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The new geographies...
The new geographies of popular music (in a pandemic) : Guilty geographies and compressed intimacies
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- Dodds, Philip (författare)
- Lund University,Lunds universitet,Musikvetenskap,Avdelningen för musikvetenskap och intermediala studier,Institutionen för kulturvetenskaper,Institutioner,Humanistiska och teologiska fakulteterna,Musicology,Division of Musicology and Intermedia Studies,Department of Arts and Cultural Sciences,Departments,Joint Faculties of Humanities and Theology
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(creator_code:org_t)
- 2021
- 2021
- Engelska.
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Ingår i: POPULÄR – Nordic Journal for Popular Culture Research. ; 2, s. 9-27
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Abstract
Ämnesord
Stäng
- In this paper, I analyse developments in the relationship between popular musicians and their audiences that have intensified during the COVID-19 pandemic of 2020–21. The first, guilty geographies, concerns musicians and music venues becoming increasingly reliant on charitable audience support, appealing to fans’ ethical consciences through the crowdfunding (or fan-funding) model. The second, compressed intimacies, relates to the conditions of musical production and reception, and the new geographies of musical listening, that emerge from this guilt-based relationship. Focusing on examples from Sweden, I argue that while some artists and venues have engaged creatively with guilty geographies and compressed intimacies, these trends should be resisted.
Ämnesord
- HUMANIORA -- Konst -- Musikvetenskap (hsv//swe)
- HUMANITIES -- Arts -- Musicology (hsv//eng)
Nyckelord
- popular music
- guilty geographies
- fan-funding
- intimacy
- sonic compression
- streaming platforms
- Mona Masrour
- Alice Boman
- Jens Lekman
- Sweden
Publikations- och innehållstyp
- art (ämneskategori)
- ref (ämneskategori)
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