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LIBRIS Formathandbok  (Information om MARC21)
FältnamnIndikatorerMetadata
00002056naa a2200325 4500
001oai:DiVA.org:su-62441
003SwePub
008110919s2011 | |||||||||||000 ||eng|
024a https://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-624412 URI
040 a (SwePub)su
041 a engb eng
042 9 SwePub
072 7a vet2 swepub-contenttype
072 7a kap2 swepub-publicationtype
100a Axelsson, Bodilu Linköping University4 aut
2451 0a Mobilising participation in the work of art :b Sound Machine by Esther Shalev-Gerz
264 1a Sydney :b UWA Publishing,c 2011
338 a print2 rdacarrier
520 a The chapter by Swedish writers Bodil Axelsson and Karin Becker analyses Sound Machine, a collaborative contemporary art project that was developed integrally with university activities in research and teaching.  This interface opened up the rare possibility of participant research into the work processes of a well-known European collaborative artist, Esther Shalev-Gerz. The researchers trace different modes of engagement with participating non-artist subjects - such as the women who provide 'cultural memory' of earlier forms of work and engagement with technology - as well as other forms of participation essential for Sound Machine's conceptual, technical and institutional development.
650 7a HUMANIORAx Konst0 (SwePub)6042 hsv//swe
650 7a HUMANITIESx Arts0 (SwePub)6042 hsv//eng
653 a participatory art
653 a medie- och kommunikationsvetenskap
653 a Media and Communication Studies
653 a Aesthetics
653 a estetik
700a Becker, Karin,d 1946-u Stockholms universitet,Institutionen för journalistik, medier och kommunikation (JMK)4 aut0 (Swepub:su)becke
710a Linköping Universityb Institutionen för journalistik, medier och kommunikation (JMK)4 org
773t <em>The Art of Engagement</em>d Sydney : UWA Publishingg , s. 181-196q <181-196z 9781742582870
8564 8u https://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62441

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