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Ornamentation based...
Ornamentation based upon More-Than-Human-References: Moving Towards on Ecology of Trust
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- Belgrano, Elisabeth, 1970 (author)
- Gothenburg University,Göteborgs universitet,Högskolan för design och konsthantverk,School of Design and Crafts
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(creator_code:org_t)
- 2015
- 2015
- English.
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In: CARPA4, Colloquium on Artistic Research in Performing 4 Arts, The Impact of Performance as Research, 1 -‐13 June 2015, Theatre Academy, Helsinki.
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Abstract
Subject headings
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- This performance-presentation exhibits an ornamenting process of I/ voice /force and ”becoming/s” between sounding notes/structures/forms. In short: articulatings and matterings of force and form. Following a never ending /transforming web of acts and encounters, drive, desire and urge - being I/voice – continuously meeting that-which-isn’t-yet-known. The form (or stage) presented is a landscape and a twisted boarderland made up of nomadic theory (Braidotti, 2011) and artistic operatic madness (Belgrano 2014). The force is a chorus of intra-active voices mourning the loss of a city, loss of life and loss of trust. Departing from a nomadology illustrated conceptually, politically and contextually by Braidotti, the I/voice/force move through structures of sound; characters; emotions and statements spken out of fear and pain. Each vocal sound marks a conclusion and a beginning. Limits. According to Lacan, limits being wounds or scars, or marks ”of irreplaceble losses as well as liberal thoughts.” According to Deleuze, ”points of passages, thresholds, and markers of sustainability.” Conclusions and beginnings. What comes in between all limits are tranformations - complex ecosystem of encounters. Everyone part of such an encounter is being touched by the presence of its in/non/human neighbours. Together they form a world of more-than-human-references. A structure in its own becoming. This paper aim to show how each intimate unite of conclusions-transformations-beginnings of a microscopic moments, are fragments being part larger global patterns. Patterns shaped by a rethinking of using critique as a way of defining differences of thoughts powered by affirmativity. Along the way every act and every turn of I/voice will diffract, by means of emergent properties, giving birth to multiple voices. One voice will become I-being-more-than-one-voice, trusting in its own ways, colors, shapes, forms, non-sensical appearances.
Subject headings
- HUMANIORA -- Filosofi, etik och religion (hsv//swe)
- HUMANITIES -- Philosophy, Ethics and Religion (hsv//eng)
- HUMANIORA -- Konst -- Scenkonst (hsv//swe)
- HUMANITIES -- Arts -- Performing Arts (hsv//eng)
- HUMANIORA -- Konst -- Musik (hsv//swe)
- HUMANITIES -- Arts -- Music (hsv//eng)
- HUMANIORA -- Konst -- Musikvetenskap (hsv//swe)
- HUMANITIES -- Arts -- Musicology (hsv//eng)
Keyword
- vocality
- performance
- performativity
- nomadic theory
- becoming
- trust
Publication and Content Type
- vet (subject category)
- kon (subject category)
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