practice. - 0950-236X .- 1470-1308. ; 34:5, s. 803-819
  • Tidskriftsartikel (refereegranskat)abstract
    • How can sign language be rendered in written literary form? What can such a literary rendering teach us about the social dimensions and aesthetic productivity of a language, which in this case demands intermedial translation? How does the thematisation and use of sign language play into the vernacular-cosmopolitan dynamic of world literature? The essay addresses these questions by turning to the German author and ethnographer Michael Roes's Die Laute (2012). In this novel, a young Yemenite musical genius, Aziz, loses his hearing and is forced to learn the local variety of sign language in the city of Aden. The characterisation of sign language is shown to oscillate between two poles: as a uniform linguistic entity, beyond any specific international, national or subnational framework, and as a variety of vernacular practices, linked to specific socio-geographical spaces. The analysis displays how the novel's metalinguistic reflections on the specificities of sign language on part of the protagonist prompts the reader to consider the text as a translation of a sign language original. Sign language in terms of a vernacular, ritualized practice, is shown to be used as a tool for aesthetic renewal, inviting the reader to imagine sign language as poetic practice.
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  • Kauranen, Ralf, et al. (författare)
  • Introduction : The Processes and Practices of Multilingualism in Literature
  • 2020
  • Ingår i: The Aesthetics and Politics of Linguistic Borders. - New York : Taylor & Francis. - 9780367203153 ; , s. 3-23
  • Bokkapitel (refereegranskat)abstract
    • The “Introduction” presents a new approach to literary multilingualism by demonstrating it as a phenomenon that emerges as a result of interactions between authors, texts and readers, as well as literary and political institutions on different societal levels. It emphasizes the practices and processes of linguistic borders, as opposed to a notion of multilingualism as a stable entity, identifiable by analysing texts against a set of fixed criteria. The “Introduction” also provides an overview of research on literary multilingualism in the last decades, including emerging new directions. The chapter concludes by providing a novel theoretical framework for the study of literary multilingualism, demonstrating how linguistic borders are actively formed in the production, circulation and reception of literature, and that processes of “bordering” have large-scale effects on conceptions of literature and its value.
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  • The Aesthetics and Politics of Linguistic Borders : Multilingualism in Northern European Literature
  • 2020
  • Samlingsverk (redaktörskap) (refereegranskat)abstract
    • This collection showcases a multivalent approach to the study of literary multilingualism, embodied in contemporary Nordic literature. While previous approaches to literary multilingualism have tended to take a textual or authorship focus, this book advocates for a theoretical perspective which reflects the multiplicity of languages in use in contemporary literature emerging from increased globalization and transnational interaction. Drawing on a multimodal range of examples from contemporary Nordic literature, these eighteen chapters illustrate the ways in which multilingualism is dynamic rather than fixed, resulting from the interactions between authors, texts, and readers as well as between literary and socio-political institutions. The book highlights the processes by which borders are formed within the production, circulation, and reception of literature and in turn, the impact of these borders on issues around cultural, linguistic, and national belonging. Introducing an innovative approach to the study of multilingualism in literature, this collection will be of particular interest to students and researchers in literary studies, cultural studies, and multilingualism.
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