Smuggle, Frame, Shoot: Illicit Media Practices and Visual Insurgency from Lebanese Incarceration

↓ Direkt till sidans innehåll
↓ Direkt till sidans sekundära innehåll (sidomenyn)

Sökning: onr:"swepub:oai:DiVA.org:su-213618" > Smuggle, Frame, Sho...

1 av 1
Föregående post
Nästa post
Till träfflistan

LIBRIS Formathandbok (Information om MARC21)

Fältnamn	Indikatorer	Metadata
000		06202nam a2200529 4500
001		oai:DiVA.org:su-213618
003		SwePub
008		230111s2023 \| \|\|\|\|\|\|\|\|\|\|\|000 \|\|eng\|
020		a 9789180141604q print
020		a 9789180141611q electronic
024	7	a https://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-2136182 URI
040		a (SwePub)su
041		a engb eng
042		9 SwePub
072	7	a vet2 swepub-contenttype
072	7	a dok2 swepub-publicationtype
100	1	a Najem, Chafic T.,d 1991-u Stockholms universitet,Institutionen för mediestudier4 aut0 (Swepub:su)chna8285
245	1 0	a Smuggle, Frame, Shoot :b Illicit Media Practices and Visual Insurgency from Lebanese Incarceration
264	1	a Stockholm :b Department of Media Studies, Stockholm University,c 2023
300		a 243 s.
338		a electronic2 rdacarrier
490	0	a Doktorsavhandlingar från JMK,x 1102-3015 ;v 56
520		a This research explores prisoners’ illicit use of digital-media technology during their incarceration in Lebanon. Prisoners smuggle cellphones and access internet and telecommunication connection to produce and mediate videos, images, and voice recordings documenting quotidian experiences of imprisonment, violent events, and the COVID-19 Pandemic inside the notorious and overcrowded Roumieh Central Prison. Fragmentary prison amateur cellphone media messages make their way from behind bars to various media ecologies, from social media to local and international news-media platforms, where they are (re)mediated and often appropriated to feed partisan and sectarian media narratives. In this dissertation, I investigate prison cellphone recordings and their political and testimonial possibilities by tracing the prison media practices responsible for their production and circulation. Influenced by Amel’s (1976, 1988) intellectual project of theorizing from the periphery and the lo popular approach to theorizing media with and from individuals’ media practices in their territory (Martín-Barbero, 1998), I propose a framework for the conceptualization of prisoners’ illicit use of digital-media technologies and the recordings they produce as media from the prison. Based on a foundation of media-practice theory, more specifically the articulation of activist media practices and mediation theory (Martín-Barbero, 1993; Mattoni, 2012; Mattoni & Treré, 2014), I introduce three overarching and overlapping conceptual themes: media witnessing, media mobilization, and vulnerability in resistance. Using this theoretical framework, I examine the categories, characteristics, and modes of framing reflected in prison cellphone recordings, explore their alignment with mechanisms of mobilization and organized protest, and consider them as visual and sonic recorded testimonies that document and communicate personal impressions and the conditions of quotidian life in confinement. The analysis draws on a qualitative, multi-method approach combining visual analysis and contextual interviews. Location- and event-based searches were used to systematically collect a corpus of prison cellphone recordings remediated between 2011 and 2022 on Facebook, YouTube, and local and international news-media platforms. I propose the notion of visual insurgency as a step towards understanding the role and function of recordings that are produced and mediated through inherently prohibited media practices. Through the examination of composition, POV, frame, sound, (re)mediation, and the partisan context of Lebanon and the colonial history of its prisons, I trace the illicit media practices responsible for these prison representations. I claim that, through their media practices, prisoners mediate from the prison testimonies of their lived experiences, expose their vulnerabilities to the precarious conditions they exist in, re-claim a sense of mundanity, and incite feelings of affinity to mobilize support. I conclude that prison cellphone recordings are the result of meticulous prison media practices that are intended to actively mobilize support and sympathy, as well as to establish communication networks with affiliates and media personnel. Prison media practices continue to grow as prisoners smuggle digital-media technologies, develop new approaches to framing their testimonies and shooting the precarious environment, stories, performative assemblies, and lived experiences behind bars.
650	7	a SAMHÄLLSVETENSKAPx Medie- och kommunikationsvetenskapx Medievetenskap0 (SwePub)508012 hsv//swe
650	7	a SOCIAL SCIENCESx Media and Communicationsx Media Studies0 (SwePub)508012 hsv//eng
650	7	a SAMHÄLLSVETENSKAPx Medie- och kommunikationsvetenskap0 (SwePub)5082 hsv//swe
650	7	a SOCIAL SCIENCESx Media and Communications0 (SwePub)5082 hsv//eng
650	7	a SAMHÄLLSVETENSKAPx Medie- och kommunikationsvetenskapx Kommunikationsvetenskap0 (SwePub)508022 hsv//swe
650	7	a SOCIAL SCIENCESx Media and Communicationsx Communication Studies0 (SwePub)508022 hsv//eng
653		a media studies
653		a visual culture
653		a media practice
653		a media witnessing
653		a digital activism
653		a vulnerability
653		a prison practices
653		a prison representations
653		a prison testimonies
653		a medie- och kommunikationsvetenskap
653		a Media and Communication Studies
700	1	a Andén-Papadopoulos, Kari,c Professor,d 1963-u Stockholms universitet,Institutionen för mediestudier4 ths0 (Swepub:su)kand
700	1	a Wahlberg, Malin,c Professor,d 1971-u Stockholms universitet,Institutionen för mediestudier4 ths0 (Swepub:su)mwahl
700	1	a Kaun, Anne,c Professoru Department of Media and Communication Studies, Södertörn University, Sweden4 opn
710	2	a Stockholms universitetb Institutionen för mediestudier4 org
856	4	u https://su.diva-portal.org/smash/get/diva2:1725837/FULLTEXT01.pdfx primaryx Raw objecty fulltext
856	4	u https://su.diva-portal.org/smash/get/diva2:1725837/PREVIEW01.jpgx Previewy preview image
856	4 8	u https://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-213618

Hitta via bibliotek

Smuggle, Frame, Shoot Illicit Media Practices and Visual Insurgency from Lebanes... (Sök publikationen i LIBRIS)

Till lärosätets databas

1 av 1
Föregående post
Nästa post
Till träfflistan

Hitta mer i SwePub

Av författaren/redakt...: Najem, Chafic T. ...; Andén-Papadopoul ...; Wahlberg, Malin, ...; Kaun, Anne, Prof ...

Om ämnet

SAMHÄLLSVETENSKAP: SAMHÄLLSVETENSKA ...; och Medie och kommun ...; och Medievetenskap

SAMHÄLLSVETENSKAP: SAMHÄLLSVETENSKA ...; och Medie och kommun ...

SAMHÄLLSVETENSKAP: SAMHÄLLSVETENSKA ...; och Medie och kommun ...; och Kommunikationsve ...

Delar i serien: Doktorsavhandlin ...

Av lärosätet: Stockholms universitet

Sök utanför SwePub

Sök vidare i:: Google; Google Book Search; Google Scholar

Kungliga biblioteket hanterar dina personuppgifter i enlighet med EU:s dataskyddsförordning (2018), GDPR. Läs mer om hur det funkar här.
Så här hanterar KB dina uppgifter vid användning av denna tjänst.

LIBRIS.kb.se