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CREATIVELY ATTENDING TO UNFINISHED BUSINESS, EVERYDAY SEXISMS, COVID-19, AND HIGHER EDUCATION : The #FEAS fake journal

Blaise, M. (author)
Centre for People, Place, & Planet, Edith Cowan University, WA, Australia
Gray, E. (author)
Pollitt, J. (author)
School of Education and WAAPA, Edith Cowan University, Australia; ECU’s Centre for People, Place, and Planet, Australia
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Acton, R. (author)
Barraclough, S. (author)
Faculty of Health, University of Canterbury, New Zealand
Bodén, L. (author)
Department of Child and Youth Studies, Stockholm University, Sweden
Cullen, F. (author)
St Mary’s University, United Kingdom
Dekker, K. (author)
RMIT University, Melbourne, Australia
Gröndal, H. (author)
Swedish University for Agricultural Sciences, Sweden
Sundström Sjödin, Elin (author)
Mälardalens universitet,Utbildningsvetenskap och Matematik
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 (creator_code:org_t)
Taylor & Francis, 2024
2024
English.
In: The Routledge International Handbook of Transdisciplinary Feminist Research and Methodological Praxis. - : Taylor & Francis. - 9781003847601 - 9781032301297 ; , s. 380-382
  • Book chapter (other academic/artistic)
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  • COVID-19 amplified the everyday sexisms that academics experience in higher education, including women’s submission of publications. This chapter shows how a creative and transdisciplinary intervention, #FEAS FAKE JOURNAL, made space for feminist academics whose scholarship was affected by the pandemic to take part in a project that privileged “unfinished business”. A creative methodology was used that moved beyond the traditional research narrative that relies on mastery and certainty. Seventeen feminist academics participated in the project by submitting an abstract to a fake journal about an unfinished work. Several creative components were used to solicit and support personal, political, and creative accounts to the pandemic. These accounts show how feminist academics were affected by lockdowns, how they managed, and in some cases how they connected with each other. Findings show how transdisciplinary feminist creative activism made space for participants to reflect on the effects of the pandemic and to consider what is worth finishing. This paper shares a rare glimpse into the behind the scenes of knowledge making and doing as unfinished business. It shows how transdisciplinary feminist art activism can be enacted with care and solidarity with others.

Subject headings

SAMHÄLLSVETENSKAP  -- Annan samhällsvetenskap (hsv//swe)
SOCIAL SCIENCES  -- Other Social Sciences (hsv//eng)

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