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- Larsson, Åsa Bharathi, 1980-
(författare)
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Colonial Fantasies Exotic and Oriental Motifs in the Swedish Illustrated Press in the Late Nineteenth Century
- 2023
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Ingår i: Media History. - : Routledge. - 1368-8804 .- 1469-9729. ; 29:4, s. 458-475
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Tidskriftsartikel (refereegranskat)abstract
- This article explores exotic and orientalized motifs in the Swedish illustrated press at the end of the nineteenth century. I argue that one way to be part of the European colonial project was to engage in colonial practices, and among these were the mass production of exotic and Oriental motifs through the illustrated press that became prevalent throughout Scandinavia. Furthermore, I describe how illustrations were part of a broader media landscape in late nineteenth-century Sweden than previously perceived. To understand its relevance today I discuss briefly how Swedish artists have been engaged with colonial and exotic motifs. The article concludes that the various colonial visual media cultures have a long tradition in Swedish media culture which still engage questions of race and representation.
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- Larsson, Åsa Bharathi, 1980-
(författare)
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Colonizing Fever : Race and Media Cultures in Late Nineteenth-Century Sweden
- 2016
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The dissertation focuses on visual representations of the colonial world in late nineteenth-century Sweden. Situated at the intersection between postcolonial studies, visual culture studies and cultural histories of media, the study has a threefold aim. Firstly, it aims to draw attention to the presence of a colonial discourse in empirical material, the majority of which has not received attention before. Secondly, it analyzes these visual representations of the colonial world, in an expanding media culture in late nineteenth century. Thirdly, it explores how a mutual vision of the European colonial project and its civilizing mission was created via visual strategies and descriptions. The material comprises a wide range of media, visual arts, ephemera and illustrated press.“Part One: Race and Scientific Media – The Vanadis Expedition 1883–1885” analyzes the scientific Vanadis expedition of 1883–1885. I show how the expedition established a mutual vision of the European colonial project and its civilizing mission through its ambitions in trade, diplomatic relations and sciences. It was established in numerous media such as the press, travel journals, photography, illustrated press, photo albums, ephemera and visual arts. The ethnographical survey conducted measurements of the Indigenous populations and a racial photo archive was established.“Part Two: Race and Popular Media – Shows, Exhibitions and Attractions” analyzes contemporary entertainments such as the Wild West performances, ethnological exhibitions and wax displays. These acts, I argue, created a mutual vision of the European colonial project and its civilizing mission. For example, in the Wild West performances a narrative of life on the “last frontier” was seen as a fight for life between the White settler and the American Indian. In the ethnological exhibitions a mutual vision of the European colonial project and the civilizing mission was construed in the specific performances of the Indigenous people, which displayed a population on the “lowest ladder of civilization”. The Oriental Maze Salons differed from the above since they aimed to evoke fantasies of the Orient.“Conclusion” discusses the main results of the dissertation and proposes further research. The last part “Coda” reflects on contemporary postcolonial issues as related to nineteenth-century media cultures.
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- Nguyen, Jacqueline Hoang, 2019-, et al.
(författare)
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Crating the World
- 2019
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Bok (populärvet., debatt m.m.)abstract
- Museums of world culture have seldom engaged in self-conscious examination of how their collections were constituted. What were the logistics for transporting these artifacts and how did this material culture become a source for knowledge production in the West? In short, how did the world come to Europe? Crating the World, a project by artist Jacqueline Hoàng Nguyễn, brings together artistic research with essays by leading scholars to examine the historical and ideological constructions of material culture through collecting and photographic practices. Expanding on Nguyễn’s traveling exhibition Black Atlas, originally hosted in 2016 by the Museum of Ethnography in Stockholm, Sweden, this book deploys rare and previously unpublished archival material as testimony to the silenced histories of exploitation on which the institution is built. Co-edited by Rado Ištok and Jacqueline Hoàng NguyễnContributors: Ariella Azoulay, Michael Barrett, Ulrika Flink, Åsa Bharathi Larsson, Wayne Modest, Gabrielle Moser, and Vincent Normand
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