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- Tebelius, Ulla
(author)
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Evaluation of the Yo-pro project
- 2006
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Reports (pop. science, debate, etc.)abstract
- The project is directed at youth workers and leaders working with young people (13-20 years old) in leisure time activities in the public sector, youth clubs or NGO’s. The idea was to provide youth workers and other adults working with young people appropriate means to get young people participate in decision making processes and support their integration into the society. The goal is to strengthen the position of the young people on the labour market and to support their active citizenship. The aim of the project was to produce a tool kit for a two days training programme run in the way the youth workers should work with the young people. The way the tool kit is implemented is intended to become a model for vocational training for youth workers.
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- Toreblad, Maria, et al.
(author)
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Universal vortex formation in rotating traps with bosons and fermions
- 2004
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In: Physical Review Letters. - 1079-7114. ; 93:9
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Journal article (peer-reviewed)abstract
- We show that the rotation of trapped quantum mechanical particles with a repulsive interaction can lead to vortex formation, irrespective of whether the particles are bosons or (unpaired) fermions. The exact many-particle wave function constitutes similar structures in both cases, implying that this vortex formation is indeed universal.
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- Torehammar, Clas, et al.
(author)
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Nine sound-art installations in public space
- 2012
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In: 41st International Congress and Exposition on Noise Control Engineering 2012 (INTER-NOISE 2012). - Red Hook, NY, USA : Institute of Noise Control Engineering (INCE).
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Conference paper (peer-reviewed)abstract
- The aspect of sound as a design element in an architectural context has been discussed for a long time, but there are still today very few permanent projects put into practice. The functional use of acoustics is easily comprehended when utilized to reduce unwanted noise from roads, or when it is perfected to convey speech and music in concert halls. To add sounds to create a sense of space, use it as a quality or defining identity is however still an unexplored field of knowledge. Finding the right balance between creating a quality for the space with dynamics and variety, while still being sustainable over time is challenging. The paper presents theories, methods, findings and results from a large project including nine installations. The project concerns indoor sound installations in large public spaces in Stockholm including acoustic investigations, electro acoustic installations and composition of sound installations for the specific space. The method is both scientific and art-based. The sound design is used as a way of empowering site-specific functions and architectural themes, but also in some cases as a solitary intentional characteristic quality of the space.
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