| 1. |
- Tatlow, Ruth, 1956-
(author)
-
'Bach and Jesus', Discussing Bach 2 (July, 2021)
- 2021
-
In: Discussing Bach. - Online. - 2633-9951. ; 2, s. i-ix-1-18
-
Journal article (peer-reviewed)abstract
- 'Bach and Jesus', Discussing Bach 2 (July 2021), co-edited Ruth Tatlow & Barbara M. ReulContributors: Robin A. Leaver 'Emblematic Jesus'; Noelle M. Heber 'Jesus as Treasure'; Michael Marissen 'Jesus in Time and Eternity'. Chair Ruth TatlowVideo with closed captions, Editorial Introduction, Authorised Transcript.Discussing Bach is a multimedia web-based publication superseding Bach Network’s peer-reviewed journal Understanding Bach (2006–2017). Featuring scholars engaged in groundbreaking research, each issue of Discussing Bach comprises an Editorial Introduction, a link to a live video discussion with optional subtitles, an Authorised Transcript of the live discussion for citations purposes, and a list of further reading and listening. Topic-specific articles may also be published.
|
|
| 2. |
- Tatlow, Ruth, 1956-, et al.
(author)
-
'Bach and the Thomaskantorat', Discussing Bach 3 (October, 2021)
- 2021
-
In: Discussing Bach. - Bach Network. - 2633-9951. ; 3, s. i-vii; 1-44
-
Journal article (peer-reviewed)abstract
- This is the third issue of the Bach Network multimedia open access publication, edited by Ruth Tatlow and Barbara M. Reul.This issue is about the competition that eventually led to J.S. Bach's appointment as Thomaskantor in Leipzig. But what happened before he was chosen? Who did the town council approach first, and why? And why did the forerunners decline? Four experts, Steven Zohn (Telemann), Michael Maul (Bach), Barbara Reul (Fasch), and Ursula Kramer (Graupner), use latest source studies and ideas to discuss how the story unfolded and ideas about other possible outcomes. You can watch the thirty-minute video (with English subtitles) on YouTube and at https://bachnetwork.org/discussing-bach where you can also read and download all the documentation. Two new articles, by Zohn and Reul, were commissioned especially for this issue. This open access publication is free to download and share with colleagues, music lovers and to use in teaching where appropriate. The first two issues of Discussing Bach are on the topics of ‘Bach and Emotion’ (2020) and ‘Bach and Jesus (2021),
|
|
| 3. |
- Tatlow, Ruth, 1956-, et al.
(author)
-
Bach Cantata Texts, Poetic Techniques, and Meanings
- 2022
-
In: Discussing Bach. - 2633-9951. ; 5, s. i-viii-1-21
-
Journal article (peer-reviewed)abstract
- The discussion in this issue was first presented as a round table session at the Leipzig Bachfest in June 2022, as part of our session ‘Bach Network in Dialogue’. The aim of the Leipzig presentation was to give a taster of the format of our biennial Johann Sebastian Bach Dialogue Meetings. It included a shorter version of the discussion recorded here as ‘Bach Cantata Texts, Poetic Techniques, and Meanings’. When the two presenters took their places on the platform before the Bachfest audience in June, neither knew what the other would say. Michael Maul was to respond ex tempore to the two talks, while the moderator, Larry Molinaro, was to introduce the session and field the public questions. When time constraints forced the conversations to a premature close, we realised that this wide-ranging topic would make a valuable contribution to Discussing Bach.
|
|
| 4. |
- Tatlow, Ruth, 1956
(author)
-
Handling Unruly Sources : The Future of Bach Sources
- 2023
-
In: ISSN 2633-9951. - 2633-9951. ; 6
-
Journal article (peer-reviewed)abstract
- A live video debate with four presentations on how new methodologies will affect Bach research in the future. Speakers are Ruth Tatlow, Manuel Bärwald. Andrew Frampton, and Bettina Varwig. The video is published in the open access multimedia journal, Discussing Bach, and includes the video, an authorised transcript of talks and discussion, and an editorial introduction.
|
|
| 5. |
- Tatlow, Ruth, 1956-
(author)
-
Proportions in Emotion : Zur Recreation des Gemüths
- 2020
-
In: Discussing Bach. - Bach Network. - 2633-9951. ; 1, s. i-vii-12
-
Journal article (peer-reviewed)abstract
- Three well-known Bach scholars explore the question of where and how one might locate the emotional potential of J. S. Bach’s music, drawing on historical methods and discourses as well as on insights from current performance practice. Under the heading of ‘affect’, the emotional qualities of Bach’s music have been a topic of sustained scholarly discussion since at least the early twentieth century. Arguably that discussion has advanced only haltingly since George Buelow’s critique of the traditional Affektenlehre back in the 1980s. Meanwhile, over the past thirty years or so historians have increasingly embraced the emotional dimension of past events as a productive new area of inquiry, alerting us not only to the fact that emotions and their expression are historically contingent, but that these affective forces played a much more vital part in shaping historical realities than has often been acknowledged. The panel members propose several new, historically grounded approaches to the question of emotion in Bach’s music, building on some of the frameworks developed in recent emotions history. Conversely, they consider what the study of music (and Bach’s music in particular) might fruitfully contribute to the writing of emotional histories.
|
|
| 6. |
|
|
