1011. |
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1012. |
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1013. |
- Olsson, Fredrik, 1979-
(author)
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“Me voy pal Norte” : La configuración del sujeto migrante en ocho novelas hispanoamericanas actuales (1992-2009)
- 2016
-
Book (peer-reviewed)abstract
- La representación literaria del migrante indocumentado en su travesía al Norte ha llegado a incorporar nuevas tendencias en los últimos años. El presente trabajo explora los modos en los que se configura el sujeto migrante en un corpus de ocho novelas hispanoamericanas contemporáneas cuya temática central es la migración irregular a Estados Unidos. Partiendo de un enfoque poscolonial y de teoría de género, el trabajo plantea un modelo de cuatro fases analíticas con el fin de examinar y sistematizar la conformación narrativa de la identidad y de la subjetividad a lo largo del proceso migratorio: la partida del hogar/patria, el cruce de fronteras en sentido literal y metafórico, el contacto intercultural y el contraste entre las experiencias en el Norte y los procesos mnemónicos vinculados con el lugar de origen. El estudio analiza y problematiza las posiciones que ocupan los sujetos representados en estos textos entre el mito de la tierra prometida y el proceso de desexilio. También señala la problemática de la representación de este grupo normalmente invisible y sin voz.
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1014. |
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1015. |
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1016. |
- Olsson, Nils
(author)
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Redaktören
- 2020
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In: OEI. - 1404-5095. ; :86-87
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Journal article (other academic/artistic)
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1017. |
- Palmstierna Einarsson, Charlotta, 1967-
(author)
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Beckett and abstraction
- 2011
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In: Sophia Philosophical Review, Special Issue Beckett/Philosophy. - 1313-275X. ; 5:1, s. 251-264
-
Journal article (peer-reviewed)
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1018. |
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1019. |
-
Patrick McGrath and his Worlds : Madness and the Transnational Gothic
- 2020
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Editorial collection (peer-reviewed)abstract
- Following the publication of Ghost Town (2005), a complex, globally conscious genealogy of millennial Manhattan, McGrath’s transnational status as an English author resident in New York, his pointed manipulation of British and American contexts, and his clear apprehension of imperial legacies have all come into sharper focus. By bringing together readings cognizant of this transnational and historical sensitivity with those that build on existing studies of McGrath’s engagements with the gothic and madness, Patrick McGrath and his Worlds sheds new light on an author whose imagined realities reflect the anxieties, pathologies, and power dynamics of our contemporary world order. McGrath’s fiction has been noted as parodic (The Grotesque, 1989), psychologically disturbing (Spider, 1990), and darkly sexual (Asylum, 1996). Throughout, his corpus is characterized by a preoccupation with madness and its institutions and by a nuanced relationship to the gothic. With its international range of contributors, and including a new interview with McGrath himself, this book opens up hitherto underexplored theoretical perspectives on the key concerns of McGrath’s ouevre, moving conversations around McGrath’s work decisively forward. Offering the first sustained exploration of his fiction’s transnational and world-historical dimensions, Patrick McGrath and his Worlds seeks to situate, reflect upon, and interrogate McGrath’s role as a key voice in Anglophone letters in our millennial global moment.
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1020. |
- Paul, Ronald, 1950
(author)
-
Tressell in international perspective
- 2018
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In: The Rise of Socialist Fiction 1880-1914. - Brighton : Edward Everett Root Publishers. - 9781911454922 ; , s. 231-250
-
Book chapter (peer-reviewed)abstract
- The article discusses Robert Tressell's working-class novel, The Ragged-Trousered Philanthropists, within the context of contemporary Socialist fiction in Europe and America.
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