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Träfflista för sökning "AMNE:(HUMANIORA Annan humaniora) srt2:(1975-1999)"

Sökning: AMNE:(HUMANIORA Annan humaniora) > (1975-1999)

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NumreringReferensOmslagsbildHitta
1.
  • Heldner, Christina, 1942 (författare)
  • Är Pippi Långstrump kolonialist?
  • 1994
  • Ingår i: Abrakadabra. - 0349-683X. ; 1994:1, s. 27-29
  • Tidskriftsartikel (refereegranskat)
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2.
  • Bursell, Barbro, 1942- (författare)
  • Människan i industrilandskapet
  • 1994
  • Ingår i: Kulturmiljövård. - Stockholm : Riksantikvarieämbetet. - 1100-4800. ; :6, s. 19-25
  • Tidskriftsartikel (populärvet., debatt m.m.)
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3.
  • Edkvist, Ingela, 1957- (författare)
  • The performance of tradition : An ethnography of Hira Gasy popular theatre in Madagascar
  • 1997
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • This study deals with the popular theatre performance of Hira Gasy, and its actors andaudiences in the central highland regions of Imerina and northern Betsileo in Madagascar. The Hira Gasy has developed from a court to a rural performance during the last two centuries, a period influenced by first the British and then by the French presence in the country. Today, the performances are given in diverse contexts, the most common being in connection with reburial ceremonies. The Hira Gasy troupes all have a common form of their performance, with speeches, songs, acrobatics, dance and music, while the content is unique for each troupe, although given in a culturally recognized form. The study is based on 19 months of fieldwork divided into five periods between1991 and 1996. The main argument is that the Hira Gasy performances provide a forumin which the problems of identification and belonging are discussed. The `foreigner' isused as a `mirror image' for the rural and the poor in their aims to assert and shape theirsense of belonging in a changing society. The symbols of identification - the ancestralland, the common tomb, and the family solidarity - are felt to be threatened by increasingindividualization and the decrease in the fulfillment of the ancestral duties. For the ruralpoor their feelings of marginality and powerlessness in relation to the economically andpolitically powerful urban elite are expressed in Hira Gasy. Through the practice ofcustom they sustain their moral dignity, which is one of the most important means inorder to remain malagasy. The Hira Gasy performances are indigenious arenas for existential and moral discussions, and for providing a sense of belonging in a problematic reality shaped by both the `way of the ancestors' and the `way of the foreign'.
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7.
  • Elzinga, Aant, 1937 (författare)
  • Symposium with Martin Bernal, the Historical Construction of Europe : Thematic issue of the journal VEST (Vetenskapsstudier)
  • 1995
  • Ingår i: Vest: Tidskrift för Vetenskapsstudier. - 0283-6025. ; 8:4, s. 4-127
  • Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
    • The thematic issue of Tidskriften för vetenskapsstudier (Journal of Science Studies) in its 4th issue of 1995 contains proceedings from a symposium with Martin Bernal on the reception of the latter'scontroversial book Black Athena. The symposium organized by Aant Elzinga at the Humanities faculty, Gotehnburg Univeristy in 1994 contains a record of a debate between Martin bernal and several scholars at Gothenburg University plus papers on Eurocentrism and the constructin of a Euroipean identity (contributed by Ronny Ambjörnsson, Aant Elzinga,Everett Medelsohn, and Sven-Eric Liedman among others).
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9.
  • Ronström, Owe, 1953- (författare)
  • Inledning
  • 1990
  • Ingår i: Musik och kultur. - Lund : Studentlitteratur AB. - 9144301618 ; , s. 5-20
  • Bokkapitel (refereegranskat)
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10.
  • Landzelius, Michael, 1958 (författare)
  • Dis(re)membering Spaces: Swedish Modernism in Law Courts Controversy
  • 1999
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • The dissertation addresses the public controversy, as reflected in newspaper coverage, over the 1936 Law Courts Annex in Göteborg, Sweden. The controversy is conceived as a tension-filled, multi-layered conjuncture of urban rivalry within the nation-state. The politico-differential pair modernism/conservatism and the spatio-differential pair Stockholm/Göteborg are traced out and shown to be formative for subject positions both in the controversy, and in scholarly work during the subsequent six decades.To disentangle the conjuncture, subjects’ spatial sense-making is contextualized with respect to a politicized built environment, and to practices characterized by polysemy, contestation and resemanticization, through which volatile meanings and identity effects are continuously renegotiated. This understanding is elaborated in relation to a notion of power as concerning asymmetries of spatial reach with regard to individuals’ influence and control over practices.From this position, the law courts controversy is unfolded through a multi-factor analysis on several spatial scales, from the nation-state to architectural solutions. It is demonstrated that in the Swedish 1930s, no building but the Law Courts Annex was executed in overt modernism on a site of key symbolico-political significance. The established projection of modernism onto Stockholm and conservatism onto Göteborg is deconstructed. The study shows how the law courts project crystallized into a unique conjuncture entangled in questions of: national and local struggles between fractions of the dominant class; governmental efforts to impose new norms and forms of dwelling and discipline; aesthetic purification and élitism; and conjoined interests of real estate capitalists, functionalist planners, and reformist politicians.The law courts controversy is shown to have been embedded in transpositions of ethics, politics, space and aesthetics. New spaces of commoditized visibility were related to the Law Courts Annex, and a gendered imagery of buildings and female human bodies as homologous were invoked together with notions of sexual and bodily hygiene. The controversy is unfolded as concerned with conditions of identity formation and subjectivity in a space of unseen visibility, and the building is unveiled as a classed and gendered space for the production of humans as mass ornaments with apractic postural models.In conclusion, established scholarly discourse on the Law Courts Annex and the controversy is unveiled as a third-order simulacrum through which the annex since the late 1930s has been produced and preserved as a counterfeit, as a historical simulacrum of the particular imagery of a discourse disconnected from existing traces of the past.
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