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Den kapitalistiska ...
Den kapitalistiska skådespelaren : Aktör eller leverantör?
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- Friberg, Ulf, 1962- (författare)
- Gothenburg University,Göteborgs universitet,Högskolan för scen och musik,Academy of Music and Drama
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- Lagerström, Cecilia, professor (preses)
- GÖTEBORGS UNIVERSITET
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- Liedman, Sven-Eric, Professor emeritus (opponent)
- GÖTEBORGS UNIVERSITET
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(creator_code:org_t)
- ISBN 9789173748131
- Göteborg : Korpen, 2014
- Svenska 293 s.
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Serie: ArtMonitor - Avhandlingsserien ; 44
- Relaterad länk:
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Abstract
Ämnesord
Stäng
- The dissertation revolves around an actor’s craft as a changing craft. Theatre workers– like many other professions in Sweden – have experienced major changes in thelabour market during a relatively short period of time. In what way has capitalisticideology changed society over the last 25 years, and in what way has this affected theactor’s craft, and what impact has been experienced? What strategies can the field ofthe theatre, in general, and the actors, in particular, use to create space for the developmentof the craft of acting in a new era?The different parts of the dissertation attack the questions mentioned above from anumber of different angles. References from other disciplines such as philosophy, thehistory of ideas and sociology, which are placed in dialogue with the theatre in thisdissertation project, are all-important.In the first part of the dissertation, the author positions the research and himselfand also presents the methods used and the theories from other disciplines throughwhich he discusses the issues to be addressed.The next section discusses leadership and organisation through the 1990’s until today.The economic crises that affected Sweden during this time not only producedfairly extensive changes for publicly funded theatres but also brought about a changingbalance of power in theatres.Theatrical craft is discussed in the next section, where the main questions addressedare: In what way do changes in power relations affect the actor’s craft? What is theactor’s craft and who is really portraying the role? Actors in fact need what the authorwould like to call “informal power” in relation to their craft; however, this informalspace, the author argues, has been cut back.The fourth act in this dissertation consists of the text of a play, which adopts a freerand more associative approach to the issues discussed, and, as part of the discussion,is staged in a publicly funded theatre in connection with the actual public defence ofthe dissertation.The Epilogue carries and drives issues towards a changing future – if this futureexists.
Ämnesord
- HUMANIORA -- Konst -- Scenkonst (hsv//swe)
- HUMANITIES -- Arts -- Performing Arts (hsv//eng)
- HUMANIORA -- Konst (hsv//swe)
- HUMANITIES -- Arts (hsv//eng)
Nyckelord
- actor's craft. the individual actor
- theatre leadership and organisation
- actor and capitalism
- theatre and the new public management
- post-dramatic theatre
- theatre in change
- informal power
- artistic research
- actor’s craft
- the individual actor
- theatre leadership and organisation
- actors and capitalism
- theatre and new public management
- postdramatic theatre
- theatre in change
- informal power
- artistic research
Publikations- och innehållstyp
- vet (ämneskategori)
- kfu (ämneskategori)
- dok (ämneskategori)
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