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Sökning: hsv:(HUMANIORA) hsv:(Språk och litteratur) > Olsson Jesper 1966

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  • Ingvarsson, Jonas, 1966-, et al. (författare)
  • Introduction : Media and Materiality in the Neo-Avant-Garde
  • 2012. - 200
  • Ingår i: <em>Media and Materiality in the Neo-Avant-Garde</em>. - Frankfurt am Main : Peter Lang Publishing Group. - 9783631621844 - 9783653013788 ; , s. 7-14
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
    • An introductory essay for the volume.
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  • Media and Materiality in the Neo-Avant-Garde
  • 2012. - 200
  • Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
    • Media and Materiality in the Neo-Avant-Garde explores the materiality of media technologies and their impact on the avant-garde of the late twentieth century. The essays of the volume range between different art forms (literature, film, music, visual art, performance) and bridge the same contested cultural divides - high and low, ideology and form, art and everyday life - that were once challenged by the avant-garde. Ranging in topics from the Beach Boys to Herbert Eimert, from Scandinavian forests to Warhol's Factory, the perspectives established and the operations performed in Media and Materiality in the Neo-Avant-Garde thus traverse a network of art and technology that has been crucial for more than half a century, and still is today.
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  • Olsson, Jesper, 1966- (författare)
  • Croaks and Calls : posthuman sound ecologies in the neo-avant-garde
  • 2021
  • Ingår i: Tuning in to the Neo-Avant-Garde. - Manchester : Manchester University Press. - 9781526155719 ; , s. 87-105
  • Bokkapitel (refereegranskat)abstract
    • This chapter investigates how media historical transformations in the decades after the Second World War affected radio art and sound poetry and, especially, their (re)presentations of humans and animals. Apart from new sound technologies (e.g. the tape recorder), information technology and cybernetics are crucial here, not least in promoting an ‘ecologisation’ (Erich Hörl) of thinking and being, which problematises anthropocentrism and subject-object configurations. Instead, there is a transition to relationality and immersion. In this chapter, the potential of sound for staging and exploring such a transition is investigated and underlined through analyses of radio art and poetry by Swedish artists and poets Åke Hodell and Öyvind Fahlström, partly framed by a discussion of Samuel Beckett’s early radio play, All That Fall (1956). In the Swedish works, attention is paid to birds and their calls primarily, but also to other sounds, which displace the human voice and gaze as organising agencies and establish a more diffuse and open acoustic space and time. The latter is designated as a ‘posthuman sound ecology’, which stresses not only the sonic presence of other beings, but also a poetically shaped and playful transmutation of the established, almost naturalised, hierarchies and relations between humans and non-humans.
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