SwePub
Sök i LIBRIS databas

  Extended search

onr:"swepub:oai:gup.ub.gu.se/230254"
 

Search: onr:"swepub:oai:gup.ub.gu.se/230254" > Ornamentation based...

  • 1 of 1
  • Previous record
  • Next record
  •    To hitlist

Ornamentation based upon More-Than-Human-References: Moving Towards on Ecology of Trust

Belgrano, Elisabeth, 1970 (author)
Gothenburg University,Göteborgs universitet,Högskolan för design och konsthantverk,School of Design and Crafts
 (creator_code:org_t)
2015
2015
English.
In: CARPA4, Colloquium on Artistic Research in Performing 4 Arts, The Impact of Performance as Research, 1 -‐13 June 2015, Theatre Academy, Helsinki.
  • Conference paper (other academic/artistic)
Abstract Subject headings
Close  
  • This performance-presentation exhibits an ornamenting process of I/ voice /force and ”becoming/s” between sounding notes/structures/forms. In short: articulatings and matterings of force and form. Following a never ending /transforming web of acts and encounters, drive, desire and urge - being I/voice – continuously meeting that-which-isn’t-yet-known. The form (or stage) presented is a landscape and a twisted boarderland made up of nomadic theory (Braidotti, 2011) and artistic operatic madness (Belgrano 2014). The force is a chorus of intra-active voices mourning the loss of a city, loss of life and loss of trust. Departing from a nomadology illustrated conceptually, politically and contextually by Braidotti, the I/voice/force move through structures of sound; characters; emotions and statements spken out of fear and pain. Each vocal sound marks a conclusion and a beginning. Limits. According to Lacan, limits being wounds or scars, or marks ”of irreplaceble losses as well as liberal thoughts.” According to Deleuze, ”points of passages, thresholds, and markers of sustainability.” Conclusions and beginnings. What comes in between all limits are tranformations - complex ecosystem of encounters. Everyone part of such an encounter is being touched by the presence of its in/non/human neighbours. Together they form a world of more-than-human-references. A structure in its own becoming. This paper aim to show how each intimate unite of conclusions-transformations-beginnings of a microscopic moments, are fragments being part larger global patterns. Patterns shaped by a rethinking of using critique as a way of defining differences of thoughts powered by affirmativity. Along the way every act and every turn of I/voice will diffract, by means of emergent properties, giving birth to multiple voices. One voice will become I-being-more-than-one-voice, trusting in its own ways, colors, shapes, forms, non-sensical appearances.

Subject headings

HUMANIORA  -- Filosofi, etik och religion (hsv//swe)
HUMANITIES  -- Philosophy, Ethics and Religion (hsv//eng)
HUMANIORA  -- Konst -- Scenkonst (hsv//swe)
HUMANITIES  -- Arts -- Performing Arts (hsv//eng)
HUMANIORA  -- Konst -- Musik (hsv//swe)
HUMANITIES  -- Arts -- Music (hsv//eng)
HUMANIORA  -- Konst -- Musikvetenskap (hsv//swe)
HUMANITIES  -- Arts -- Musicology (hsv//eng)

Keyword

vocality
performance
performativity
nomadic theory
becoming
trust

Publication and Content Type

vet (subject category)
kon (subject category)

To the university's database

  • 1 of 1
  • Previous record
  • Next record
  •    To hitlist

Find more in SwePub

By the author/editor
Belgrano, Elisab ...
About the subject
HUMANITIES
HUMANITIES
and Philosophy Ethic ...
HUMANITIES
HUMANITIES
and Arts
and Performing Arts
HUMANITIES
HUMANITIES
and Arts
and Music
HUMANITIES
HUMANITIES
and Arts
and Musicology
Articles in the publication
By the university
University of Gothenburg

Search outside SwePub

Kungliga biblioteket hanterar dina personuppgifter i enlighet med EU:s dataskyddsförordning (2018), GDPR. Läs mer om hur det funkar här.
Så här hanterar KB dina uppgifter vid användning av denna tjänst.

 
pil uppåt Close

Copy and save the link in order to return to this view