| 1. |
- Ambjörnsson, Fanny, et al.
(författare)
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Introduction: Feminist Cultural Studies
- 2013
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Ingår i: Culture Unbound. - : Linkoping University Electronic Press. - 2000-1525. ; 5, s. 127-131
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 2. |
- Anrup, Roland, et al.
(författare)
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Centrala universitetsvärden hotas av bolagiseringsidén
- 2013
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Ingår i: Dagens nyheter. - 1101-2447.
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Tidskriftsartikel (populärvet., debatt m.m.)abstract
- Högskolestiftelser. Förslaget att driva svenska universitet i stiftelseform öppnar för bolagisering. Men det är ingen riktig utredning, utan en politisk pamflett utan eftertanke. Privatisering av universitet hotar både oberoendet, forskningskvaliteten och samhällsnyttan, skriver 36 forskare vid svenska högskolor och universitet.
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| 4. |
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| 5. |
- Ganetz, Hillevi, 1956-
(författare)
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Drottningens kropp och vetenskapens pris
- 2017
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Ingår i: Tidskrift för Genusvetenskap. - : Amnesforeningen for genusvetenskap. - 1654-5443 .- 2001-1377. ; 38:3
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Tidskriftsartikel (refereegranskat)abstract
- This article investigates the relation between science respectively nation, class and gender in the televised Nobel Banquet. The body of the Swedish Queen is used as a lens in order to analyse intersectional power dimensions. Drawing on cultural, media, and gender studies, this article examines the mediated persona of the Queen in the televised Nobel Banquet via contextualised textual analysis.The televised Nobel Banquet, like the awards ceremony preceding it, provides representations of both science and a social elite. But not all representatives of the Swedish elite equally attract the gazes of the cameras: the focus of attention is in particular on the Swedish queen, who since her debut in 1976 has received more TV time than anyone else – male or female, scientist or not. How is her body represented in the televised Nobel Banquet? And what are the consequences of these representations for the image of science?The analyses shows that the body of the Queen signifies that heterosexuality, class affiliation, and nationality are important and normative factors in the discourse of science. In the televised Nobel Banquet, her body is a symbol of the aspired status of science, representing its desire to belong among the heterosexual and white elites as well as an acknowledging of a traditional, ideal femininity.
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| 6. |
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| 7. |
- Ganetz, Hillevi, 1956-
(författare)
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Fame Factory : Performing Gender and Sexuality in Talent Reality Television
- 2011
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Ingår i: Culture Unbound. - Linköping : Linköping University Electronic Press. - 2000-1525. ; 3
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Tidskriftsartikel (refereegranskat)abstract
- This article discusses how gender and sexuality are performed in a highly feminised cultural symbolic context. The object of study is a reality show where the contestants compete in mainstream popular music. Fame Factory is a Swedish talent-hunt television series with many similarities to Pop Idol. The audience may follow the struggle of the young artists off stage in the ‘Fame School’ in addition to seeing and voting on their feats on stage. In the Fame School they learn to sing, perform and dance, but also to perform masculinity, femininity and sexuality, even if this is not explicit. Through an analysis of some key episodes of this reality show, the article discusses how gender and sexuality are produced and reproduced within this music television context. It is shown how the performances rest on highly traditional conceptions of these categories, but there are also certain transgressions, especially concerning sexuality, which undermine hegemonic structures.
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| 10. |
- Ganetz, Hillevi, 1956-
(författare)
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Jewel in the Crown : The Nobel Banquet Broadcast as Co-Construction
- 2018
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Ingår i: Nordicom Review. - : Walter de Gruyter GmbH. - 1403-1108 .- 2001-5119. ; 39:2, s. 111-126
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Tidskriftsartikel (refereegranskat)abstract
- This study explores the aims of the Nobel Banquet broadcast, produced by the Swedish public service company SVT and the Nobel Foundation. The study suggests that the programme can be viewed as a co-construction of science and media, and that the Nobel Foundation has three primary purposes: 1) to teach the audience about science; 2) to honour the laureates; and 3) to maintain and increase the status of the Nobel prize. SVT, for their part, has two main purposes: 1) to teach their audience about science, and 2) to entertain. The aims of the Nobel Foundation and SVT may seem disparate, but they are interrelated. At the same time, the subtleties between the entities create a tension that develops through mutual negotiations. The study ends with a discussion of two unexpected findings: 1) the shared, yet essentially differently-grounded aims of both parties to inform about science, and 2) the fact that their scientific content has increased in both absolute and relative terms over the years, a finding that questions notions of a continuous mediatisation of social institutions.
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