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- Krispinsson, CharlottaStockholms universitet,Institutionen för kultur och estetik (author)
Collecting Faces : Art History and the Epistemology of Portraiture. The Case of the Swedish Portrait Archive
- Article/chapterEnglish2016
Publisher, publication year, extent ...
- 2016-03-31
- Linkoping University Electronic Press,2016
- printrdacarrier
Numbers
- LIBRIS-ID:oai:DiVA.org:su-129460
- https://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-129460URI
- https://doi.org/10.3384/sens.2002-3030.2016.1.93-99DOI
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- Language:English
- Summary in:English
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Notes
- The notion of the archive has attracted attention in the aftermath of what is sometimes called “an archival turn” within the humanities – it has been discussed both as a metaphor for power and in terms of its materiality and dependency on media practices.[1] The archives structure our knowledge and determine what can be said at a certain time, as Michel Foucault famously pointed out in the late 1960s. But are there differences in kind between the use of archives by the various disciplines within the humanities, for example art historians and historians?
Subject headings and genre
- HUMANIORA Konst Konstvetenskap hsv//swe
- HUMANITIES Arts Art History hsv//eng
- konstvetenskap
- Art History
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- Stockholms universitetInstitutionen för kultur och estetik (creator_code:org_t)
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- In:Sensorium Journal: Linkoping University Electronic Press:1, s. 93-992002-3030
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