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From Model to Modul...
From Model to Module: A move towards generative choreography
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- Ölme, Rasmus, 1973- (författare)
- Stockholms konstnärliga högskola,Institutionen för dans,KTH, Skolan för datavetenskap och kommunikation (CSC), Medieteknik och interaktionsdesign, MID. Dans- och cirkushögskolan,Medieteknik och interaktionsdesign, MID
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- Dahlberg, Leif, Associate Professor (preses)
- KTH,Medieteknik och interaktionsdesign, MID,KTH, Skolan för datavetenskap och kommunikation (CSC), Medieteknik och interaktionsdesign, MID.
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- Parkinson, Chrysa, Professor (preses)
- Stockholms konstnärliga högskola,Institutionen för dans,DOCH (Dans och Cirkushögskolan)
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- Lepecki, André, Docent (opponent)
- NYU Tisch School of Arts, NYC.
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(creator_code:org_t)
- ISBN 9789175951553
- Stockholm : KTH Royal Institute of Technology, 2014
- Engelska 231 s s.
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Serie: TRITA-CSC-A, 1653-5723 ; 2014:07
- Relaterad länk:
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http://urn:nbn:se:kt...
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https://uniarts.diva... (primary) (Raw object)
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https://uniarts.diva... (primary) (Raw object)
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https://kth.diva-por... (primary) (Raw object)
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https://urn.kb.se/re...
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https://urn.kb.se/re...
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Abstract
Ämnesord
Stäng
- The thesis engages in Choreography and Dance Technique by delineating the concepts and practices that the artistic research project MODUL has generated. A modular method of choreographing is articulated. The MODUL method of choreography starts by making a topographical movement analysis of the context that the work engages with. This analysis results in an identification of the different agencies at work within the context approached. They are considered as Choreographic Agents and as elements of the modular assemblage. The choreographic act then performed consists of a re-articulation of the relations between the different elements. The MODUL method links movement practice and art production as the topographical movement analysis is also applied to, and conceptualised through, the body.In terms of dance technique the MODUL method works with the same topographical movement analysis to explore bodily functionalities as Choreographic Agents. The technique is called Body-Self Attunement and aims at tuning the self, understood as the symbolic body, with the biological body. Body-Self Attunement does not try to unify the symbolic body and the biological body but affirms the gap as generative. The term Generative Choreography is coined in order to emphasise the performative aspect of choreography that is not defined by what it is, but what it does.
Ämnesord
- HUMANIORA -- Konst (hsv//swe)
- HUMANITIES -- Arts (hsv//eng)
- HUMANIORA -- Konst -- Scenkonst (hsv//swe)
- HUMANITIES -- Arts -- Performing Arts (hsv//eng)
Nyckelord
- choreography
- module
- artistic research
- dance technique
- Koreografi
- Konstnärlig forskning
- dansteknik
- Performativa och mediala praktiker
- Performative and media based practices
- Media Technology
Publikations- och innehållstyp
- vet (ämneskategori)
- kfu (ämneskategori)
- dok (ämneskategori)
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