SwePub
Sök i LIBRIS databas

  Extended search

onr:"swepub:oai:DiVA.org:konstfack-8131"
 

Search: onr:"swepub:oai:DiVA.org:konstfack-8131" > A Trace of Africa :

  • 1 of 1
  • Previous record
  • Next record
  •    To hitlist

A Trace of Africa : Framing Empire in Strindberg's ’The Roofing Ceremony’

Matthis, Moa (author)
Konstfack,Grafisk design & illustration
 (creator_code:org_t)
First edition
Kraków : Jagiellonian University Press, 2020
2020
English.
In: Strindberg and the Western Canon. - Kraków : Jagiellonian University Press. - 8323347794 ; , s. 25-39
  • Book chapter (other academic/artistic)
Abstract Subject headings
Close  
  • During the whole of his writing career August Strindberg was a restless canon-maker. In his capacity as writer, librarian, cultural scholar, polemicist and amateur researcher he constantly quoted sources, both historical and contemporary, included and excluded certain authors in his own work, as well as re-evaluated the boundaries of aesthetics and culture around the turn of the twentieth century. At the same time, he was a very active author in his own right, living in self-imposed exile but in close contact with cosmopolitan intellectual circles. All of this raises questions about his relationship with the literary and cultural canon. The dynamics between local and global culture define the whole of his oeuvre and make him one of those European authors who are readily interpreted in the context of Weltliteratur.Strindberg was a multilingual cosmopolitan, an emigrant, theosophist, and reporter. In his capacity as a writer, with his gaze trained upon both East and West, he absorbed impressions from the universalist tendencies of the fin de siècle. His ambition to join the global “Republic of Letters” led him to study French, Hebrew, the Chinese system of logograms, Russian literature, and the history of the Middle East.This volume, edited by Jan Balbierz, gathers contributions from renowned Strindberg scholars and discusses questions, such as: How did Strindberg construct his predecessors and which traditions did he associate himself with? How is a Strindbergian text altered in performative practice in theatre and film? How did Strindberg, whose writings are deeply rooted in Swedish folklore and landscape, relate to foreign cultural values?

Subject headings

HUMANIORA  -- Språk och litteratur -- Litteraturvetenskap (hsv//swe)
HUMANITIES  -- Languages and Literature -- General Literary Studies (hsv//eng)

Keyword

Litterär kanon

Publication and Content Type

vet (subject category)
kap (subject category)

Find in a library

To the university's database

  • 1 of 1
  • Previous record
  • Next record
  •    To hitlist

Find more in SwePub

By the author/editor
Matthis, Moa
About the subject
HUMANITIES
HUMANITIES
and Languages and Li ...
and General Literary ...
Articles in the publication
Strindberg and t ...
By the university
University College of Arts, Crafts and Design

Search outside SwePub

Kungliga biblioteket hanterar dina personuppgifter i enlighet med EU:s dataskyddsförordning (2018), GDPR. Läs mer om hur det funkar här.
Så här hanterar KB dina uppgifter vid användning av denna tjänst.

 
pil uppåt Close

Copy and save the link in order to return to this view