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Cuttlefish :
Cuttlefish : performing body
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- Bågander, Linnea, 1986- (författare)
- Högskolan i Borås,Akademin för textil, teknik och ekonomi
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(creator_code:org_t)
- Intellect, 2020
- 2020
- Engelska.
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Ingår i: Studies in Costume & Performance. - : Intellect. - 2052-4013 .- 2052-4021. ; 5:2, s. 257-273
- Relaterad länk:
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https://urn.kb.se/re...
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https://doi.org/10.1...
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Abstract
Ämnesord
Stäng
- This research report discusses and reflects on the development of the costumedesign and choreography of the performance piece Cuttlefish, 2017–19. In theperformance, the costumes played an essential role as they completely transformedthe movements and forms of the dancers. To enable this, costumes were designed astemporal forms, garments that contain a particular movement language based onthe structural possibilities of the body. The costumes are discussed here from twoperspectives: in relation to their role in constructing a narrative for the audience,choreographer and dancers and secondly concerning the practical aspects of theirdevelopment as temporal forms. The suggestion is that garments constitute materialopportunities, designed to provide a system of possible movements and expressionsthat the choreographer and dancer can explore. The result has implicationsfor both fields of fashion design and costume design as it proposes fundamentalparameters for a method of constructing garment as temporal form.
Ämnesord
- HUMANIORA -- Konst -- Design (hsv//swe)
- HUMANITIES -- Arts -- Design (hsv//eng)
- HUMANIORA -- Konst -- Scenkonst (hsv//swe)
- HUMANITIES -- Arts -- Performing Arts (hsv//eng)
Nyckelord
- performing body
- costume design
- material choreography
- material expression
- materiality of movement
- artistic research
- Textiles and Fashion (Design)
- Textil och mode (konstnärlig)
Publikations- och innehållstyp
- ref (ämneskategori)
- art (ämneskategori)
- kfu (ämneskategori)
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