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EMS – Elektron Musi...
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Groth, Sanne KroghLund University,Lunds universitet,Musikvetenskap,Avdelningen för musikvetenskap och intermediala studier,Institutionen för kulturvetenskaper,Institutioner,Humanistiska och teologiska fakulteterna,Musicology,Division of Musicology and Intermedia Studies,Department of Arts and Cultural Sciences,Departments,Joint Faculties of Humanities and Theology
(author)
EMS – Elektron Musik Studion in Stockholm
- Article/chapterEnglish2016
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LIBRIS-ID:oai:lup.lub.lu.se:6f8c5a65-8894-479a-9f8f-4449670ae19a
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https://lup.lub.lu.se/record/6f8c5a65-8894-479a-9f8f-4449670ae19aURI
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https://doi.org/10.1163/9789004310506_015DOI
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Language:English
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Summary in:English
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Subject category:kap swepub-publicationtype
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Notes
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In 1964 the electronic music studio EMS, Stockholm opened as a conventional analogue studio. The primary intension with the institution was to build the world’s most advanced hybrid studio and to conduct an international research program into sound and sound perception. With financial support from the Swedish government and by the effort of the studio director Knut Wiggen, these visions were realised in 1970. Meanwhile, many composers did not intend to follow Wiggen’s ambitions visions. Strong wills, social changes and technological challenges trigged countless conflicts and tensions in the milieu.
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Ørum, Tania
(editor)
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Olsson, Jesper
(editor)
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MusikvetenskapAvdelningen för musikvetenskap och intermediala studier
(creator_code:org_t)
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In:A Cultural History of the Avant-Garde in the Nordic Countries, 1950-1975: BRILL32, s. 164-1741387-300897890043104909789004310506
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