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| 2. |
- Oscar Pripp, Oscar, 1957-
(author)
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Reflektion och etik
- 2011. - 2
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In: Etnologiskt fältarbete. - Lund : Studentlitteratur AB. - 9789144058528 ; , s. 65-84
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Book chapter (other academic/artistic)
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| 3. |
- Asplund Ingemark, Camilla, et al.
(author)
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Introduktion
- 2019
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In: Former som formar. - Uppsala : Uppsala universitet. - 9789150627534 ; , s. 11-14
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Book chapter (other academic/artistic)
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| 4. |
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| 5. |
- Engblom, Rikard, 1988-
(author)
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Time Warps : Refugees and the Experience of Waiting in Rural Sweden
- 2023
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Doctoral thesis (other academic/artistic)abstract
- This thesis explores the ways in which refugees’ experience of time is warped when they come to Sweden. It is based on fourteen months of ethnographic fieldwork in Avesta, a small municipality in rural Sweden.Refugee reception and immigration control in Sweden is characterized by humanitarian ideals that exist in tension with practices and policies aiming to restrict immigration in the name of security and stability. Each chapter of this thesis documents a different combination of these ideals and concerns, examining how they generate particular configurations of waiting. For many refugees in Sweden, everyday life is characterized by waiting—waiting to have their asylum application processed; to receive a residence permit, which grants them the right to work; to be reunited with their families to find a place in Swedish society. This process often takes several years, during which the conditions for receiving residence permit may suddenly change or be made more difficult. The thesis is a contribution to the recent “temporal turn” in migration studies through its focus on waiting as a productive phenomenon in vulnerable circumstances. The increased presence of refugees has given rise to anti-immigrant sentiments in Sweden, but it has also generated welcoming, compassionate responses. By addressing not only how refugees cope with living in a continual state of waiting under precarious conditions, but also how bureacracies, civil societies, and individuals respond to this waiting, the thesis discusses the sociological and ethical implications of refugees’ waiting. Time Warps demonstrates the importance of unpacking combinations of humanitarianism and securitarianism when developing a deepened understanding of refugees experience of waiting in rural Sweden.
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| 7. |
- Fundberg, Jesper, et al.
(author)
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Öppnas dörren för fler? : Och av vem?
- 2007
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In: Svensk Idrottsforskning. - : Centrum för idrottsforskning. - 1103-4629. ; 16:3/4, s. 43-46
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Journal article (other academic/artistic)
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| 8. |
- Gradén, Lizette, et al.
(author)
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Rörelsernas museum : mellan ekonomi och politik
- 2022. - 1
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In: Polarisering och samexistens : Kulturella förändringar i vår tid - Kulturella förändringar i vår tid. - 9789189140967 ; , s. 399-435
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Book chapter (peer-reviewed)
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| 9. |
- Hansson, Kristofer, et al.
(author)
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What is "Culture"?
- 2018
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In: Ethnologia Scandinavica. - 0348-9698. ; 48, s. 224-225
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Review (peer-reviewed)
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| 10. |
- Helmersson, Linnea, 1982-
(author)
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Förhandlingar på dansgolvet : en etnologisk studie av lindy hop och polska – två svenska dansscener
- 2023
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Doctoral thesis (other academic/artistic)abstract
- In Sweden today, many different dances are practiced within distinct scenes, which all have their specific characteristics, norms and ideals. This thesis analyses two of these scenes, polska and lindy hop. They share a similar background of revitalisation and revival. The aim of the thesis is to describe and analyse meaning-making processes within the scenes formed around these dance forms. It includes descriptions of historical revival processes but above all analyses of practitioners’ understandings and practices. The main research data consists of interviews with practitioners, and observations on dance events and courses. Theoretically, the study is based on a view of dance and dancing as cultural expressions whose meanings and forms are constantly being created and recreated. The analysis draws on a wide variety of theories and concepts within the humanities and performing arts research. The findings show that beliefs about the past emerge as a framework for practice in the two scenes. In the data, tradition and authenticity are important themes, and there is a shared discourse of preservation. Nevertheless, how important history is for today’s practitioners, and how the past is enacted and what meanings are ascribed to it, differs between and within the scenes. Discourses about the past, as well as processes of authentication, are much more prominent within the lindy hop scene, as compared to the polska scene. This includes aspects such as clothing and the making of and expression of gender. A notable difference between the scenes is that learning to dance is formalised through workshops in the lindy hop scene, whereas it is more informal among polska dancers.The thesis adds to the growing field of studies of revivals of music and dance, and shows how scenes formed around revived dances bear traces of the revival processes while at the same time creating something new in the present.
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