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Sökning: hsv:(HUMANIORA) hsv:(Språk och litteratur) hsv:(Litteraturvetenskap) > Södertörns högskola

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  • Rome and the guidebook tradition : from the Middle Ages to the 20th century
  • 2019
  • Samlingsverk (redaktörskap) (refereegranskat)abstract
    • Almost everyone has used a guidebook, when travelling or in the armchair at home. But how and when was the guidebook born? In this book, seven scholars from various disciplines argue that the guidebook emerged in Rome in the late Middle Ages, to form a surprisingly consistent model for guidebooks up to our time. The descriptions of must-see monuments, recommended routes, practical information and value-laden instructions have guided travellers to Rome through more than 1000 years.
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  • Jezierski, Wojtek, 1979 (författare)
  • Politics of Emotions and Empathy Walls in Thirteenth-Century Livonia
  • 2020
  • Ingår i: Anu Mänd, Marek Tamm (eds.), Making Livonia: Actors and Networks in the Medieval and Early Modern Baltic Sea Region. - London : Routledge. - 9780367481285 ; , s. 113-142, s. 113-142
  • Bokkapitel (refereegranskat)abstract
    • This chapter studies the representations and (self-)attributions of emotions to and of different social groups in two pieces of historiography penned in thirteenth-century Livonia, the Chronicle of Henry of Livonia and the Livonian Rhymed Chronicle. The processes of conversion and colonisation of Livonia in the thirteenth century durably shaped the relations between the native population and the arriving missionaries, settlers and crusaders, and formed the religious and ethnic identities of both groups. In order to access the emotional landscapes of thirteenth-century Livonia this study uses the only two locally penned historiographical accounts: The Chronicle of Henry of Livonia and the anonymous Livonian Rhymed Chronicle. The overuse of vro generates so much noise in this emotion’s data that it is difficult to isolate a meaningful signal. However, we can conveniently look at its less frequent but similarly attributed cognate, vreuden.
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  • Refugee Genres : Essays on the Culture of Flight and Refuge
  • 2023
  • Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
    • This volume brings together research on the forms, genres, media and histories of refugee migration. Chapters come from a range of disciplines and interdisciplinary approaches, including literature, film studies, performance studies and postcolonial studies. The goal is to bring together chapters that use the perspectives of the arts and humanities to study representations of refugee migration. The chapters of the anthology are organized around specific forms and genres: life-writing and memoir, the graphic novel, theater and music, film and documentary, coming-of-age stories, street literature, and the literary novel. 
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  • Björck, Amelie (författare)
  • Metaforer och materialiseringar. Om apor hos Vladimir Nabokov och Sara Stridsberg
  • 2013
  • Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; :1, s. 5-20
  • Tidskriftsartikel (refereegranskat)abstract
    • By tradition the humanities have been anthropocentrically focused on the lives of human beings in arts and literature. The limited analysis of what other species do in literature – and of the different relations between humans and animals that are represented – has sustained the notion of a hierachical divide between humans and other species, thereby reducing the ethical potential of literature to resist that dualism. The growing field of human–animal studies proposes that we return to our artefacts and epistemologies, with new attention to human–animal relations. Inspired by this movement, forefronted by scholars such as Cary Wolfe and Sara McHugh, this article offers a comparative reading of Vladimir Nabokov’s Lolita (1955) and Sara Stridsberg’s Darling River (2010). In Lolita Nabokov makes frequent use of animal and especially monkey metaphors, and carries out an ongoing animalization of his characters. In Stridsberg’s novel, which is written as a kind of hypertext of Lolita, Nabokov’s animalizations are interestingly molded and materialized into one physical creature: the caged schimpanzee Ester. The central concern of the study is to understand the process and effects of this materialization. I argue that the consequential reorientation of the reader to a non-hierarchical species discourse is a major ethical feat of the novel.
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