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- Anrup, Roland, et al.
(författare)
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Centrala universitetsvärden hotas av bolagiseringsidén
- 2013
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Ingår i: Dagens nyheter. - 1101-2447.
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Tidskriftsartikel (populärvet., debatt m.m.)abstract
- Högskolestiftelser. Förslaget att driva svenska universitet i stiftelseform öppnar för bolagisering. Men det är ingen riktig utredning, utan en politisk pamflett utan eftertanke. Privatisering av universitet hotar både oberoendet, forskningskvaliteten och samhällsnyttan, skriver 36 forskare vid svenska högskolor och universitet.
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| 2. |
- Falk, Hans, 1949-
(författare)
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"Socialistprästen" : H.F. Spak (1876-1926)
- 1998
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The present thesis is based on the life and works of H.F. Spak, known as ”the socialist priest”. He started out as a conservative priest, became a Social Democrat and was forced to resign from the church in 1911. He became a leftwing agitator and later a Communist and atheist.In his earlier days H.F. Spak tried to combine Christianity with Socialism, claiming that the two shared the same faith.The quest for justice and for equality seemed for him all the same, as well as the final goal: to establish the kingdom of God on earth. After his resignation from the church, he became increasingly influenced by non-Christian thinkers like Karl Marx naturally, but also Charles Darwin and Friedrich Nietzsche and others. These new influences he tried to combine with the message av Jesus Christ, who gradually lost lois role as a saviour of souls and became the ideal man, another in the line of the great heroes in human history, alongside men lika Buddha, Babeuf and Lenin.In the beginning of the 1920 he abandoned the last remnants of Christianity. Gods was replaced by History, which, in his deterministic view, as God ruled everything: society as well as and the minds of every human being. At last he even lost his faith in History and the future communist society. He left the Communist Party of Sweden and six month after that he died.The life and works of H.F. Spak are here mainly seen as an illustrative example of the efforts to combine Christianity and Socialism and even more of the similarities between the two doctrines: Socialism as a secular religion.
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| 3. |
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| 4. |
- Zetterfalk, Per, 1968-
(författare)
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Inter esse : Det skapande subjektet, Norén och Reality
- 2008
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- At the centre of this dissertation is the artistic formation and, as an extension, the scientific formation. The purpose of the work is to reflect on the way from ambition to creation, to capture what about this process is unique. I have chosen two objects for my research. First, the Swedish playwright Lars Norén's (1944-) direction of a new work for the theatre, his own play Kyla (Chill). Second, Swedish Television (SVT) as they produce their largest-ever stake in the field of entertainment, the Reality-TV series Riket (The Kingdom).Concerning the creative process, I partly focus on beginning and end, and partly on the transformation from chaos to order. In this way I am able to focus on the way something unexpected occurs. The question of what constitutes creativity is often raised, but I set out to frame it in my own way: not only with the help of two processes, but also within myself. What is the difference between being a subject, doing something oneself, and observing? In this work I assume both positions. I am a registering and documenting researcher as well as a filmmaker.The work is structured by a principle of three: a documentation of the creative processes, a documentary film on Norén, Kall (Norén's drama), and a dissertation which unites everything into a synthesis.First, my work acts as a purveyor of insights into and understanding of two major and very different creative processes. Second, it is about two extremely established contemporary phenomena: Norén and the SVT together constitute somewhat of a counterpoint, which make it possible to compare a creative process within the art of theatre to one within TV/entertainment. Third, my work creates a field of tension between the creative process and the analysis via my own production: Norén's drama is both a tool of interpretation in the study of Norén and an intensifying of the overall research result. Fourth, my dissertation aims to bring together aspects, categories and literature in a new way.
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