Faller damm, faller regn

Dahlstedt, Palle, 1971 (author): Gothenburg University,Göteborgs universitet,Högskolan för scen och musik,Institutionen för tillämpad informationsteknologi (GU),Academy of Music and Drama,Department of Applied Information Technology (GU)

Skånberg Dahlstedt, Ami, 1967 (author): Gothenburg University,Göteborgs universitet,Högskolan för scen och musik,Academy of Music and Drama

Nonaka, Kumiko (author): Gothenburg University,Göteborgs universitet,Högskolan för scen och musik,Academy of Music and Drama

(creator_code:org_t)

2012
Swedish.
In: Föreställningar, 3:e Våningen, Göteborg, 4 april – 11 maj 2012 Konsert, utdrag, Artisten, 13 april 2012 Konsertversion av föreställningen, Hagakyrkan, Göteborg, 5 maj 2012 Föreställning, Nya Paviljongen, Grankulla, Helsingfors, Finland, 16 maj 2012 Peer-reviewed presentation, Shifting Dialogues Symposium on Asian Performance, Theatre Academy, Helsingfors, 18-19 maj 2012.

Abstract Subject headings

Choreographer Ami Skånberg Dahlstedt has created a performance investigating class and gender of historic female street performers Shirabyoshi, who, trained in music, dance and poetry, performed dressed like male priests with sword, long hakama pants and a tall hat. How did they move? How did they manage their ambiguous position belonging both to the streets and the court? They could easily be replaced and thus lose social position, home and income. At the heart our performance are the Imayo (”modern”) songs of the Heian time. What was important in the arts of the Heian period and how can we relate to it? Ami is exploring the border between modern dance expression and the classical, ritual Japanese Buyo dance. Two musicians/composers contribute their perspectives to the performance: Kumiko Nonaka (Kyoto) constantly widens the range and outreach of the nohkan flute, bringing intimate knowledge of and new melodies for the Imayo Songs. Palle Dahlstedt (Gothenburg) combines studies in Noh music with advanced Western composition training and state-of-the art electronic music research. The objectives are to create an artistic synthesis, to bring it to a new audience and to show how these old artistic expressions can live – not only as a conserving museal craft, but as a powerful part of contemporary artistic expression.

By the author/editor: Dahlstedt, Palle ...; Skånberg Dahlste ...; Nonaka, Kumiko

About the subject

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