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- Andersson, Gunnel, et al.
(författare)
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Samverkan för barn med funktionsnedsättning i socialt utsatta familjer
- 2017
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Rapport (övrigt vetenskapligt/konstnärligt)abstract
- Hur ser socialtjänstens förmåga ut när det gäller att stödja barn med funktionsnedsättning som lever i socialt utsatta familjer?Den här studien handlar om samverkan mellan Individ- och familjeomsorgens barn- och ungdomsenheter och enheter för personer med funktionsnedsättning. En fungerande samverkan av olika samhälleliga aktörer runt barn med funktionsnedsättning i socialt utsatta familjer kan ses som extra viktig. Dels för att det handlar om barn, dels för att det berör barn med funktionsnedsättning.Barn med funktionsnedsättning som också lever i socialt utsatta familjer utgör en mycket svag grupp med begränsningar att föra sin egen talan. Forskning visar dessutom att barn med funktionsnedsättning i högre grad än andra barn riskerar att utsättas för våld och övergrepp. Tyvärr visar forskningen också att många professionella saknar kunskap om barn med funktionsnedsättningars speciella behov och ökade utsatthet för våld och andra övergrepp.Utifrån fiktiva fall avseende två barn med funktionsnedsättningar som lever i familjer med social problematik har socialsekreterare och LSS-handläggare i åtta kommuner diskuterat hinder och förutsättningar för samverkan. Får barnen i dessa vinjetter den hjälp och det stöd de behöver? Var hamnar barnen i utredningsprocesserna?Rapporten ringar in ett antal utvecklingsområden och dilemman. I rapporten framkommer också några lösningar och goda exempel.Rapporten avslutas med ett arbetsmaterial med korta sammanfattningar och diskussionsfrågor som kan användas i personalgrupper för att utveckla den egna verksamheten.
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- Andersson, Gunnel, 1955-, et al.
(författare)
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Standardized knowledge, the IBIC and knowledge-based social services
- 2023
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Ingår i: Nordic Social Work Research. - 2156-857X .- 2156-8588. ; , s. 1-14
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Tidskriftsartikel (refereegranskat)abstract
- This article discusses the contribution of standardized methods to knowledge-based social services. The point of departure for the study is theSwedish assessment method the Individual’s Needs in Focus (IBIC). Howdoes the IBIC, based on the terminology of the ICF, contribute to standardizeddocumentation and to a focus on the needs of the individual? Thestudy is based on 80 social service investigations, from four differentSwedish municipalities, concerning daily living support interventions, aswell as 13 interviews with case officers. Our analysis exposes major flaws interms of clarity and uniformity. The client’s needs may be seeminglyrandomly assigned to a particular life domain; environmental factorsand personal factors have no specified content, and the assessment ofthe degree to which functioning is limited is subjective. As a standardizedmethod, the IBIC fails in the fundamental requirement of providing a basisfor comparison – the headings do not necessarily coincide with thecontent. From a social perspective, one can also question why, accordingto the IBIC, needs are centred to functions, supposedly improved bypractice/learning. Overall, this also jeopardizes its value relative to goalfulfilment at both individual and aggregated levels. We argue that onereason why it is difficult to apply the IBIC is that its construction does notalign with the premise of social work. The IBIC constructs an approach toknowledge that tends to place a high premium on the simple and welldefined,rather than the holistic and complex.
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- Carlshamre, Katarina, 1972-
(författare)
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Pulsion et résistance : Émancipation, liberté et tendances conservatrices dans trois romans d'Anne Hébert
- 2009
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis investigates some motifs in the fiction of Québec writer Anne Hébert (1916-2000), largely by exploring interesting affinities with notions in the philosophy of Luce Irigaray (1930-). The main focus is on the young female characters and their way to adulthood in three of Hébert’s books: her first novel, Les chambres de bois (LCB, 1958) and two of her later works, Aurélien, Clara, Mademoiselle et le Lieutenant anglais (AC, 1995) and Est-ce que je te derange ? (ECD, 1998). The study also addresses the situation of the male characters and the difficulties which confront them within a phallocentric order. It is argued that a comparison with features of Irigaray’s thought can shed light both on the emancipatory and the conservative tendencies in the novels. In particular, it is Irigaray’s notion of mimesis that proves to be fruitful for a deeper understanding of the female protagonists in the analysed works, but her specific use of the Oidipus complex, and her vision of a culture of sexual difference, also give important clues for the interpretation of both male and female figures in Herbert’s texts. With regard to LCB, it is shown that it is only when the female protagonist consciously positions herself as a reflection of male desire, as a mimetic figure, that substantial change comes about. In AC the female character is an incarnation of “utopian mimesis” and represents a new order. In ECD the female protagonist functions as a manifestation of a “symptomatic mimesis” and thereby becomes a catalyst for the revelation of the repressed sensibility of the male subject. Irigaray’s reading of the Oidipus complex is used to evince the utopian tendencies in AC, but also to explore how the male characters of all three works are stuck in a denied repetition of their childhood, which leaves little room for change. Irigaray’s vision of a culture of sexual difference provides a comprehensive picture of a place towards which all three novels can be seen to aim.
