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Det neutrala landet ingenstans. Bilder av andra världskriget och den svenska utopin
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- Liljefors, Max (author)
- Lund University,Lunds universitet,Avdelningen för konsthistoria och visuella studier,Institutionen för kulturvetenskaper,Institutioner,Humanistiska och teologiska fakulteterna,Division of Art History and Visual Studies,Department of Arts and Cultural Sciences,Departments,Joint Faculties of Humanities and Theology
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- Zander, Ulf (author)
- Lund University,Lunds universitet,Historia,Historiska institutionen,Institutioner,Humanistiska och teologiska fakulteterna,History,Department of History,Departments,Joint Faculties of Humanities and Theology
- (creator_code:org_t)
- 2003
- 2003
- Swedish.
- In: Scandia. - 0036-5483. ; 69:2, s. 209-242
- Journal article (peer-reviewed)
Abstract
Subject headings
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- This essay examines how the image of Sweden was visualized in Swedish visual culture from 1945 and onwards, in relation to the experience of World War II. It looks on a broad range of visual expressions, ranging from movies to picture magazines, school books, stamps, postcards, coins and medallions, etc. The essay argues that Sweden's national self-image was carefully constructed through visual culture in order to confirm the notions of Swedish neutrality, humanitarianism, and moral superiority.
Subject headings
- HUMANIORA -- Konst -- Konstvetenskap (hsv//swe)
- HUMANITIES -- Arts -- Art History (hsv//eng)
Keyword
- Sweden
- neutrality
- visual culture
- World War II
Publication and Content Type
- art (subject category)
- ref (subject category)
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