SwePub
Sök i LIBRIS databas

  Extended search

onr:"swepub:oai:DiVA.org:su-157"
 

Search: onr:"swepub:oai:DiVA.org:su-157" > Vad ska vi sjunga? :

  • 1 of 1
  • Previous record
  • Next record
  •    To hitlist

Vad ska vi sjunga? : En musikpedagogisk diskurs om tiden mellan två världskrig

Ryner, Birgitta, 1939- (author)
Kungl. Musikhögskolan,Stockholms universitet,Centrum för musikpedagogisk forskning (MPC)
Sandberg, Ralf, tf professor (thesis advisor)
Stockholms universitet,Centrum för musikpedagogisk forskning (MPC),Stockholms universitet, Centrum för musikpedagogisk forskning (MPC)
Sundin, Bertil, prof emeritus (thesis advisor)
Kungliga Musikhögskolan
show more...
Linné, Agneta, Professor (opponent)
Örebro universitet
show less...
 (creator_code:org_t)
ISBN 9188842290
Stockholm : Centrum för musikpedagogisk forskning (MPC), 2004
Swedish 188 s.
Series: Skrifter från Centrum för musikpedagogisk forskning, 1403-400X ; 5
  • Doctoral thesis (other academic/artistic)
Abstract Subject headings
Close  
  • The thesis contains an analysis and interpretation of the school music debate that was particularly lively during the 1930s. The debate started with an article in Stockholms-Tidningen – Stockholms Dagblad entitled Why not sing popular songs in music classes? The author was Knut Brodin, a music teacher at Olofskolan, a school run in accordance with the principals of educational progressivism, inspired by John Dewey. The debate developed into a confrontation between tradition and renewal. The foundations of music teaching, indeed of school education as a whole, both form and content, were at stake. The debate also raised questions about values in view of the increasing popularity of popular music and its potentially harmful effect on morals. The purpose of the thesis is to describe and interpret the Swedish discourse on music teaching during the 1930s. The main question is: What educational and other ideas were expressed in this discourse and what was their origin? The theoretical and methodical framework of the thesis is discourse analysis. The material studied consisted of texts in the form of statements about music and music teaching. The analysis reveals a struggle for power, i.e. the power to win the right to interpret and define the basic elements of the discourse. Music and music teaching emerge in a broader social context in connection with the analysis of the discourse. The terms music and music teaching turn out to be variable and ambiguous. The same applies to other terms such as children and education. The period studied here witnessed a marked professionalization of music teachers which sharpened the ideological struggle between different groups. The discourse was marked by the incompatibility between traditional and progressive tendencies.

Subject headings

HUMANIORA  -- Konst -- Musikvetenskap (hsv//swe)
HUMANITIES  -- Arts -- Musicology (hsv//eng)

Keyword

musik
musikundervisning
pedagogik
barn
Music
Musikvetenskap

Publication and Content Type

vet (subject category)
dok (subject category)

Find in a library

To the university's database

  • 1 of 1
  • Previous record
  • Next record
  •    To hitlist

Search outside SwePub

Kungliga biblioteket hanterar dina personuppgifter i enlighet med EU:s dataskyddsförordning (2018), GDPR. Läs mer om hur det funkar här.
Så här hanterar KB dina uppgifter vid användning av denna tjänst.

 
pil uppåt Close

Copy and save the link in order to return to this view