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Expanding Sound Design in Performing Arts

Olofsson, Kent, 1962- (author)
Stockholms konstnärliga högskola,Forskningscentrum
 (creator_code:org_t)
Paris, 2022
2022
English.
In: Critical Stages/Scènes critiques. - Paris. - 2409-7411. ; 25
  • Journal article (peer-reviewed)
Abstract Subject headings
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  • The new audio technologies available today are forces in the evolution of sound and music in contemporary performing arts. New sonic practices for sound designers, composers and performers emerge, which in turn change the creative processes for productions, as well as the aesthetics of performances. This article focuses on how a creative rethinking of work with immersive sound, virtual room acoustics and sonic spatialization can be a dramaturgical, compositional and scenographic tool for performing arts. It is a new sonic practice that offers interactive and immersive elements that interplay with performers, transforms spaces and shapes evocative experiences for the audience. The article particularly considers the creative perspectives of the composer and the sound designer in how new ideas and possibilities may unfold with such an approach. This may ultimately merge the often-separated practices of musical composition and sound design and further expand them towards scenography and dramaturgy.

Subject headings

HUMANIORA  -- Konst -- Scenkonst (hsv//swe)
HUMANITIES  -- Arts -- Performing Arts (hsv//eng)

Keyword

Sound design
performing arts
sonic scenography
new audio technology
musical composition
dramaturgy
theatre music
Artistic practices
Konstnärliga praktiker

Publication and Content Type

ref (subject category)
art (subject category)

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Stockholm University of the Arts

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