De fransöske handtwerkarne vid Stockholms slott 1693–1713: Yrkesroller, organisation, arbetsprocesser

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De fransöske handtwerkarne vid Stockholms slott 1693–1713 : Yrkesroller, organisation, arbetsprocesser

Hinners, Linda, 1971- (author): Stockholms universitet,Konstvetenskapliga institutionen

Rossholm Lagerlöf, Margaretha, Professor (thesis advisor): Stockholms universitet,Konstvetenskapliga institutionen

Snickare, Mårten, Docent (thesis advisor): Stockholms universitet,Konstvetenskapliga institutionen

von Bonsdorff, Jan, Professor (opponent): Uppsala universitet, Konstvetenskapliga institutionen

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ISBN 9789174474398
Stockholm : Konstvetenskapliga institutionen, Stockholms universitet, 2012
Swedish 416 s.
Series: Eidos: Skrifter från konstvetenskapliga institutionen vid Stockholms universitet, 1650-5298 ; 25

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Doctoral thesis (other academic/artistic)

Abstract Subject headings

The thesis deals with French sculptors and painters active around 1700 at the Royal Palace in Stockholm. They were summoned from Paris by the architect Nicodemus Tessin the younger (1654–1728). This study analyses the Frenchmen’s professional roles, how Tessin organised their work and the working methods applied in the decoration of the Gallery of Charles XI and the adjoining parade rooms. It also involves questions concerning the artist’s roles and the status of artistic professions at the early modern period.The artisans were a group of some fifteen sculptors, painters, founders and a goldsmith. Several of them were accompanied by family members, some of whom were active in the workshop. In France these sculptors and painters had worked in the Bâtiments du Roi and particularly at the Gobelins. Although they were not part of the artistic elite at the Académie Royale de Peinture et de Sculpture they had vital knowledge in classical pattern/design, le bon goût and drawing. The artisans were also members of the guild system and were thus permitted to accept private commissions.My aim has been to clarify the artisans’ background in Paris and the recruitment undertaken by the diplomat Daniel Cronström (1655–1719). With regard to their activities in Sweden, it has been important to clarify their conditions in the building organisation at the Royal Palace, including social contexts such as their family situation and the possibility to practise their Catholic faith. Equally important is the professional relationship between the Frenchmen and Tessin, who was appointed Superintendent in 1697. Through detailed archival studies, the working practices and the creative process are analysed, especially the collaboration between Tessin and the painter Jacques Foucquet and the sculptors René Chauveau (1663–1722) and Jacques Foucquet (1639–1731).

Subject headings

HUMANIORA -- Konst -- Konstvetenskap (hsv//swe)
HUMANITIES -- Arts -- Art History (hsv//eng)

Keyword

artisan
artist’s role
bon goût
creative work
guilds
interior decoration
manufacture
migration
ornament
René Chauveau
sculpture
state art patronage
stucco
superintendence
Tessin the Younger
bon goût
hantverkare
inredningskonst
konstnärsroll
kreativa arbetsprocesser
migration
ornament
René Chauveau
skrå
stuck
statlig konstpolitik
Tessin d.y.
överintendentsämbete
konstvetenskap
Art History

Publication and Content Type

vet (subject category)
dok (subject category)

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HUMANITIES: HUMANITIES; and Arts; and Art History

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