| 1. |
- Bowman, Jason E., 1967
(author)
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PARSE Journal Issue #2 The Value of Contemporary Art
- 2015
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In: http://www.parsejournal.com/issue/2. - Göteborg : University of Gothenburg. - 2002-0953. ; 1:2
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Other publication (other academic/artistic)abstract
- With Professor Andrea Phillips (University of Gothenburg) and Dr. Suhail Malik (Goldsmiths, University of London) , I co-edited the second edition of the peer-reviewed PARSE (Platform for Artistic Research Sweden) Journal. This edition dealt specifically with questions of value in contemporary art and included a total of 11 peer reviewed contributions.
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| 2. |
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| 3. |
- Wilson, Mick, 1964
(author)
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White Mythologies and Epistemic Refusals: Teaching Artistic Research Through Institutional Conflict
- 2020
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In: Teaching Artistic Research: Conversations Across Cultures. - Berlin : De Gruyter. - 3110662396
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Book chapter (peer-reviewed)abstract
- This essay outlines a heuristic model of a teaching practice that attempts to operate within the fundamentally contested field of artistic research by exploring the terms and processes of conflicted institutional practices and rhetorics. Taking account of the different ways in which artistic research has become a highly visible moment of institutional conflict, this paper outlines an approach to teaching early-stage researchers through active processes of knowledge conflict. The model outlined here proposes a group process by which fault-lines of conflict and disagreement may be thematized and operationalized within a teaching praxis. The provisional model being proposed is based upon concrete experiment and application over the last decade in a range of formal and informal educational settings.
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| 4. |
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Intersections PARSE JOURNAL
- 2020
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In: PARSE JOURNAL. ; Summer:11
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Other publication (other academic/artistic)abstract
- This issue of PARSE journal concludes the theme of “Intersectional Engagements in Politics and Art”, first initiated as a research arc within PARSE in 2018. Under this theme, artists, scholars and students, as well as a wider public have gathered to share a critical exploration of the nexus of race, coloniality, gender and sexuality in contemporary art-making, scholarship and artistic research. Focusing on socially engaged practices related to memory, history, embodiment and alterity, the journal issue offers yet another set of considerations that brings together research by practitioners and scholars from a wide range of fields, disciplines and contexts. The theme began as a way to address and explore interest within arts research about the notion of intersectionality as a mode of creative practice, as well as a form of critical analysis. This interest, arguably following a turn towards the intersectional in feminist artistic practice and pedagogy, came as scholars in the humanities and social sciences were already debating the various appropriations and reifications that had seemingly made intersectionality into “a grand theory of everything”, to use Kimberlé Crenshaw’s words, with the effect of positioning intersectionality as a deeply contested, seemingly overdetermined concept.
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| 5. |
- Leach, Maddie, 1970
(author)
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Engaging with Place: Ruin, Memory, Regeneration : Att hämta vatten – The Fountain: An art-technological social drama
- 2022
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In: The Curatorial Thing: Audacious Landscapes. - Copenhagen, Denmark : SixtyEight Art Institute.
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Conference paper (other academic/artistic)abstract
- AUDACIOUS LANDSCAPES took place in Copenhagen 1 – 8 October 2022, with workshops and lectures led by invited culture, science, and technology professionals. The symposium's goal was to move participants’ thinking from art histories of grief to imaginative proto-histories of thriving in profoundly changed ecosystems and to move critical inquiry from a modernising to an ecologising mindset. The aim was to find a triad of art histories, climate narratives, and innovative spatial-natural theories that could enable a new climate art history. The paper ´Att hämta vatten – The Fountain: An art-technological social drama' was presented as part of a panel with the theme of Engaging with Place: Ruin, Memory, Regeneration.
