1011. |
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Tron är mitt lokalbatteri : religion och religiositet i August Strindbergs liv och verk
- 2012
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Tron är mitt lokalbatteri skriver August Strindberg i boken Ensam - ett av de sista verken. Tron tar sig många uttryck och strömkällan ger kraft till en mängd olika texter. Citatet ger en ingång till flera av dessa berättelser, och till berättelsen om Strindberg som sökare, mystiker, ateist och kristen. Bilden är mångskiftande.Till Damaskus, En Blå bok, Påsk, Mäster Olof, Giftasnovellerna, Sagospelen och Kammarspelen är några av de texter som betraktas ur detta perspektiv, men även hans tid i Frankrike, hans relation till den katolska kyrkan och till andra författare såsom Emanuel Swedenborg och Carl von Linne.Ett flertal författare och forskare som under lång tid arbetat med Strindbergs verk och liv medverkar. Avslutar gör biskop em Caroline Krook med en personlig betraktelse över det religiösa sökande som ses i August Strindbergs verk.
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1012. |
- Turner, Ellen
(författare)
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The 5K run in popular fiction : Reading about parkrun and couch to 5K
- 2023
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Ingår i: Frontiers in Sports and Active Living. - : Frontiers Media SA. - 2624-9367. ; 5, s. 1-11
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Tidskriftsartikel (refereegranskat)abstract
- Recent years have witnessed great interest in mass-participation running events (Hindley, 2020), and organisations such as parkrun and fitness programmes like Couch to 5K, have been instrumental in enabling participation for inexperienced runners. Concomitant with this has been a number of fictional works which centre on the 5K run. I contend that exploring fictional texts can offer a fresh take on how movements such as parkrun and Couch to 5K have entered the popular imagination. The four texts explored are Wake’s Saturday Morning Park Run (2020), Park’s A Run in the Park (2019), Boleyn’s Coming Home to Cariad Cove (2022), and James’s I Follow You (2020). The analysis is arranged thematically around the categories of health promotion, individual transformation, and community building. I argue that these texts frequently operate as health promotional tools and can help familiarise would-be runners with how parkrun and Couch to 5K work.
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1013. |
- Törnquist-Plewa, Barbara, et al.
(författare)
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Olgi Tokarczuk szwedzka droga do Nagrody Nobla
- 2022
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Ingår i: Polsko-szwedzkie spotkania po roku 1918 : Literatura – Język – Kultura - Literatura – Język – Kultura. - 0562-3030 .- 0346-5462. - 9789151313184 ; 51, s. 220-241
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Bokkapitel (refereegranskat)abstract
- In 2019 Olga Tokarczuk, an outstanding Polish writer received Nobel Prize in literature. The prize appeared as a culmination of her growing popularity outside Poland, including Sweden. In our article we attempt to trace Tokarczuk´s pathway to Nobel Prize, through studying her reception in Sweden. Already in 2005 the first translations of her books appeared in Sweden, with enthusiastic reviews. Her reception in Sweden went however through various phases: from praising the local, Central European specific traits to admiration and recognition of the universal, global dimensions of her writing, through her interests in ecology, migration, the condition of the (post)modern man. By 2019 almost all her books were translated into Swedish and she won recognition not only among literary critics but even among the broad reading audience. By following the reviews in the Swedish press, from 2005 to present, and by interviewing her translators and editors we are reconstructing the complex process of reception and recognition of Tokarczuk´s writing in Sweden. We try to answer the questions about the sources of her popularity in the Swedish context that ultimately assured her the highest prize in the literary world
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1014. |
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1015. |
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1016. |
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1017. |
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1018. |
- Van Meerbergen, Sara, 1981-
(författare)
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Play, parody, intertextuality and interaction : Postmodern Flemish picture books as semiotic playgrounds
- 2012
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Ingår i: Barnelitterært forskningstidsskrift. - : Scandinavian University Press / Universitetsforlaget AS. - 2000-7493. ; 3:1
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Tidskriftsartikel (refereegranskat)abstract
- Because of their prominent use of artistic illustrations, contemporary Flemish picture books have often been referred to as ‘‘aesthetic picture books’’ in Flanders. In this article, I will argue that the use of art and references to art by no means is a feature that is unique for contemporary Flemish picture books. The use of artistic allusions is only one of many characteristics that contemporary Flemish picture books share with what internationally has come to be described as ‘‘postmodern picture books’’. Typical postmodern features such as play, parody, intertextuality and interaction (between text and reader) will consequently be identified and analysed in works by several Flemish picture book artists. Because of these postmodern features, picture books are furthermore described as ‘‘semiotic playgrounds’’ where readers can become (inter)active readers.
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1019. |
- Van Meerbergen, Sara, 1981-
(författare)
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Spel, parodie, intertekstualiteit en interactie : Postmoderne tendenzen in Vlaamse prentenboeken
- 2011
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Ingår i: De Leeswelp. - Antwerpen : Vlabin-VBC. - 1780-3845. ; 17:3, s. 82-85
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- In this article some postmodern tendencies in contemporary Flemish picture books are discussed. The theoretical discussion takes its outcome in the anthology Postmodern Picturebooks, edited by Lawrence R. Sipe and Sylvia Pantaleo. Main themes in the article are play, parody, intertextuality and interaction. Work of following Flemish picture book artists is discussed: Isabelle Vandenabeele, Gerda Dendooven, Pieter Gaudesaboos and Tom Schamp.
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1020. |
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