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Threshold and prefe...
Threshold and preference Quantities of Rules for Music Performance
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- Sundberg, Johan (författare)
- KTH,Tal, musik och hörsel
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- Friberg, Anders (författare)
- KTH,Tal, musik och hörsel
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- Frydén, Lars (författare)
- KTH,Tal, musik och hörsel
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(creator_code:org_t)
- University of California Press, 1991
- 1991
- Engelska.
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Ingår i: Music perception. - : University of California Press. - 0730-7829 .- 1533-8312. ; 9:1, s. 71-92
- Relaterad länk:
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https://urn.kb.se/re...
Abstract
Ämnesord
Stäng
- In an analysis- by-synthesis investigation of music performance, rules have been developed that describe when and how expressive deviations are made from the nominal music notation in the score. Two experiments that consider the magnitudes of such deviations are described. In Experiment 1, the musicians' and nonmusicians' sensitivities to expressive deviations generated by seven performance rules are compared. The musicians showed a clearly greater sensitivity. In Experiment 2, professional musicians adjusted to their satisfaction the quantity by which six rules affected the performance. For most rules, there was a reasonable agreement between the musicians regarding preference. The preferred quantities seemed close to the threshold of perceptibility.
Ämnesord
- TEKNIK OCH TEKNOLOGIER -- Elektroteknik och elektronik -- Annan elektroteknik och elektronik (hsv//swe)
- ENGINEERING AND TECHNOLOGY -- Electrical Engineering, Electronic Engineering, Information Engineering -- Other Electrical Engineering, Electronic Engineering, Information Engineering (hsv//eng)
Nyckelord
- music performance
- Speech and Music Communication
- Tal- och musikkommunikation
Publikations- och innehållstyp
- ref (ämneskategori)
- art (ämneskategori)
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