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| 6. |
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Memories of a city
- 2017
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In: Memories of a city. - Göteborg : University of Gothenburg. - 1101-3303. - 9789188101037 ; , s. 8-16
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Editorial collection (other academic/artistic)abstract
- Presented at the international conference Challenge the past / diversify the future, the contributions collected herein deal with ways of challenging accepted historical representations of the City by offering modes of recollection and perspectives that capture both multi-sensory and multi-layered aspects of urban context. As such, they offer new empirically grounded research on the experiences of the inhabitants, both past and present, whether individually or as a collective. With a focus on the city as a space that is performed by a host of actants reaching across time through both materiality and memory, the authors critically address modes through which visual, audible, and multi-sensory representations can challenge, diversify or uproot conventions of urban representation. Four projects. Four takes on making representations of a city.
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| 7. |
- Jewesbury, Daniel, 1972, et al.
(author)
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The Infinite City, episode 1: Talking Heads and Magic Jugs
- 2018
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In: The Infinite City podcast. - Belfast, UK : PLACE (Planning Landscape Architecture Community Environment) Northern Ireland.
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Other publication (other academic/artistic)abstract
- First episode of a new podcast exploring the urban environment, regeneration and development, in which artist and writer Daniel Jewesbury conducts the listener on a walk through Belfast - past and present. Tthree moments in Belfast’s public cultural history give insight into enduring questions about art, publicness, exclusion and the city. The Infinite City is produced by Rebekah McCabe and Conor McCafferty for PLACE, with assistance from Maria Postanogova and Stuart Gray. Music for this episode was composed by Conor McCafferty. The podcast is supported by Feilden Clegg Bradley Studios and Arts and Business Northern Ireland.
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| 8. |
- Olsson, Gertrud
(author)
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Den lilla skalan i den stora – Kaklet i osmanska rum
- 2022
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Book (other academic/artistic)abstract
- Den lilla skalan i den stora (2022) är ett forskningsprojekt om kakel som har mynnat ut i en bok. Mönster och ornament är något fundamentalt sedan tidernas begynnelse och återfinns i alla kulturer. Boken berättar om ornament, mönster och material, om form och teknik, och om de hantverkare som tillsammans arbetat fram de det osmanska rikets kakelklädda väggar. Kunnandet spreds och omformades i möten mellan olika kulturer när konstnärer och hantverkare flyttade till nya platser och uppdrag. Boken tar sin början i 1200-talets Konya (i nuvarande Turkiet), en central plats för kakeltillverkningen där applicering, teknik och formgivning följde seldjukdynastins stil. Under tidigt 1400-tal skedde en stilbrytning då osmanerna introducerade en persisk tradition för hur kakel kunde användas i arkitekturen. Därefter följer den lysande tidigosmanska kakelutvecklingen i Bursa under 1400-talet fram till höjdpunkten av kakelutsmyckningar i Istanbul under 1500- och 1600-talen – den högosmanska tiden. Ett kapitel tar upp det estetiska förhållningssättet under 1500-talet, medan ett avslutande kapitel är fokuserat på 1800-talet och en återblick till de tidigosmanska kakelrummen. I boken möts ornamentet, materialet samt berättelsen kring hantverkare, konstnärer och arkitekter som tillsammans arbetar fram de osmanska kakelklädda väggarna.
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| 9. |
- Velasquez Atehortua, Juan, 1963
(author)
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NO2LNG in Gothenburg, Sweden
- 2017
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Other publication (other academic/artistic)abstract
- FILM FROM THE DEMONSTRATION 6 AUGUST 2017 DURING CLIMATE CAMP SWEDEN AGAINST THE CONSTRUCTION OF A LIQUID NATURE GAS TERMINAL IN GOTHENBURG, SWEDEN. NO2LNG MUSIC: VARNING TILL DE RIKA, BY CATS AND DINOSAURS, PERFORMED LIVE IN THE CAMP.
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| 10. |
- Caoduro, Elena, et al.
(author)
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Documenting Fashion
- 2023
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Book (other academic/artistic)abstract
- An original, rich and timely compendium on the relationship between fashion and the documentary moving image that explores the topic from a variety of disciplines, from film and media studies to design, communication, history and journalism." Monica Titton, University of Applied Arts, Vienna.
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