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- Bayati, Zahra, 1958, et al.
(författare)
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Nytt centrum mot rasism får fel vetenskaplig inriktning
- 2015
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Ingår i: Göteborgs Posten. - 1103-9345. ; :2015-06-14
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Tidskriftsartikel (populärvet., debatt m.m.)abstract
- När rasism ska förstås som något som kan lösas genom att lära ut tolerans undergrävs förtroendet för regeringens satsning. Dessutom saknas det etnisk/rasifierad mångfald bland forskargruppen.
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- Lorenzoni, Patricia, 1975, et al.
(författare)
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ur Borderlands / La Frontera av Gloria Anzaldúa
- 2016
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Ingår i: Tidskriften Kritiker (978-91-88431-02-8).
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Översättning av dikter ur Borderlands / La Frontera av Gloria Anzaldúa (tillsammans med Patricia Lorenzoni)
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| 6. |
- Lorenzoni, Patricia, 1975-
(författare)
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What’s in a Landscape? : Indigenous Art and the Coevalness of Colonial Expansion
- 2018
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Ingår i: PARSE Journal. - Göteborg. - 2002-0953. ; :8
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Tidskriftsartikel (refereegranskat)abstract
- Taking as a point of departure the ambiguity of notions of center and periphery, this article discusses the place of the landscape in contemporary Amazonian indigenous art. Jaider Esbell’s gallery in Boa Vista, Brazilian state of Roraima, has since its opening in 2013 become a hub in a growing movement of indigenous art in Brazil. In a context where a mythology of racial miscegenation has symbolically placed indigenous people at the very heart of national formation, but where indigenous people became full citizens only in 1988, indigenous artists break through an imposed invisibility traditionally relegating them to a past doomed to disappear with the coming of modernity. Discussing the work of three artists – Carmézia Emiliano, Jaider Esbell and Amazoner Okaba – I argue that the coevalness of territorial colonial expansion in Brazil brings a special meaning to the ways in which indigenous art work with and through the landscape. Where there is no “post-“ to colonialism, and where colonial territorial expansion is a dynamic shaping the present, representations of the landscape cannot escape its disputed character. Art, in this context, becomes a site of both healing and resistance, taking the form of a claim: “we are still here, and we are still indigenous”.
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| 7. |
- Lorenzoni, Patricia, 1975-
(författare)
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“With admirable precision they exercise Swedish gymnastics ..." : Nation-building and production of innocence in early Brazilian state indigenism
- 2019
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Ingår i: Educação em Revista. - Belo Horizonte : Faculdade de Educação da Universidade Federal de Minas Gerais. - 0102-4698 .- 1982-6621. ; 35
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Tidskriftsartikel (refereegranskat)abstract
- An early 20th century photograph in the collections of Museo do índio in Rio de Janeiro shows Paresí children in Mato Grosso exercising “Swedish gymnastics”. The program for physical education codified by Swedish educator Pehr Henrik Ling was practiced in the schools of several SPI indigenous stations in the period, as part of the state indigenist project of “nationalizing” the indigenous populations. With the photo as a starting-point, this article explores the relation between a positivist nation-building project in Brazilian indigenism, and Ling gymnastics as a project directed towards the population and the nation. Applying Mary Louise Pratt’s concepts of colonial contact zone and strategies of “anti-conquest”, as well as Antonio Carlos de Souza Lima’s analysis of state indigenism as a continuation of the war of conquest with other means, I argue that Ling gymnastics resonated particularly well with positivist indigenism. Perceived of as a method of physical education not tainted by chauvinistic militarism, it could find its place in a colonial nation-building project resting on denial of its own inherent violence.
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