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Performance Rules f...
Performance Rules for Computer-Controlled Contemporary Keyboard Music
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- Friberg, Anders (author)
- KTH,Tal, musik och hörsel
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- Frydén, Lars (author)
- KTH,Tal, musik och hörsel
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- Bodin, L. G. (author)
- KTH,Tal, musik och hörsel
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- Sundberg, Johan (author)
- KTH,Tal, musik och hörsel
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(creator_code:org_t)
- 1991
- 1991
- English.
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In: Computer music journal. - 0148-9267 .- 1531-5169. ; 15:2, s. 49-55
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https://kth.diva-por... (primary) (Raw object)
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https://urn.kb.se/re...
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Abstract
Subject headings
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- A computer program for synthesis of music performance, originally developed for traditional tonal music by means of an analysis-by-synthesis strategy, is applied to contemporary piano music as well as to various computer-generated random music. The program consists of rules that manipulate the durations and sound levels of the tones in a contextdependent way. When applying the rules to this music, the concept harmonic charge, which has been found useful for generating crescendi and diminuendi in performance of traditional tonal music for example, is replaced by chromatic charge. The music is performed on a Casio sampler controlled by a Macintosh II microcomputer. A listening panel of five experts on contemporary piano music or electroacoustic music clearly preferred performances processed by the performance program to "deadpan" performances mechanically replicating the durations and sound levels nominally written in the music score.
Subject headings
- TEKNIK OCH TEKNOLOGIER -- Elektroteknik och elektronik -- Annan elektroteknik och elektronik (hsv//swe)
- ENGINEERING AND TECHNOLOGY -- Electrical Engineering, Electronic Engineering, Information Engineering -- Other Electrical Engineering, Electronic Engineering, Information Engineering (hsv//eng)
Keyword
- music performance
- Speech and Music Communication
- Tal- och musikkommunikation
Publication and Content Type
- ref (subject category)
- art (subject category)
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