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Search: WFRF:(Ulfsdotter Boel 1959) > (2018)

  • Result 1-8 of 8
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1.
  • Female Agency and Documentary Strategies: Subjectivities, Identity and Activism
  • 2018
  • Editorial collection (other academic/artistic)abstract
    • This book, like its twin volume Female Auhtorship and the Documentary Image, centres on pressing issues in relation to female authorship in contemporary documentary practices. It addresses the politics of representation and authorship informing the current scholarship on the documentary image, which has so far neglected questions of gender.
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2.
  • Nothhaft, Howard, et al. (author)
  • Editors’ Introduction
  • 2018
  • In: International Journal of Strategic Communication. - Heidelberg : International Association for Energy Economics. - 1553-118X. ; 39:1, s. 257-, s. 7-16, s. 1-6
  • Journal article (peer-reviewed)
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3.
  • Ulfsdotter, Boel, 1959, et al. (author)
  • Far East Film Festival 20
  • 2018
  • In: Alphaville, Journal of Film and Screen Media. - 2009-4078. ; :15, s. 168-173
  • Journal article (peer-reviewed)abstract
    • filmfestival, östasiatisk film, populärfilm
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5.
  • Ulfsdotter, Boel, 1959 (author)
  • Introduction
  • 2018
  • In: Female Auhtorship and the Documentary Image: Theory, Practice and Aesthetics / edited by Boel Ulfsdotter, Anna Backman Rogers. - Edinburgh : Edinburgh University Press. - 9781474419444 ; , s. 1-6
  • Book chapter (peer-reviewed)
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8.
  • Ulfsdotter, Boel, 1959 (author)
  • The Memories of Belleville Baby: Autofiction as Evidence
  • 2018
  • In: Female Authorship and the Documentary Image: Theory, Practice and Aesthetics / edited by Boel Ulfsdotter, Anna Backman Rogers. - Edinburgh : Edinburgh University Press. - 9781474419444 ; , s. 144-158
  • Book chapter (peer-reviewed)abstract
    • Book chapter revolving around the impact of autofiction on Mia Engberg's documentary film Belleville Baby (2013), and its bearings of this particular strategy on documentary cinema's evidence criterium.
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  • Result 1-8 of 8

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