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- Cedergren, Mickaëlle, 1969-, et al.
(författare)
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Le positionnement transnational d’August Strindberg dans la presse française — Un contre-discours boréal ?
- 2020
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Ingår i: Revue nordique des études francophones. - : Stockholm University Press. - 2003-0401. ; 3:1, s. 133-149
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Tidskriftsartikel (refereegranskat)abstract
- L’essai d’August Strindberg intitulé « De l’Infériorité de la femme et comme corollaire de la justification de sa situation subordonnée selon les données dernières de la science » fait scandale lorsqu’il apparaît dans la Revue blanche en 1895. Ce discours est surprenant pour diverses raisons. Que recherchait Strindberg en écrivant un article aussi provocateur ? En resituant ce texte dans la production littéraire de l’écrivain, en étudiant sa genèse et sa réception dans les journaux français de l’époque, nous proposons de traiter la question suivante : Strindberg voudrait-il se profiler comme écrivain nordique aux allures scientifiques dans le champ français, en publiant en langue française, un texte « scientifique » anticonformiste sur la femme ? À la lumière des travaux portant sur le boréalisme, la paratopie et la réception, nous nous interrogeons pour savoir si ce discours ne serait pas une stratégie pour conquérir le public parisien et européen. Les résultats de cette contribution tendent, en effet, à montrer comment Strindberg a cherché à se positionner en rupture et en continuité, à la manière d’un écrivain « scandinave méridional ». L’écrivain suédois joue sur les représentations du Nord et intègre le discours exogène français tout en le dépassant. En adoptant un contre-discours boréal où Strindberg s’affiche à la fois épigone et pionnier, l’auteur suédois ajuste adroitement son discours.
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- Cedergren, Mickaëlle, 1969-
(författare)
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L'écriture biblique de Strindberg : Étude textuelle des citations bibliques dans Inferno, Légendes et Jacob lutte
- 2005
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- Inferno constitutes a turning point in Strindberg's literary production in that scriptural quotations appear more frequently and a new style emerges. This thesis presents the characteristics of the scriptural quotations appearing in Inferno (1897) and Jacob Wrestles (a fragment following Légendes, written in French and in Swedish in 1898). Comparative, discourse, textual and intertextual approaches are used to define the place and role of scriptural quotations in this literary corpus.From a historical point of view, both novels are part of the religious history of late 19th century France, where religion played a more important role than during the scientific, rationalist era characterizing the preceding decades. Strindberg adopts a new style corresponding to the spirit of his time. The art of "quoting the Bible at random" is a rhapsodic style, which appears mainly in Strindberg’s correspondence, in his Occult Diary (writings contemporary with Inferno) and in the work of some French 19th century writers. This style originates, above all, in the occult tradition, but it is also a means of imitating the Bible and identifying with a prophetic figure.The research discussed in this dissertation has made it possible to determine, for the first time, what Bible translations are used in the two novels by Strindberg (translations by Ostervald and Martin / Roques). Five different types of rewritings of quotations were found: omissions, cutting of verses, substitutions, typographical changes and inversions. These variations were aimed at harmonising the Biblical text and the Strindbergian text, while removing contextual and theological elements that bothered the writer. The discourse analysis has concentrated on the quotations viewed as reported speech, distinguishing different ways of introducing Biblical verses in the novel. It was found that the narrator's subjectivity is present in the comments leading up to the quotations. The polyphonic character of some quotations has stressed the importance of identification play between the narrator and certain quotations characters such as Christ, Job and the psalmist.The intertextual analysis has revealed a large number of similarities in the scriptural quotations in the literary production of Strindberg, Swedenborg and French 19th century literature. It is shown that Inferno contains various quotations that appear in Occult Diary and in other writers’ works, such as those of Swedenborg, Péladan, Zola, Huysmans and Chateaubriand. Jacob Wrestles, on the other hand, does not include as many intertextual elements but instead reassembles many scriptural quotations that were underlined in the Bible translation used for this novel: La Sainte Bible, Ostervald's translation from 1890, which can be found in Blå Tornet (The Strindberg Museum in Stockholm). Strindberg is consequently recycling Biblical material when he writes Inferno, while resorting to the French Bible of Ostervald from 1890 to write Jacob Wrestles.The quotations strewn in Inferno constitute a crescendo and reveal the narrator’s unsuccessful attempt at conversion, at the same time forming the structure of a complaint psalm in which the narrator cries out his suffering and awaits liberation. In the French text of Jacob Wrestles, the writer offers a package of scriptural quotations in order to identify the narrator as "a religious man", imploring God's mercy like Moses and Job. In the Swedish text of Jacob Wrestles, a new perspective is introduced as a result of the change in language, the change from Old to New Testament, the new spiritual disposition of the narrator and the sudden intrusion of the writer in the narrator’s space. The role of scriptural quotations in the entire fragment of Jacob Wrestles is a true linguistic, thematic and theological revolution, which accounts for the narrator's extraordinary religious evolution. The misery of the narrator in Inferno allows a ray of Christian hope, which will persist in Strindbergs’s literary production post-Inferno.
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