1. |
-
Barnstugan
- 2015
-
Book (other academic/artistic)abstract
- Boken är en del av projektet Barnstugan. Boken redogör för en konstnärlig undersökning av två arkitektoniska projekt från slutet av 60-talet. Husen är ett typdaghemsprojekt för Stockholm stad samt Ingmar Bergmans bostad på Fårö. Husen sammanlänkas av det kontor (Abramsons arkitektkontor) som under samma tid projekterade husen. Genom att se på liknelser och skillnader, fysiska och innehållsliga, vill undersöks relationen mellan kollektiv och individ. Till boken har ett antal personer bjudits in att reflektera kring de tematiker projektet tangerar.
|
|
2. |
- Birk Jørgensen, Morten, et al.
(author)
-
Les villes nordiques, une ingéniosité territoriale par nécessité
- 2019
-
In: Perspective: actualité en histoire de l'art. - Paris : L'Institut national d'histoire de l'art. - 1777-7852 .- 2269-7721. ; :1, s. 69-96
-
Journal article (peer-reviewed)abstract
- Un débat entre Bilo Høegh Stigsen, Anja Kervanto Nevanlinna, Morten Birk Jørgensen, Tor Lindstrand et Håkan Nilsson, mené par Nicolas Escach
|
|
3. |
-
KTHA #1
- 2010
-
Editorial collection (pop. science, debate, etc.)abstract
- Innehåll|Contents"Gunnar Henriksson: Mannen bakom allt", Ola Andersson, Hans Loord"Nittonhundraåttiofem" Ola Andersson"Landscape as a Body (To Dress)", Katja Grillner"Nya Slussen", Daniel Johansson, Johanna Håkansdotter- Karlsson, Tor Lindstrand, Martin Losos, Victor Mickelsson, Sara Vall, Ann-Charlotte Wiklander, Frida Öhlin"Patchwork: Albano Sustainable Campus", Stephan Bartel, Johan Colding, Hanna Erixon, Henrik Ernstson, Sara Grahn, Matts Ingman, Carl Kärsten, Lars Marcus, Jonas Torsvall"Multireligiös begravningsplats på Järva friområde", Henrik Vogt"Bridging the Gap", Alexis Pontvik"Tullinge Idea Store: Plats, struktur, program" Jesús Azpeitia"Treasures from the Archive: Der Städtebau nach seinen künstlerischen Grundsätzen, Camillo Sitte", Anders Bergström"Reading Architecture and Beauty: Conversations with Architects about a Troubled Relationship, Yael Reisner with Fleur Watson", Frida Rosenberg"Leon Battista Alberti, Identical Copies, and the Early Modern Invention of Architectural Design", Mario Carpo"Three Concepts of Performative Design: Proturbance, Porosity, Venation", Marcelyn Gow, Ulrika Karlsson, Daniel Norell
|
|
4. |
- Lindstrand, Tor
(author)
-
Everydayness
- 2008
-
In: Space Between People. - New York : Prestel. - 3791339915 - 9783791339917 ; , s. 130-139
-
Book chapter (other academic/artistic)
|
|
5. |
- Lindstrand, Tor, 1968-, et al.
(author)
-
I mitt hus där jag bor
- 2015
-
In: Hjärnstorm. - Stockholm : Kulturföreningen Hjärnstorm. - 0348-6958. ; :122, s. 2-10
-
Journal article (pop. science, debate, etc.)
|
|
6. |
|
|
7. |
- Lindstrand, Tor, 1968-, et al.
(author)
-
Solid Flows
- 2017
-
In: Architecture and Culture. - : Routledge. - 2050-7828 .- 2050-7836. ; 5:2, s. 297-314
-
Journal article (peer-reviewed)
|
|
8. |
|
|
9. |
|
|
10. |
- Nilsson, Håkan, 1965-, et al.
(author)
-
Before and After "At Work With" Venice Biennale 2010
- 2018
-
Conference paper (peer-reviewed)abstract
- This paper focuses on the collaborative, society engaged practices of several Nordic architects that formed a joint-venture called “At Work With” at the Nordic pavilion, Venice Architecture biennale in 2010. As such, “At Work With, a hub for alternative practices within the field of architecture and design, forms the epi centrum of an emerging scene.The exhibition opens for three different discussions, the before, during and after of the exhibition.Before. Discussing the role of networks and dissemination of the many times temporary, site specific projects that the different groups work with. Thus, documentation and distribution through exhibitions, in magazines and on web-pages, became crucial for forming what Canadian media scientist Will Straw defines a scene, a scene that later could use the exhibition at the Venice Biennale as a site for practice.During. Following the exhibition as it unfolded over the 100 days of the biennale, as it was used as an ongoing space for production. Turning the sometimes static space for representation into an active space for participation. The Nordic pavilion changed into a temporary office space with a new “host” each week of the biennale.After. What ever happened to the net-worked based scene afterwards? Did the 100 days have any implications after the biennale? How was it received in a narrow discourse of Nordic architecture, and how was it understood in a broader context of international alternative practices?
|
|