| 1. |
|
|
| 2. |
- Billing, Björn, 1965
(author)
-
Adorno tänkte med öronen
- 2003
-
In: Göteborgsposten. ; 2003:20 november
-
Journal article (other academic/artistic)
|
|
| 3. |
|
|
| 4. |
- Billing, Björn, 1965
(author)
-
Antropocen
- 2022
-
In: Svenska begreppshistorier: Från antropocen till åsiktskorridor / Jonas Hansson & Kristiina Savin (red.).. - Stockholm : Fri Tanke. - 9789189139329 ; , s. 19-29
-
Book chapter (other academic/artistic)
|
|
| 5. |
- Billing, Björn, 1965
(author)
-
Antropocen – Den stora berättelsen
- 2017
-
In: Ekokritiken i Norden – Igår, idag och imorgon, Mälardalens högskola, Västerås, 4–5 maj 2017.
-
Conference paper (other academic/artistic)
|
|
| 6. |
|
|
| 7. |
|
|
| 8. |
- Billing, Björn, 1965
(author)
-
Att zooma ut till antropocen
- 2022
-
In: Ekokritiska metoder / Camilla Brudin Borg, Jørgen Bruhn, Rikard Wingård (red.).. - Lund : Studentlitteratur. - 9789144156620 ; , s. 23-52
-
Book chapter (other academic/artistic)
|
|
| 9. |
- Billing, Björn, 1965
(author)
-
Bo Nilsson blir ett fall
- 1997
-
In: Göteborgsposten. ; 1997:8 december
-
Review (other academic/artistic)abstract
- Rec av Gunnar Valkare, Det audiografiska fältet (avhandling)
|
|
| 10. |
- Billing, Björn, 1965
(author)
-
Circular Visions: Viewing the World From Above in the Late Eighteenth Century
- 2019
-
In: Journal of Historical Geography. - : Elsevier BV. - 0305-7488. ; 63, s. 61-72
-
Journal article (peer-reviewed)abstract
- In the late eighteenth century, mountains were systematically explored and manned balloon flights were executed for the first time in history. These vertical journeys made it possible to view landscapes and geographical areas from above. Mountaineers as well as balloonists reported that their high altitude experiences were stupendous and exhilarating. They also expressed similar problems in communicating panoramic views, which generated experiments in the visual representation of landscapes. This article analyses and compares two such visualisations: one by Swiss natural philosopher Horace-Benedict de Saussure (1740-1799), and one by British balloonist Thomas Baldwin (1742-1804). Both images use the technique of anamorphosis with a circular form. With this design, Saussure and Baldwin aimed at accurately depicting a 360-degree view as well as phenomenologically simulating a literally elevated position. The article interprets the images by close reading of the verbal descriptions by Saussure and Baldwin, and also by discussing their circular visions in the contexts of visual culture, mountaineering and ballooning in the late eighteenth century. These representations of views from above are investigated as significant documents in the cultural history of the horizon. (C) 2018 Elsevier Ltd. All rights reserved.
|
|
| 11. |
|
|
| 12. |
- Billing, Björn, 1965
(author)
-
Den andra kunskapen
- 1995
-
In: Artes. ; 1995:Nr 2, s. 92-102
-
Journal article (other academic/artistic)
|
|
| 13. |
- Billing, Björn, 1965
(author)
-
"Den rena konstens tankemusik"
- 2012
-
In: Tormod Otter Johansson (red.), Mannen som var förtjust i hjärna och andra texter. - Göteborg : Göteborgs förening för psykoanalys. - 9789163714269 ; , s. 153-160
-
Book chapter (other academic/artistic)
|
|
| 14. |
|
|
| 15. |
|
|
| 16. |
- Billing, Björn, 1965
(author)
-
Estetiken efter Adorno
- 1994
-
In: Häften för kritiska studier. ; 1994:Nr 2-3, s. 20-38
-
Journal article (other academic/artistic)
|
|
| 17. |
|
|
| 18. |
- Billing, Björn, 1965
(author)
-
Fleck utvidgar sanningen
- 1997
-
In: Göteborgsposten. ; 1997:29 december
-
Review (other academic/artistic)abstract
- Recension av Ludwik Fleck, Uppkomsten och utvecklingen av ett vetenskapligt faktum
|
|
| 19. |
|
|
| 20. |
|
|
| 21. |
|
|
| 22. |
|
|
| 23. |
|
|
| 24. |
|
|
| 25. |
|
|
| 26. |
|
|
| 27. |
- Billing, Björn, 1965
(author)
-
Långt ifrån Shangri-la
- 2003
-
In: Svenska Dagbladet. ; :2003-06-06
-
Journal article (other academic/artistic)
|
|
| 28. |
- Billing, Björn, 1965
(author)
-
Maktskifte i skräcködlornas värld
- 2015
-
In: Svenska Dagbladet. - 1101-2412. ; :Under strecket 2015-05-03
-
Journal article (pop. science, debate, etc.)
|
|
| 29. |
|
|
| 30. |
|
|
| 31. |
|
|
| 32. |
|
|
| 33. |
|
|
| 34. |
|
|
| 35. |
|
|
| 36. |
- Billing, Björn, 1965
(author)
-
När naturen tystnar
- 2021
-
In: Sveriges Natur. - 0039-6974. ; 2021:3, s. 64-65
-
Journal article (other academic/artistic)
|
|
| 37. |
- Billing, Björn, 1965
(author)
-
Opera förvandlas till bildkonst
- 1998
-
In: Göteborgsposten. ; 1998:18 mars
-
Review (other academic/artistic)abstract
- Recension av Ulla-Britt Lagerroth m.fl. (red.), Interart Poetics
|
|
| 38. |
|
|
| 39. |
|
|
| 40. |
|
|
| 41. |
- Billing, Björn, 1965
(author)
-
Rhetoric and Imagery of the Anthropocene
- 2019
-
In: Perspectives on Ecocriticism: Local Beginnings, Global Echoes. - Newcastle upon Tyne : Cambridge Scholars Publishing. - 9781527532007 ; , s. 31-56
-
Book chapter (peer-reviewed)
|
|
| 42. |
|
|
| 43. |
|
|
| 44. |
|
|
| 45. |
|
|
| 46. |
|
|
| 47. |
|
|
| 48. |
|
|
| 49. |
- Billing, Björn, 1965
(author)
-
'The People's Dinosaur': How Dippy became British Heritage
- 2022
-
In: Cultural History. - : Edinburgh University Press. - 2045-290X .- 2045-2918. ; 11:1, s. 70-93
-
Journal article (peer-reviewed)abstract
- In 2015 the Natural History Museum (NHM) in London informed the public that their most beloved exhibit, a Diplodocus replica nicknamed Dippy, was going to be dismounted and removed from the large entrance hall. Protests arose immediately: Facebook groups appeared, the hashtag #SaveDippy was trending and petitions were sent to the authorities. Paleontogists and celebrities debated the decision in the newspapers. When three years the NHM later launched a tour project that will take Dippy around the UK, the dinosaur’s popularity grew to unprecedented heights. Its significance shifted from being a London landmark to becoming a national icon. Although the original fossil was excavated in Wyoming in the late nineteenth century, Dippy has unofficially gained the status of British heritage. This article analyses this transformation by putting recent events into historical contexts, paying particular attention to the presentation of the dinosaur in the NHM in May 1905. The analysis shows how the skeleton cast was articulated with ideological intent in a confluence of museums, science, mass media, politics and popular culture. Throughout its history, Dippy has been appropriated and contested by various actors, and nationalistic ideas have been a recurrent theme in the heritageisation process.
|
|
| 50. |
|
|
