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The Chora of God : Approaching the Outskirts of Mariology in the Akathistos

Arentzen, Thomas (author)
Uppsala universitet,Lund University,Lunds universitet,Kyrko- och missionsstudier,Centrum för teologi och religionsvetenskap,Institutioner,Humanistiska och teologiska fakulteterna,Church and Mission Studies,Centre for Theology and Religious Studies,Departments,Joint Faculties of Humanities and Theology,Institutionen för lingvistik och filologi,Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Språkvetenskapliga fakulteten, Institutionen för lingvistik och filologi
 (creator_code:org_t)
Project Muse, 2021
2021
English 23 s.
In: Journal of Orthodox Christian Studies. - : Project Muse. - 2574-4968 .- 2574-495X. ; 4:2, s. 127-149
  • Journal article (peer-reviewed)
Abstract Subject headings
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  • This article explores the more-than-human characterization of the Theotokos in the famous Akathistos Hymn. The Mother of God emerged as an intercessional figure in the Christian imagination during late antiquity, but the formative period of mariology is still partly uncharted territory to modern scholarship. Reflecting on its rich landscape imagery and chora language, the article argues that the Akathistos minimizes the human traits of the Theotokos, rendering her more as a spatial phenomenon. In the hymn, we may glimpse traces of Marian ideas less developed during subsequent periods, ideas which gesture toward what we may call a "dark mariology." The Logos incarnates into more than human flesh, and the womb has a close affinity with the landscape. The Akathistos evokes the vision of a wider nonhuman participation in the incarnation rooted in the natural landscape of the Theotokos.
  • The article explores the more-than-human characterization of the Theotokos in the famous Akathistos Hymn. The Mother of God emerged as an intercessional figure in the Christian imagination during late antiquity, but the formative period of mariology is still partly uncharted territory to modern scholarship. Reflecting on its rich landscape imagery and chora language, the article argues that the Akathistos minimizes the human traits of the Theotokos, rendering her more as a spatial phenomenon. In the hymn, we may glimpse traces of Marian ideas less developed during subsequent periods, ideas which gesture toward what I call a "dark mariology." The Logos incarnates into more than human flesh, and the womb has a close affinity with the landscape. The Akathistos evokes the vision of a wider nonhuman participation in the incarnation rooted in the natural landscape of the Theotokos.

Subject headings

HUMANIORA  -- Filosofi, etik och religion (hsv//swe)
HUMANITIES  -- Philosophy, Ethics and Religion (hsv//eng)
HUMANIORA  -- Filosofi, etik och religion -- Religionsvetenskap (hsv//swe)
HUMANITIES  -- Philosophy, Ethics and Religion -- Religious Studies (hsv//eng)

Keyword

Akathistos
deep incarnation
Ecocriticism
khora
chora
dark mariology
LANDSCAPE
dark mariology
Akathistos hymn
landscape
chora/khora
Ecocriticism
deep incarnation
Akathistos Hymn

Publication and Content Type

art (subject category)
ref (subject category)

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