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- Cornell, Per, 1962
(author)
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En Nordamerikansk variation
- 2014
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In: En samtidig världshistoria. - Lund : Studentlitteratur. - 9789144074375 ; , s. 302-317
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Book chapter (other academic/artistic)
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| 4. |
- Cornell, Per, 1962, et al.
(author)
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Rock art , Agency and Society
- 2013
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In: Counterpoint: Essays in Archaeology and Heritage Studies in Honour of Professor Kristian Kristiansen / edited by Sophie Bergerbrant, Serena Sabatini. - Oxford : Archaeopress. - 978 1 4073 1126 5 ; , s. 259-265
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Book chapter (other academic/artistic)
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| 7. |
- Ling, Johan, 1968, et al.
(author)
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Rock Art as Secondary Agent? Society and Agency in Bronze Age Bohuslän
- 2010
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In: Norwegian Archaeological Review. - 0029-3652. ; 43:1, s. 26-43
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Journal article (peer-reviewed)abstract
- During the major part of the 20th century the rock art in Bohuslän has been seen as a manifestation of an agrarian ‘cultic’ ideology in the landscape. In this context the dominant ship image and the armed humans have been perceived as abstract religious icons, not as active symbols related to real praxis in the landscape. Moreover, some scholars claim that the rock-art medium was utilized primarily by society’s elites. In this paper we intend to challenge some of these ideas and try to show that they do not correspond to the key notions about Bronze Age society that most scholars today seem to support. Thus, rock art cannot be explained and understood solely by broad ideas about how cosmology, mythology and/or religion were constituted during the Bronze Age. We will instead argue for a more active function for rock art, and the fact that some of the depictions may have worked as ‘secondary agents’ in the landscape. For this argument, the general maritime location, content and the dominant masculine representation of armed humans related to the ship images are important elements. INTRODUCTION Chiefs, goods, commoners, farmers, pastoralists, Indo Europeans, druids, metal smiths and warriors, the list could have been made even longer than this, but it concludes the major interpretative trends, over the years, dealing with issues of the agency of rock art in Bohuslän. For most of the 20th century the rock art in Bohuslän was pictured by researchers in terms of a cultic agrarian ideology in the landscape whereas the dominant ship images and the armed humans were perceived as abstract religious icons, not as active symbols that related to real praxis in the landscape (Almgren 1927, Fredell 2003). But, if the rock-art ship and the armed humans were such strong religious symbols during the Bronze Age, why were they not depicted and dispersed
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| 8. |
- Ling, Johan, 1968, et al.
(author)
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Rock art as Social Format
- 2010
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In: Changing pictures: rock art traditions and visions in Northern Europe. Oxford: Oxbow Books. - Oxford : Oxbow books. - 9781842174050 ; , s. 73-88
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Book chapter (other academic/artistic)abstract
- The new state of rock art research, in northern Bohuslän, demonstrates a clear maritime location of the panels in the landscape that are dominated by ship depictions. This condition calls for new considerations and discussions of the action and ideology connected to the making of rock art. The practice of prehistoric rock art in the Bohuslän landscape has numerous dimensions. Some panels appear to illustrate more concrete social information, while others present a more suggestive “ritual“ message. These different socio-ritual and spatial articulations is implicitly manifested by the location and by the content of the rock art in the landscape. On the basis of these observations, we will draw attention to and discuss social aspects and theory and how this could be applied on the material. Some scholars claim that rock art was a substitute or complement to oral narratives or oral transmission. However, in this paper we will argue for that rock art was a powerful and productive social medium in itself and cannot be reduced to a mere reflection of the oral. Before proceeding to this discussion, there are some essential conditions regarding the rock art that have to be accounted for.
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| 9. |
- Medina, Maria Clara, 1965, et al.
(author)
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El Proyecto Pichao 1989-2005: apuntes de su historia y resultados. : The Pichao Project 1989-2005. Notes about its history and outcomes.
- 2011
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In: Rastros en el camino... Trayectos e identidades de una institución. Homenaje a los 80 años del IAM-UNT. - Tucuman, Argentina : EDUNT University Press. - 9789871366729 ; , s. 245-255
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Book chapter (other academic/artistic)abstract
- This article summarizes the complex history and multiple outcomes of a bi-national and interdisciplinary research project carried out by the GU (Göteborgs universitet) and the UNT (Universidad Nacional de Tucuman) during 1989-2005, in the fields of archaeology, history, social and physical anthropology, cultural heritage studies, pedagogy, and related natural sciences.
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| 10. |
- Medina, Maria Clara, 1965, et al.
(author)
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Magnus Mörner (1924–2012)
- 2012
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In: Historisk Tidskrift. - 0345-469X. ; 132:3, s. 574-575
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Journal article (other academic/artistic)
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