| 1. |
- Goldhahn, Joakim, 1966-, et al.
(författare)
-
Children and Rock Art : A Case Study from Western Arnhem Land, Australia
- 2020
-
Ingår i: Norwegian Archaeological Review. - : Taylor & Francis Group. - 0029-3652 .- 1502-7678. ; 53:1, s. 59-82
-
Tidskriftsartikel (refereegranskat)abstract
- In this paper, we explore the social context of rock art creation through the lens of one woman's childhood experiences in, what is now, Kakadu National Park in the Northern Territory of Australia. We reflect upon oral history interviews conducted over the last three years with Warrdjak Senior Traditional Owner Josie Gumbuwa Maralngurra and her childhood spent walking country with family. As a witness to vast numbers of rock paintings being created, and sometimes an active participant in that process, Josie's memories provide rare insights into the social and cultural context of rock art practices during the late 1950s and early 1960s. We argue that Josie's personal experiences provide solid evidence for both the educational role that rock art continued to play across the region during the 20(th)century and its role as a tool for helping to ensure intergenerational connection to country.
|
|
| 2. |
- May, Sally K., et al.
(författare)
-
New Insights into the Rock Art of Anbangbang Gallery, Kakadu National Park
- 2020
-
Ingår i: Journal of field archaeology. - : Taylor & Francis Group. - 0093-4690 .- 2042-4582. ; 45:2, s. 120-134
-
Tidskriftsartikel (refereegranskat)abstract
- This paper presents findings from a recent study of the Anbangbang Gallery in the Burrungkuy (Nourlangie) site complex of Kakadu National Park, Australia. Using new technologies alongside established methods for rock art documentation, we discuss the complexity and uniqueness of Anbangbang Gallery as an icon of Australian rock art. We have taken a comprehensive approach to our investigations, deliberately linking new technologies and scientific analysis with other archaeological and anthropological research methods. In particular, using evidence from a detailed site recording, oral histories, and pXRF analysis, we explore aspects of the site chronology, the nature of painting activity, and the retouching and repainting of earlier imagery. The findings force us to rethink the existing interpretative narrative for Anbangbang Gallery, the motivations behind previously held beliefs relating to recent rock art, and the implications this has had for ongoing conservation work in the region.
|
|
| 3. |
- May, Sally K., et al.
(författare)
-
‘This is my father’s painting’ : A first-hand account of the creation of the most iconic rock art in Kakadu National Park
- 2019
-
Ingår i: Rock Art Research. - : Archaeological Publications, Australia. - 0813-0426. ; 36:2, s. 199-213
-
Tidskriftsartikel (refereegranskat)abstract
- The Anbangbang Gallery in the Burrungkuy area of Kakadu National Park includes some of the most iconic rock art imagery from Australia. Visited and enjoyed by tens of thousands of visitors every year it stands as a testament to Aboriginal culture and provides a glimpse into the remarkable rock art traditions of this region. Yet, most visitors are surprised to discover that rock art was still being produced at this site in the 1960s. In this paper, we explore the most recent rock art created at the Anbangbang Gallery. Most importantly, we present new evidence from a first-hand account of the paintings being created in 1963/64 and discuss the implications of these new insights for our understanding of the practice, the artists, and the social context of rock art in northern Australia.
|
|
